Dezais jacques (2 resultados)
Más imágenesA sammelband of three highly important early 18th century dance books, with choreographic notation
FEUILLET, Raoul-Auger ca. 1653-ca. 1709 and Jacques Dezais fl. early 18th century]
Idioma: Francés
Editorial: Paris, 1709
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Librería: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, Estados Unidos de AmericaJ & J LUBRANO MUSIC ANTIQUARIANS LLC
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FEUILLET and DEZAIS Chorégraphie ou l'art de décrire la dance, par caractères, figures et signes démonstrifs, avec lesquels on apprend facilement de soy-même toutes sortes de dances. ouvrage très utile aux maîtres à dancer et à toutes les personnes qui s'appliquent à la dance. Par Mrs. Feuillet et Dezais Maîtres de Dances. Prix:… [.]. Paris: Chez le Sr. Dezais, Ruë de Bussi Faubourg St. Germain à la Cour Impériale . Avec Privilége du Roy, 1713. 1f. (recto title, verso blank), [i] dedication ("A Monsieur Pécour Pensionnaire des Menus Plaisirs du Roy et Compositeur des Balets de l'Académie Royale de Musique de Paris"), [ii] (Préface), [i] ("Extrait du Privilege du Roi"), 95, [i] (blank) pp. Engraved throughout. The revised fourth edition of this seminal work, first published in 1700. RISM Écrits Imprimés p. 314 (2 copies only of all editions in the U.S.: one of the first [1700] edition, at the NYPL, and one of the present edition, at the Library of Congress). Beaumont p. 72. De Moroda 938. Schwartz and Schlundt 21. This edition not in Cortot, Hirsch, or Malkin. "A rather less known choreographer is Jacques Dezais. He lived in the first half of 18th century and regarded himself as a follower of R. A. Feuillet. In 1726 he published a collection of dances named Premier Livre de Contre-Dances à Quatre, à six & à Huit. Unfortunately the publication was lost when the famous Anna-Amalie Library in Weimar burned in 2004." earlydance/news/8138-les-cotillons-de-jacques-dezais Bound with: FEUILLET Recueil de Dances Composées par Mr. Feuillet Maître de Dance. Paris: Chez l'Auteur rue de Bussi Faubourg St. Germain à la Cour Imperiale, Avec Privilége du Roy, 1709. 1f. (recto title, verso blank), 84 pp. Engraved throughout. Contains 18 dances in Feuillet notation, with melody for each at head, as follows: - Le Rigaudon de la Paix, pp. 1-2 - 2e Rigaudons, pp. 3-7 - Gigue à deux, Gigue de Roland, pp. 8-11 - Entrée a deux, Rigaudon, pp. 12-16 - Autre Entrée a deux, Rigaudon, pp. 17-20 - Sarabande pour femme, Sarabande, pp. 21-24 - Sarabande pour homme, Sarabande, pp. 25-28 - Sarabande Espagnole pour homme, Sarabande Espagnole, pp. 29-32 - Folie d'Espagne pour femme, Folie d'espagne, pp. 33-38 - Canary à deux, Canary, pp. 39-40 - Gigue pour homme, Gigue, pp. 41-44 - Entrée pour homme, pp. 45-48 - Autre entrée pour homme, entree, pp. 49-52 - Entrée grave pour homme, pp. 53-59 - Entrée d'Apolon, Entrée Apolon, pp. 60-66 - Balet de neuf Danseurs, entre graue, pp. 67-72 - Canary, pp. 73-74 - second canary, p. 75-84, with pp. 77-84 folding First published in 1700. Little and Marsh 1709-Feu, p. 103 (for a list of editions and issues see 1700-Feu). De Moroda 938. This edition not in Malkin, Niles & Leslie, Schwartz & Schlundt, or RISM "All but one of the dances in Feuillet's collection are solos or duets, ranging from easy to difficult; the single exception is a piece for eight dancers and a soloist - the only known example in Feuillet notation of a French ballet entry for more than two persons." Little and Marsh p. 91. Bound with: FEUILLET Recueil de Dances Composées par M. Pecour, Pensionnaire des menus Plaisirs du Roy et Compositeur des Balets de l'Academie Royale de Musique de Paris et mise sur le Papier par M. Feuillet. Maître de Dance. Paris: Chez l'Auteur rue de Bussi Faubourg St. Germain à la Cour Impériale Avec Privilege du Roy, 1709. 