Derek professor scott (19 resultados)
Churchill's In Clinical Practice Series: Benign Prostatic Hyperplasia
Rosario MB ChB FRCS FRCS MD, Derek J. P.; MacDiarmid MD Professor, Scott A.; Pillinger MBChB DRCOG PG DipUrol, John E. T.
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Librería: Harry Righton, evesham, Reino UnidoHarry Righton
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EUR 19,12
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Soft cover. Condición: Very Good. crease to fep. Size: 8vo - over 7¾ - 9¾" tall. Book.
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 40,42
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Condición: New. Num Pages: 314 pages, 10 figures, 60 music examples. BIC Classification: AVGC4; AVGC5; HBJD1; HBLL. Category: (G) General (US: Trade). Dimension: 235 x 155 x 17. Weight in Grams: 504. . 2012. Paperback. . . . .
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 50,10
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Condición: New. Num Pages: 314 pages, 10 figures, 60 music examples. BIC Classification: AVGC4; AVGC5; HBJD1; HBLL. Category: (G) General (US: Trade). Dimension: 235 x 155 x 17. Weight in Grams: 504. . 2012. Paperback. . . . . Books ship from the US and Ireland.
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 61,09
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Condición: New. 'From the Erotic to the Demonic' demonstrates how different musical styles construct ideas of class, sexuality, and ethnic identity. Arguments are supported by 90 musical examples taken from such diverse sources as opera, symphonic music, jazz, and 19th- and 20th-century popular songs. Num Pages: 272 pages, 5 hal…ftones & numerous music examples. BIC Classification: 4P; AVA. Category: (P) Professional & Vocational. Dimension: 234 x 156 x 17. Weight in Grams: 397. . 2003. Paperback. . . . .
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 76,35
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Condición: New. 'From the Erotic to the Demonic' demonstrates how different musical styles construct ideas of class, sexuality, and ethnic identity. Arguments are supported by 90 musical examples taken from such diverse sources as opera, symphonic music, jazz, and 19th- and 20th-century popular songs. Num Pages: 272 pages, 5 hal…ftones & numerous music examples. BIC Classification: 4P; AVA. Category: (P) Professional & Vocational. Dimension: 234 x 156 x 17. Weight in Grams: 397. . 2003. Paperback. . . . . Books ship from the US and Ireland.
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 74,35
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Condición: New. The 1990s have seen a growth of interest in questions of music history and meaning, together with their relationships to culture and society. This reader includes works which explore the cultural and social significance of music. Editor(s): Scott, Professor Derek B. Num Pages: 248 pages, 2 figures, 22 music examp…les. BIC Classification: AV; JFC; JHM. Category: (P) Professional & Vocational. Dimension: 231 x 156 x 15. Weight in Grams: 372. . 2000. First Thus. paperback. . . . .
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 94,53
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Condición: New. The 1990s have seen a growth of interest in questions of music history and meaning, together with their relationships to culture and society. This reader includes works which explore the cultural and social significance of music. Editor(s): Scott, Professor Derek B. Num Pages: 248 pages, 2 figures, 22 music examp…les. BIC Classification: AV; JFC; JHM. Category: (P) Professional & Vocational. Dimension: 231 x 156 x 15. Weight in Grams: 372. . 2000. First Thus. paperback. . . . . Books ship from the US and Ireland.
Idioma: Inglés
Editorial: Taylor & Francis 2015
Serie: Ashgate Interdisciplinary Studies in Opera, Libro 10 de 27. Libro 10 de 27 - Ashgate Interdisciplinary Studies in Opera
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Librería: moluna, Greven, Alemaniamoluna
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EUR 162,64
Envío por EUR 48,99Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Gebunden. Condición: New.
Idioma: Inglés
Editorial: Taylor & Francis Ltd 2010
Serie: Ashgate Contemporary Thinkers on Critical Musicology, Libro 11 de 15. Libro 11 de 15 - Ashgate Contemporary Thinkers on Critical Musicology
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Librería: Buchpark, Trebbin, AlemaniaBuchpark
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EUR 126,14
Envío por EUR 105,00Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Sehr gut. Zustand: Sehr gut | Seiten: 374 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.
