Dick corman (15 resultados)

Paperback. Condición: Very Good.

Paperback. Condición: Very Good.

Condición: Very Good. Very Good condition. Paperback edition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

perfect. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Softcover. Condición: Near Fine. First Edition. Top spine very slightly bumped; 161 pages.

Softcover. Condición: Very Good+. First Edition. Top corner of front cover has tiny crease, very light edgewear; 185 pages.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Condición: Near Fine. First Edition. Clean and tight; 215 pages.

No Binding. Condición: VGF. A lot of ten VGF or better original release 8 x 10 stills. Lot B Size: 8" x 10". Poster.

No Binding. Condición: VGF. A lot of nine VGF or better original release 8 x 10 stills. Lot A Size: 8" x 10". Poster.

Staplebound wraps. Condición: Good. 12mo, pp. 125-186. 11 poems by Bronk, 7 by Morse, portfolio of prints by Boyce, etc. Head and heel of spine and corners bumped; wrappers handled, edgeworn, soiled and stained; page edges tanned and dustsoiled.

Soft cover. Condición: Good. Rubbing to cover especially on rear cover and shelfwear evident along edges. Otherwise a good copy free of markings. Edited by Clayton Eshleman with Robert Kelly as contributing editor. Cover by Carolee Schneemann. Featuring contributions by Cid Corman, Ed Dorn, Allen Ginsberg, Victor Coleman, Robert Duncan, Diane Wakoski, Gerrit Lansing, David Antin, Armand Schwerner, Michael McClure, Dick Higgins, Theodore Enslin, Kenneth Irby, Paul Blackburn, among others.…

Draft script for the 1957 film. Copy belonging to actor Dick Miller, with his manuscript pencil annotations throughout. Miller was apparently considered for the role of Stanley, as many of Stanley's lines are marked with manuscript pencil and then struck through, but was ultimately cast in the role of Ben. The gangster owner of a nightclub on a carnival pier is tormented by his love for the club's star, who herself is in love with a local businessman with dreams of buying out the club. An early role for Miller, who appeared in 14 films directed by legendary independent filmmaker Roger Corman between 1955 and 1961, and would continue to work with Corman throughout his career. Red titled wrappers. Title page present, undated, with credits for screenwriter Leo Lieberman. 72 leaves, with last page of text numbered 71. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with three gold brads.…

Draft script for the 1957 film. Copy belonging to actor Dick Miller, who had a sizable role in the film, with his name to the title page, and his manuscript pencil and ink annotations throughout. The finished film runs a little over an hour, so the script, at 127 pages, was cut down substantially in the filming and editing process, leaving a remarkable amount of content for study. An alienated, wealthy coed at an all-girls boarding school inflicts increasing cruelties on the other students, until her manipulation goes too far. An early role for Miller, who appeared in 14 films directed by legendary independent filmmaker Roger Corman between 1955 and 1961, and would continue to work with Corman throughout his career. Brown titled wrappers. Title page present, undated, with credits for screenwriter Ed Waters. 128 leaves, with last page of text numbered 127. Mimeograph duplication, rectos only. Pages and wrapper Near Fine, bound internally with three silver brads.…

Draft script for the 1975 film. Copy belonging to actor Dick Miller, with his name in manuscript ink annotation to the title page, and his manuscript ink annotations throughout. From the estate of Dick Miller. Directed by noted 1970s filmmaker Barbara Peeters, during her tutelage period with Roger Corman. A well received film both upon its release and in retrospect that, while exploitative of course, has a notably feminist bent, with strong and decisive female characters. Yellow untitled wrappers, with a small manuscript pencil annotation to the top right corner of the front wrapper, noting copy No. 26. Title page present, dated March 4, 1975, with credits for director and screenwriter Barbara Peeters. 101 leaves, with last page of text numbered 99. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with three gold brads.…