1f. (recto title, verso blank), 72 pp. Engraved throughout. Contains 15 dances in Feuillet notation, with melody for each at head, as follows: - la Bourée d'Achille, Bourée, pp. 1-3 - menuet, pp. 4-11 - La Mariée, la Mariée, pp. 12-21 - le Passepied, passepied, pp. 22-23 - 2e. Passepied, pp. 24-31 - la Contredance, Gigue, pp. 32-36 - le Rigaudon des Vaisseaux, Rigaudon, pp. 37-39 - 2e. Rigaudon, pp. 40-42 - la Bourgogne, Courant, pp. 43-44 - Bourée, pp. 45-46 - Sarabande, pp. 47-48 - PassePied, pp. 49-53 - la Savoye, Bourée, pp. 54-61 - la Forlana, la Forlana, pp. 62-67 - la Conty, Venitienne, pp. 68-72 First published in 1700. Little and Marsh 1700-Péc, p. 93. De Moroda 1341. This edition not in Malkin, Niles & Leslie, Schwartz & Schlundt, or RISM. "Pecour's Recueil was bound and sold with Feuillet's Chorégraphie and Feuillet's Recueil . (for a survey of editions and issues, see comments under 1700-Feu). This collection contains a variety of pieces for ball dancing in vogue in 1700; many of them are quite difficult. According to the preface to Feuillet's Chorégraphie, Pécour himself went over the proofs to eliminate errors in notation." Little and Marsh p. 93. Louis Guillaume Pécour (?1651-1729) was an important French dancing-master and choreographer. He worked closely with celebrated royal choreographer Pierre Beauchamp (1631-1705), Louis XIV's personal dancing master. Octavo. Full dark brown mottled calf with raised bands on spine in decorative compartments gilt, dark brown title label gilt. Binding worn, rubbed, and bumped, with some abrasions; head of spine, joints, and edges chipped, with minor loss; endpapers slightly worn, soiled, and foxed. Occasional minor signs of wear, soiling, and foxing; several titles very slightly cropped. Very good copies overall of all three works. Feuillet was a highly important French choreographer, dancing-master, and author. "He worked at the court of Louis XIV. His fame rests on his Chorégraphie, a book describing a system of dance notation that was used in Europe throughout the 18th century. He probably did not invent the system himself (although he said he had) but derived it from the original work of Pierre Beauchamps, Louis XIV's personal dancing-master. Unlike previous methods, which describe movement verbally and use letters to refer to the sequence of steps, Feuillet's system is a track notation. It represents symbolically not only the steps of the dancer, with his turns, leaps and slides, but also the floor pattern in which he is to travel. The dance music is printed at the top of the page, and the steps are marked off in a mann.
Choregraphie : Ou L'art De Decrire La Dance Par Caracteres Figures et Signes Desmonstratifs Avec Lesquels on Apprend Facilement De Soy Mem Toutes Sortes De Dances
Feuillet, Raoul Auger ; 1659 to 1710 / Dezais, Jacques ; 1680 to 1722
Editorial: A Paris : Chez le Sr Dezais, 1713 / Reprint / FBRE Ltd., Clean and Unmarked Text, 1713
Librería: GREAT PACIFIC BOOKS, Ventura, CA, Estados Unidos de AmericaGREAT PACIFIC BOOKS
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Condición: Very Good. No Dust Jacket. Velo Bound / Flex Cover. 95 pages. Paper / Soft cover reprint edition in very good or better condition, slight wear to edges. Overall good copy of this scarce title. Excellent read. A good book to enjoy and keep on hand. Or would make a great gift for the fan / reader in your life. TEXT IS O…NLY IN FRENCH. SUMMARY : Originally published in 1700, this manual details a dance notation system that indicates the placement of the feet and six basic leg movements: plié, releveé, sauté, cabriole, tombé, and glissé. Changes of body direction and numerous ornamentations of the legs and arms are also part of the system. The system is based on tract drawings that trace the pattern of the dance. Additionaly, bar lines in the dance score correspond to bar lines in the music score. Signs written on the right or left hand side of the tract indicate the steps. Chorégraphie was reprinted three times and translated into English by John Weater in 1706. Aproximate English translation of the title: Choreography, or art to describe the dance by characters, figures and signs desmonstrative, with which one easily learns from them even all kinds of dances. Fully Illustrated (ilustrador). Book.
