dovidio stefano (14 resultados)

Brossura. Condición: new. Edited by Foletti I.English Text.Roma, 2013; paperback, pp. 192, b/w ill., cm 17x24.(I Libri di Viella. Arte). Peter Brown has described the position of holy bodies in the Early Christian period as a "place between Earth and Heaven." The principal aim of this book is to deal with precisely this intersection between two worlds expressed by the Dead, and in particular by their images and their faces.The first part of this book looks into the portrait and its function, and the reason for which Late Antiquity, following a custom it inherited from previous eras, covered itself with individual images of the deceased. As in previous eras, the portrait appears, above all, to be an attempt to express the individual in his or her entirety; the techniques and "instruments" perfected in the course of the the 3rd century, however, lead to divergent formal and conceptual results.The second question, answered more briefly, deals with the perception and representation of the dead body as a whole, defined by David Le Breton as "la souche identitaire de l'homme." The question asked is a fundamental one, since we are confronted with humanity itself after its passage to that which lies beyond: does the body become just a memory or does it preserve the real presence of the person who once existed? Libro.

Condición: New.

Paperback. Condición: new. Paperback. This book collects essays on writings by erudite travellers who explored the Mediterranean countries in search of classical antiquities between the 17th and the 19th centuries, but encountered the art of the Middle Ages, nearly always unexpectedly. The analysis of this literature allows to evaluate the diverse perceptions of medieval heritage, particularly in Southern Italy and the lands of modern-day Croatia and Greece - considered prime destinations for the on-site study of Antiquity besides Rome. The texts are scrutinised from the perspective of the vocabulary employed by the authors, so to evaluate the interpretative categories they adopted in the examination and classification of the art and architecture from the Middle Ages, before history of medieval art was developed as an academic discipline during the 19th century. Proceedings of a conference held at the Universitaa di Napoli Federico II, Naples, Italy, November 20-21, 2023. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: NEW.

Brossura. Condición: new. A cura di D'Ovidio S. e Lucherini V.Roma, 2024; br., pp. 316, ill., cm 17x24.(Quaderni Napoletani di Storia dell'Arte Medievale. 9). Libro.

Condición: As New. Unread book in perfect condition.

Condición: NEW.

Brossura. Condición: new. Edited by S. Romano, Foletti I. and Gianandrea M.English Text.Roma, 2018; paperback, pp. 468, col. ill., cm 17x24.(Études Lausannoises d'Histoire de l'Art. 27). Libro.

Condición: NEW. Roma: Viella, 2018 9788867289134 Études lausannoises d'histoire de l'art 27 1409 468 p. : indice ; 24 cm. If there is one constant in the history of Christianity and especially of the Western Church, it is its deep desire to be connected with its own past. From the perspective of the longue durée, it might even be possible to state that a meditation on Christian origins was a common and widespread response used throughout history in the face of each great moment of crisis within the Church. In those situations, the rhetoric produced by the Church was always aimed at emphasizing a desire to return to these mythical roots, the ideal community, a pure and radical Christianity. The question underlying this book is the way in which this desire for the past provides the occasion to re-live, re-think and re-create Christian origins. More precisely, the crux of our work is to understand how this desire can transform and rewrite the past both in materiality with restorations of ancient monuments and in ideas writing history. In this book, the main focus of attention is dedicated to three key moments, corresponding more or less to three crucial episodes in the history of the Catholic Church in the modern era. The first of these three is the Reformation and subsequent Counter-Reformation, between the sixteenth and seventeenth centuries. Second comes the moment in which the Catholic Church lost its temporal power during the Unification of Italy and the "spiritual" reaction culminating with the First Vatican Council (1869-1870). Lastly is the period before and after the Second. If there is one constant in the history of Christianity and especially of the Western Church, it is its deep desire to be connected with its own past. From the perspective of the longue durée, it might even be possible to state that a meditation on Christian origins was a common and widespread response used throughout history in the face of each great moment of crisis within the Church. In those situations, the rhetoric produced by the Church was always aimed at emphasizing a desire to return to these mythical roots, the ideal community, a pure and radical Christianity. The question underlying this book is the way in which this desire for the past provides the occasion to re-live, re-think and re-create Christian origins. More precisely, the crux of our work is to understand how this desire can transform and rewrite the past both in materiality with restorations of ancient monuments and in ideas writing history. In this book, the main focus of attention is dedicated to three key moments, corresponding more or less to three crucial episodes in the history of the Catholic Church in the modern era. The first of these three is the Reformation and subsequent Counter-Reformation, between the sixteenth and seventeenth centuries. Second comes the moment in which the Catholic Church lost its temporal power during the Unification of Italy and the "spiritual" reaction culminating with the First Vatican Council (1869-1870). Lastly is the period before and after the Second. Foletti,Ivan - Gianandrea,Manuela - Romano,Serena.

