Deuchar david after van ostade (10 resultados)

Condición: Very good. Etching on cream wove paper, 3 1/4 x 2 1/2 inches (82 x 62 mm), narrow margins. In very good condition with light uniform toning. Adhered at three corners to archival laid paper. A reverse image copy after van Ostade etched by David Deuchar, from A Collection of Etchings After the Most Eminent Masters of the Dutch and Flemish Schools particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Edinburgh: 22 December, 1803. [Godefroy 24; Hollstein XV.29.24 copy].…

Condición: Good. Etching on cream wove paper, 3 1/4 x 2 3/8 inches (81 x 68 mm), trimmed at the platemark. Minor condition issues consisting of toning and light handling creases, all consistent with age. A copy of the work etched by David Deuchar after van Ostade, from A Collection of Etchings After the Most Eminent Masters of the Dutch and Flemish Schools particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Edinburgh: 22 December, 1803. [Delteil 22 copy].…

Condición: Good. Etching on cream laid paper, 3 3/4 x 2 3/4 inches (95 x 70 mm), thread margins. Minor condition issues consisting of toning and light handling creases, all consistent with age. A reverse image copy etched by David Deuchar after van Ostade, from A Collection of Etchings After the Most Eminent Masters of the Dutch and Flemish Schools particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Edinburgh: 22 December, 1803. [Hollstein 14 copy].…

Condición: Good. Etching on cream laid paper, 4 1/2 x 4 inches (119 x 100 mm), thread margins. Left top corner expertly repaired, right top corner with some adhesive residue. Notations in pencil on the verso. Condition consistent with age. A reverse image copy etched by David Deuchar afer Ostade, from A Collection of Etchings After the Most Eminent Masters of the Dutch and Flemish Schools particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Edinburgh: 22 December, 1803. [Godefroy 10; Hollstein 11 copy]. …

Condición: Very good. Etching on cream wove paper, 5 5/8 x 4 1/2 inches (134 x 114 mm), trimmed at the platemark. Adhesive residue and pencil notations on the verso. Minor surface soiling. The humorous caricature that appears in the upper left corner of the image indicates that this was etched by David Deuchar, from A Collection of Etchings After the Most Eminent Masters of the Dutch and Flemish Schools particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Edinburgh: 22 December, 1803.…

Condición: Good. Etching on cream wove paper, 3 x 2 1/8 inches (75 x 54 mm), trimmed at the platemark. Minor condition issues consisting of toning and light handling creases, all consistent with age. A reverse image copy etched by David Deuchar after van Ostade, from A Collection of Etchings After the Most Eminent Masters of the Dutch and Flemish Schools particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Edinburgh: 22 December, 1803. [Delteil 24 copy].…

Condición: Good. Etching on extremely fine cream laid paper, 3 1/2 x 2 7/8 inches (87 x 60 mm), thread margins. Adhesive residue along the sheet edges on the verso, as well as some pencil notations on the verso, otherwise in very good condition. A late 18th century reverse impression etched by David Deuchar after van Ostade, from A Collection of Etchings After the Most Eminent Masters of the Dutch and Flemish Schools particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Edinburgh: 22 December, 1803. An impression of this work may be viewed in the permanent collection of the Philadelphia Museum of Art; Accession Number:1928-42-2659b.…

Condición: Fair. Etching on thin cream laid paper, 4 11/16 x 4 11/16 inches (117 x 117 mm), narrow margins. Horizontal edge tear extending approximately 1-inch into the image area at the center left sheet edge. Skinning at the bottom-center sheet edge, verso, and adhesive residue at the top two corners, verso. Etched by David Deuchar after van Ostade, from A Collection of Etchings After the Most Eminent Masters of the Dutch and Flemish Schools particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Edinburgh: 22 December, 1803. "The pig killers is one of van Ostade's most striking, both for its circular format and unusual lighting. Pictorial representations of pig slaughtering were known in medieval book illumination where they were incorporated into depictions of activities relating to the month of November or December. In this intimate, nocturnal scene, illuminated by torch light, van Ostade combines coarse, barnyard realism with tender observation as a peasant family gathers round to witness the slaughter of a pig, which presumably will feed the large family during the long winter months. As the eldest son kneels on the animal, the farmer's wife collects the blood in her long handled pan, and her small children look on with curiosity." [The Art Gallery of New South Wales, Sydney].…

Peasants in an inn making music. A woman and three men seated around a table. The woman singing from a book, one of the men standing next to her playing the fiddle (violin, viool), the other man seated across the table, drinking a beer from the high glass, and keeping the tempo with his right hand.After Adriaen van Ostade.From the set: A Collection of Etchings after the Most Eminent Masters of the Dutch and Flemish Schools.  Etching on paper, with some margins; total: 150 x 166 mm; Hollstein 30.…

Condición: Good. Etching on light cream laid paper, 3 3/4 x 3 inches (93 x 75 mm), trimmed at the platemark. Light skinning and some surface soling on the verso, as well as a minor loss at the tip of the left top corner. Pencil notation on the verso. A reverse image copy etched by David Deuchar after van Ostade, from A Collection of Etchings After the Most Eminent Masters of the Dutch and Flemish Schools particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Edinburgh: 22 December, 1803.…