Idioma: Inglés
Editorial: Taylor & Francis Ltd 2001
Serie: Music in Nineteenth-Century Britain, Libro 41 de 41. Libro 41 de 41 - Music in Nineteenth-Century Britain
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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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EUR 228,83
Envío por EUR 20,72Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardback. Condición: New. New copy - Usually dispatched within 4 working days.
Idioma: Inglés
Editorial: Routledge 2015
Serie: Ashgate Interdisciplinary Studies in Opera, Libro 10 de 27. Libro 10 de 27 - Ashgate Interdisciplinary Studies in Opera
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- Primera edición
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 244,93
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Condición: New. The study of the business of opera has taken on new importance in the present harsh economic climate for the arts. This book presents research that sheds new light on a range of aspects concerning marketing, audience development, promotion, arts administration and economic issues that beset professionals working…in the opera world. Series Editor(s): Marvin, Professor Roberta Montemorra. Series: Ashgate Interdisciplinary Studies in Opera. Num Pages: 234 pages, Includes 7 b&w illustrations and 2 music examples. BIC Classification: AVGC9; KJM; KNTF. Category: (P) Professional & Vocational. Dimension: 166 x 242 x 21. Weight in Grams: 602. . 2015. 1st Edition. hardcover. . . . .
Idioma: Inglés
Editorial: Routledge 2015
Serie: Ashgate Interdisciplinary Studies in Opera, Libro 10 de 27. Libro 10 de 27 - Ashgate Interdisciplinary Studies in Opera
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 316,25
Envío por EUR 9,23Se envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New. The study of the business of opera has taken on new importance in the present harsh economic climate for the arts. This book presents research that sheds new light on a range of aspects concerning marketing, audience development, promotion, arts administration and economic issues that beset professionals working…in the opera world. Series Editor(s): Marvin, Professor Roberta Montemorra. Series: Ashgate Interdisciplinary Studies in Opera. Num Pages: 234 pages, Includes 7 b&w illustrations and 2 music examples. BIC Classification: AVGC9; KJM; KNTF. Category: (P) Professional & Vocational. Dimension: 166 x 242 x 21. Weight in Grams: 602. . 2015. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.
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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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EUR 39,55
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Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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EUR 61,19
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Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
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Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail
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EUR 39,41
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Paperback. Condición: new. Paperback. The phrase "popular music revolution" may instantly bring to mind such twentieth-century musical movements as jazz and rock 'n' roll. In Sounds of the Metropolis, however, Derek Scott argues that the first popular music revolution actually occurred in the nineteenth century, illustrating how… a distinct group of popular styles first began to assert their independence and values. He explains the popular music revolution as driven by social changes and the incorporation of music into a system of capitalist enterprise, which ultimately resulted in a polarization between musical entertainment (or "commercial" music) and "serious" art. He focuses on the key genres and styles that precipitated musical change at that time, and that continued to have an impact upon popular music in the next century. By the end of the nineteenth century, popular music could no longer be viewed as watered down or more easily assimilated art music; it had its own characteristic techniques, forms, and devices. As Scott shows, "popular" refers here, for the first time, not only to the music's reception, but also to the presence of these specific features of style. The shift in meaning of "popular" provided critics with tools to condemn music that bore the signs of the popular-which they regarded as fashionable and facile, rather than progressive and serious. A fresh and persuasive consideration of the genesis of popular music on its own terms, Sounds of the Metropolis breaks new ground in the study of music, cultural sociology, and history. The phrase "popular music revolution" may instantly bring to mind such twentieth-century musical movements as jazz and rock 'n' roll. In Sounds of the Metropolis, however, Derek Scott argues that the first popular music revolution actually occurred in the nineteenth century, illustrating how a distinct group of popular styles first began to assert their independence and values. He explains the popular music revolution as driven by social changes and theincorporation of music into a system of capitalist enterprise, which ultimately resulted in a polarization between musical entertainment (or "commercial" music) and "serious" art. He focuses on the key genres and styles that precipitated musical change at that time, and that continued to have an impact uponpopular music in the next century. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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EUR 76,95
Envío por EUR 17,26Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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EUR 82,72
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Hardback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 624.