Brossura. Condición: new. A cura di Lucherini V.Roma, 2018; br., pp. 200, ill. b/n, tavv. b/n, cm 17x24.(I Libri di Viella. Arte). In che modo l'età moderna e contemporanea hanno guardato alle immagini medievali di culto? Come le hanno percepite? Sotto quali istanze le hanno conservate e ri-contestualizzate? E, invece, in che modo un'immagine che non era stata oggetto di culto diventa, alla fine del Medioevo o dopo il Medioevo, vettore di miracoli e fulcro di una nuova devozione? Il libro porta un contributo significativo a un tema ancora relativamente poco studiato, presentando esempi di più geografie europee, attraverso i quali si pone l'accento sulla dialettica tra ri-appropriazione e cancellazione del senso e delle funzioni originarie delle immagini, con uno sguardo particolare verso le componenti sociali implicate nei diversificati processi di modificazione connessi agli oggetti figurativi medievali. Libro.

Paperback. Condición: new. Paperback. This book collects essays on writings by erudite travellers who explored the Mediterranean countries in search of classical antiquities between the 17th and the 19th centuries, but encountered the art of the Middle Ages, nearly always unexpectedly. The analysis of this literature allows to evaluate the diverse perceptions of medieval heritage, particularly in Southern Italy and the lands of modern-day Croatia and Greece - considered prime destinations for the on-site study of Antiquity besides Rome. The texts are scrutinised from the perspective of the vocabulary employed by the authors, so to evaluate the interpretative categories they adopted in the examination and classification of the art and architecture from the Middle Ages, before history of medieval art was developed as an academic discipline during the 19th century. Proceedings of a conference held at the Universitaa di Napoli Federico II, Naples, Italy, November 20-21, 2023. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Brossura. Condición: new. A cura di D'Ovidio S. e Van Gastel J.Roma, 2021; br., pp. 320, 150 ill. b/n e col., cm 16,5x24.(Quaderni della Bibliotheca Hertziana. 5). Per buona parte del Novecento la storia dell'arte è stata condizionata dal pregiudizio filosofico in favore dell'Idea che ha ridotto i materiali a un anti-valore, relegandoli all'ambito esclusivo dei restauratori. La storiografia internazionale degli ultimi decenni ha ribaltato questa visione, ponendo i materiali al centro della riflessione. I saggi raccolti in questo volume intendono proporre un percorso nella storia dell'arte in Italia meridionale dal Medioevo al Novecento, letta attraverso il filtro della materialità, intesa non soltanto come insieme di risorse primarie e condizionanti della produzione artistica e architettonica del territorio, ma anche e soprattutto come medium attraverso il quale sono stati plasmati e fusi modelli culturali, competenze tecniche, istanze di rappresentazione politica, sociale, ideologica e religiosa. Fino a che punto i materiali esprimono nessi con il contesto geologico e l'ambiente naturale? Come si relazionano al passato di un luogo? Come contribuiscono alla creazione dell'identità collettiva? Intorno a questi interrogativi ruotano i casi discussi nel libro, che si collocano in una prospettiva di lunga durata, il secondo millennio dell'era cristiana, durante il quale l'Italia meridionale ha preso forma in quanto entità distinta dal resto della Penisola. Ne risulta un quadro variegato in cui la materialità si propone come strumento interpretativo in grado di sovvertire categorie storiografiche precostituite e di svelare il rapporto indissolubile tra arte, materia e società. Libro.

Condición: NEW. Roma: Viella, 2018 9788833130309 809 200 p. : ill. col. b/n, indice, biografia ; 24 cm. In che modo l'età moderna e contemporanea hanno guardato alle immagini medievali di culto? Come le hanno percepite? Sotto quali istanze le hanno conservate e ri-contestualizzate? E, invece, in che modo un'immagine che non era stata oggetto di culto diventa, alla fine del Medioevo o dopo il Medioevo, vettore di miracoli e fulcro di una nuova devozione? Il libro porta un contributo significativo a un tema ancora relativamente poco studiato, presentando esempi di più geografie europee, attraverso i quali si pone l'accento sulla dialettica tra ri-appropriazione e cancellazione del senso e delle funzioni originarie delle immagini, con uno sguardo particolare verso le componenti sociali implicate nei diversificati processi di modificazione connessi agli oggetti figurativi medievali. Lucherini,Vinni.

Brossura. Condición: libro nuovo. Opera in due tomi. Cm.24x17. Pg.XXIV,710 complessive. Brossura editoriale. Con 32 illustrazioni nel testo e sei tavole fuori testo. Collezione "Historiae Musicae Cultores - Biblioteca", n°111. La miscellanea, suddivisa in due volumi, raccoglie ampi studi di carattere storico-estetico, critico-testuale, analitico-musicale e interdisciplinare dedicati a cinque tematiche fondamentali: ?classicità? e ?originalità? di Corelli fra mito e realtà storica; la musica e le arti a Roma al tempo di Corelli; l?Opera Quinta: problemi di critica testuale, esegesi, prassi esecutiva; le sonate a tre e la tradizione romana; produzione, diffusione e ricezione del modello corelliano. 1100 gr.