detlev hadeln (102 resultados)

Condición: New. pp. 89.

Condición: New. pp. 89.

Condición: New. pp. 89.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: No Dust Jacket. German text.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Good. No Jacket. Cloth, 35 cm, 55 pages. + 44 numbered plates. Text in German. Ex-library. Very good copy but for institution inkstamp and red discard stamp on front endpaper and library blindstamp on one page. Covers with some light wear, and spine with some slight discoloration. No dust jacket.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardbound. Coarse woven tan cloth with brown lettered title. 56 pp., 44 two-tone plates. Text is in German. A consideration of the drawings of Venetian High Renaissance artist Titian (1485-1576). VG, with foxing or staining to the cloth covers.

Paperback. 223 S. + unpaginierter Tafelanhang. Guter Zustand. Mit Besitzvermerk. Einband lichtrandig. Sprache: Deutsch Gewicht in Gramm: 915.

Hard Cover. Condición: Very Good. This is a very good hardcover copy bound in the publisher's light brown cloth with large gilt titles on the front cover and spine. Very clean inside and out. Text in German. 104 full-page black & white plates. 14" high X 10" wide, 31 text pages + plates.

Brossura. Condición: fine. German Text.Firenze, 1978; paperback, pp. 225, 140 b/w ill. Libro.

Hardcover. Condición: Acceptable. Estado de la sobrecubierta: No Dust Jacket. No dust jacket. Hardcover. German language. Large format. Two loose inserts advertising works published by Verlag Von Anton Schroll & Co. are laid in between pages 32 and 33. Faded and grubby boards with several surface scratches and some age-spotting. Leading edges of back board and rear endpaper have some liquid damage, and pages are a little warped in general. Spine is slightly cocked. Noticeable wear to spine and leading corners. Page block is quite grubby. Pages are a little sunned. Binding is sound and pages are tight throughout. Text and illustrations are clear. AF. Used.

Paperback. Condición: New. Print on Demand. This book analyzes the significance of drawings by Venetian painter Tintoretto in his work process and artistic development. While the artist's pivotal paintings are well-known, the author argues that the study of his drawings offers essential insights into his creative methods and the evolution of his art. The author surveys the body of extant drawings, their practical function in Tintoretto's workshop, and their unique qualities and evolution over time. The book situates Tintoretto's work within the broader context of Venetian Renaissance art, and provides a fresh perspective on his influential role in the development of disegno (drawing) and its relationship to painting. Through close examination of Tintoretto's working methods, this book sheds new light on the creative process of a major artist, and emphasizes the importance of drawing as both a preparatory tool and a means of artistic expression in its own right, enriching our understanding of Tintoretto's artistic legacy and the Venetian Renaissance. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Hardbound. Marbled boards, blue leather-like spine and corners with gilt letters and decorations; gilt top edges; marbled flyleaves, 39 text pp. followed by 65 bw plates. Text is in German. Provides 65 examples of drawings by 11 Venetian artists of the High Renaissance period. Includes a narrative introduction. Uncommon. G (Outer spine has moderate wear at spine rings; spine material has faded with age; pages are aging only slightly, with clean text and illus.).

Berlin, 1925. 39 pp.text. 65 plts. Hardcover.

Hardcover. Marbled boards, blue leather-like spine and corners with gilt letters and decorations; gilt top edges; marbled flyleaves, 32 text pp. followed by 104 bw plates. Text is in German. Presents 104 examples of drawings by 21 Venetian artists of the Late Renaissance period. Begins with an opening narrative, which is followed by the illustrations. Uncommon. G (Has moderate wear around outer spine, with is also faded with age; pages are aging only slightly with clear text and illus.).

Hardcover. No jacket. Fair - Some plates have been cut out of the book. Cloth binding is damaged in some parts. Bumped corners. Some fading on cover. Pages are mostly clean.