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Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail
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EUR 59,12
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Paperback. Condición: new. Paperback. From the Erotic to the Demonic demonstrates how different musical styles construct ideas of class, sexuality, and ethnic identity. This book will serve as a model for musicologists who want to take a postmodern approach to their inquiries. The clear and lively arguments are supported by nine…ty musical examples taken from such diverse sources as opera, symphonic music, jazz, and nineteenth- and twentieth-century popular songs. Derek Scott offers new insights on a range of "high" and "low" musical styles, and the cultures that produced them. From the Erotic to the Demonic demonstrates how different musical styles construct ideas of class, sexuality, and ethnic identity. This book will serve as a model for musicologists who want to take a postmodern approach to their inquiries. The clear and lively arguments are supported by ninety musical examples taken from such diverse sources as opera, symphonic music, jazz, and nineteenth- and twentieth-century popular songs. Derek Scott offers new insights on a range of "high" and "low" musical styles, and the cultures that produced them. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail
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EUR 75,85
Envío por EUR 42,92Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: new. Hardcover. The phrase "popular music revolution" may instantly bring to mind such twentieth-century musical movements as jazz and rock 'n' roll. In Sounds of the Metropolis, however, Derek Scott argues that the first popular music revolution actually occurred in the nineteenth century, illustrating how… a distinct group of popular styles first began to assert their independence and values. He explains the popular music revolution as driven by social changes and the incorporation of music into a system of capitalist enterprise, which ultimately resulted in a polarization between musical entertainment (or "commercial" music) and "serious" art. He focuses on the key genres and styles that precipitated musical change at that time, and that continued to have an impact upon popular music in the next century. By the end of the nineteenth century, popular music could no longer be viewed as watered down or more easily assimilated art music; it had its own characteristic techniques, forms, and devices. As Scott shows, "popular" refers here, for the first time, not only to the music's reception, but also to the presence of these specific features of style. The shift in meaning of "popular" provided critics with tools to condemn music that bore the signs of the popular-which they regarded as fashionable and facile, rather than progressive and serious. A fresh and persuasive consideration of the genesis of popular music on its own terms, Sounds of the Metropolis breaks new ground in the study of music, cultural sociology, and history. The phrase "popular music revolution" may instantly bring to mind such twentieth-century musical movements as jazz and rock 'n' roll. In Sounds of the Metropolis, however, Derek Scott argues that the first popular music revolution actually occurred in the nineteenth century, illustrating how a distinct group of popular styles first began to assert their independence and values. London, New York, Paris, and Vienna feature prominently as cities in which the challenge to the classical tradition was strongest, and in which original and influential forms of popular music arose, from Viennese waltz and polka to vaudeville and cabaret. Scott explains the popular music revolution as driven by social changes and the incorporation of music into a system of capitalist enterprise, which ultimately resulted in a polarization between musical entertainment (or "commercial" music) and "serious" art. He focuses on the key genres and styles that precipitated musical change at that time, and that continued to have an impact upon popular music in the next century. By the end of the nineteenth century, popular music could no longer be viewed as watered down or more easily assimilated art music; it had its own characteristic techniques, forms, and devices. As Scott shows, "popular" refers here, for the first time, not only to the music's reception, but also to the presence of these specific features of style. The shift in meaning of "popular" provided critics with tools to condemn music that bore the signs of the popular-which they regarded as fashionable and facile, rather than progressive and serious. A fresh and persuasive consideration of the genesis of popular music on its ownterms, Sounds of the Metropolis will appeal to students of music, cultural sociology, and history. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