Condición: Sehr gut. Erstauflage. First publication. Bll. + Fotofrontispiz - 225 S. inkl. Katalog der Gemälde u. Konkordanz + 140 s/w. Abbildungen auf Tafeln (glac.-Papier). Innen Papier sauber, nur minimal nach- oder randvergilbt. * Paolo Caliari, genannt VERONESE (Gebor. 1528 in Verona; Gest. um dem 19 April 1588 in Venedig) italienischer Maler und Meister der Spätrenaissance und der venezianischen Malerei. Sprache: Deutsch Gewicht in Gramm: 830 Kl.-4° (24 x 17 cm), O(Grün)-Karton./Paperback oder Broschur mit Titelung. Einband etwas randgeblichen - Rücken geblichen. Gut bis sehr gut erhalten (unbenutzt).

Hardcover. Condición: Good. Immediate dispatch from Somerset. Nice older book in good condition. Some tanning wear and marking due to age. Year 1927. Hardcover. English. See images for condition. About the book >.>.> Until far into the latter part of the last century it was believed that there were a great many Titian drawings still extant. It was especially those extensive and detailed landscapes, usually of heroic character, that were traditionally considered the best. A decided change was brought about by Morelli. Without much ado he decided that these landscape compositions so long admired could not be attributed to the master but to his imitator, Domenico Campagnola, to whom up till then little attention had been paid'. Below is given a brief discussion of the extent to which this change, which has found almost general favour, may be credited. First the importance of Morelli's step must be emphasised. By a resolute, perhaps even brutal, division a con-fused mass of mediocre school compositions were separated from those of the master and thus the way cleared for a better comprehension of the subject. On the other hand Morelli was not able to make any positive con-tribution to research. His remar.

66 S., zahrl. Tafeln. 4°, Orig.-Leinenbd. Der Kunsthistoriker Detlev Freiherr von Hadeln (1878 - 1935) befasste sich schwerpunktmäßig mit der venezianischen Malerei der Renaissance. Seine Werke über Tintoretto, Tizian, Tiepolo, Veronese und Canaletto waren wegweisend und dienen noch heute als Referenz. - Einband etwas berieben, bestoßen, mit kl. Wasserflecken, Rücken etwas ausgebleicht, Besitzervermerk auf dem Titelblatt, innen Anstr. in Graphit, insgesamt sehr ordentlicher Zustand. 4000 gr.

4to. 55, [1] S. Text, 90 Bl. mit 45 Bildtafeln. Orig.-Leinwand. Vorsatz, Titel und die ersten 4 Blatt mit Knickspur längs über die ganze Seite, sonst gut erhalten. 1582 g.

Berlin, Paul Cassirer, 1926. 32 pp. 104 plts with monochtrome ills, each provided with a sheet with caption. Orig. hardcover (cloth).Detlev von Hadeln (completely Detlev Moritz Georg Heinrich Wilhelm Freiherr von Hadeln, born May 26, 1878 in Arolsen - April 19, 1935 in Florence) was a German art historian. His specialty was Venetian painting.

Berlin, 1925. 39 pp.text. 65 plts. Cloth, spine damaged.Copy from the library of Julius S.Held. - - Detlev von Hadeln (completely Detlev Moritz Georg Heinrich Wilhelm Freiherr von Hadeln, born May 26, 1878 in Arolsen - April 19, 1935 in Florence) was a German art historian. His specialty was Venetian painting.

56 S. (Text) u. 44 Bildtafeln. Ln. 34,7 x 25,5 cm. Ebd. wenig angestaubt, sonst gut erhalten. de.

4°, Orig.Leinen. 55 S. 44 Abbildungen, gut erhalten im Schuber Sprache: Deutsch Gewicht in Gramm: 550.

34x25 cm. 58 S. Text, 72 Bl. Tafeln und 72 Bl. Tafelbeschrieb. OLn. Sprache: deutsch.

Hardcover. Condición: VERY GOOD. 57pp + 72 b/w litho plates. Copy 458 of an edition limited to 1200. Folio, linen cloth, navy stamped lettering. Covers show some modest wear, text entirely clean and sharp.

Opuscolo vintage in-4° con 19 pagg, Berlino, 1921. Saggi. Testo in lingua tedesca. Estratto da Jahrbuch der preuszischen kunstsammlungen. 1921. Heft II/III. Segno di piegatura verticale. Note a matita in copertina. Illustrazioni in bn all'interno e fuori dal testo.