Deborah justice (61 resultados)

hardcover. Condición: Very Good. Mild to Moderate creasing / bending to covers and pages. Book is otherwise very clean, unmarked and 100% functional.

paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Condición: Used - Very Good.

Condición: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

Hardcover. Condición: Very Good. Oversize 9 1/2" x 12 3/4" design. Glossy pictorial boards, moderate corner, edge wear. Colorful coated pages very good. Provides an enjoyable introduction to the world of insects w/ over 120 color illustrations. What is an Insect? Ants at Work; Busy Bees; All Kinds of Flies; Insects in Armor; Butterflies and Moths; Grasshoppers & Crickets; Insects as pets; etc. 29 pages. Size: 4to - over 9¾" - 12" tall. Milne, Annabel; Stebbing, Peter (ilustrador). Book.…

Condición: Very Good. This book has been examined carefully and the cover and pages are in very good condition. It is clean and tight inside.paperbackUsed - Very Good.

No Binding. Condición: Very Good. A VG or better original release 11 x 14 lobby card. Poster.

Hardcover. Condición: As New. Estado de la sobrecubierta: No Dust Jacket As Issued. Text clean and tight; no dust jacket; White; 8vo 8" - 9" tall; 256 pages.

Condición: As New. Unread book in perfect condition.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: New. Analyzes how White American mainline Protestants used the internal musical controversies of the turn-of-the-millennium Worship Wars to negotiate their shifting position within the nation's diversifying religious and sociopolitical ecosystems.What if simply changing musical styles could resurrect social power and religious vitality? By the early 1990s, Christianity was losing ground nationally, and mainline Protestants were trending even Whiter and older than America's overall demographic trajectory. The churches knew they needed to diversify. Yet, many mainline churches focused their energies on the so-called Worship Wars, intense aesthetic and theological controversies running through much of White Christian America. Historically, churches had only supported one musical style; now, many mainline Protestant congregations were willing to risk internal schism to support both Contemporary worship-centered around guitars, praise bands, and choruses-and Traditional worship with its pipe organs, chancel choirs, and hymns. Surely, they thought, musical diversity would broadcast tolerance and bring in new members-perhaps it would even help them regain their historically central role in American society. Based on years of ethnographic research, (White)Washing Our Sins Away explores how American mainline Protestants used internal musical controversies to negotiate their shifting position within the nation's diversifying religious and sociopolitical ecosystems.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condición: As New. 1st Edition.

Condición: New.

Soft cover. Condición: Very Good +. 43 large pages. Treble and bass staves. White background soft covers with light wear covers' corners. Pages very clean.

Soft cover. Condición: Very Good +. 43 large pages. Treble and bass staves. White background soft covers with light wear covers' corners. Pages very clean.

Condición: New. In English.

Condición: As New. Unread book in perfect condition.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Paperback. Condición: new. Paperback. Analyzes how White American mainline Protestants used the internal musical controversies of the turn-of-the-millennium Worship Wars to negotiate their shifting position within the nation's diversifying religious and sociopolitical ecosystems.What if simply changing musical styles could resurrect social power and religious vitality? By the early 1990s, Christianity was losing ground nationally, and mainline Protestants were trending even Whiter and older than America's overall demographic trajectory. The churches knew they needed to diversify. Yet, many mainline churches focused their energies on the so-called Worship Wars, intense aesthetic and theological controversies running through much of White Christian America. Historically, churches had only supported one musical style; now, many mainline Protestant congregations were willing to risk internal schism to support both Contemporary worship-centered around guitars, praise bands, and choruses-and Traditional worship with its pipe organs, chancel choirs, and hymns. Surely, they thought, musical diversity would broadcast tolerance and bring in new members-perhaps it would even help them regain their historically central role in American society. Based on years of ethnographic research, (White)Washing Our Sins Away explores how American mainline Protestants used internal musical controversies to negotiate their shifting position within the nation's diversifying religious and sociopolitical ecosystems. Analyzes how White American mainline Protestants used the internal musical controversies of the turn-of-the-millennium Worship Wars to negotiate their shifting position within the nation's diversifying religious and sociopolitical ecosystems. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 245 pages : illustrations ; 23 cm ISBN 9781450210164, 9781450210140, 9781450210157, 1450210163, 1450210147, 1450210155 OCLC 779844298 ; darks slate grey cloth in color illustrated dustjacket with illustration by Deborah Justice ; In Six Thousand Years up the Garden Path, a seasoned horticulturalist takes others on a light-hearted and magical journey through the history of gardens. Ian Robertson has spent a lifetime working in the world of plants and design and relies on his experience as an international garden designer to narrate a fascinating history of gardening. Beginning with Sumerians learning to garden between the Tigris and Euphrates rivers, Robertson transports others through the Fertile Crescent to western Europe, forward to the British Isles, and onward to the New World all while describing the beauty of the gardens of Andrew Jackson Downing, Wolfgang Oehme, Frederick Law Olmstead, and many others. Included in his story of the foliage and blossoms that surrounded kings, princes, queens, and mistresses, Robertson shares a timeline, glossary, and roadside stopovers that make the journey up the garden path even more delightful. Tailored for the enjoyment of either experienced or novice gardeners immersed in the second fastest growing hobby in America, Robertson provides insights into the people, events, and plants that have vibrantly colored the landscape of the world for thousands of years.; Ian Robertson is a horticulturalist, international garden designer, business owner, lecturer, and occasional broadcaster. Married with four sons, he lives in Virginia, where he enjoys his time battling with the plants and plans in his own garden. ; Deborah Justice states: "I listen, mostly. I listen to the wind here in the Blue Ridge Mountains; to the rocks and the ancestors and the frustrations and elations that swirl through the seasons. I received training in traditional fine art media and practices, but I often reverse engineer the products to meet materials in their most natural state. I use Virginia clay, wood from surrounding trees, charcoal from the fire, salt, rain water. it's much like conjuring. The imagery that emerges is often figurative, often comforting, often non-conforming. I have been practicing art making for 45 years. In my twenties I travelled and exhibited at every women's music festival I could find. In my thirties and forties I continued to produce work but showed only occasionally, spending most of my time recovering from profound injuries sustained in a car accident in 1992. In my fifties, I gained an artist's residency on a small farm in Central Virginia and I have been producing from this bucolic place ever since" -- Deborah Justice ; FINE/FINE. Book.…

Condición: New. Print on Demand.

Softcover. Condición: Very Good. A sociological research report conducted at neighborhood bars in Pueblo, Colorado. The authors were studying the neighborhood bar as a support system for the elderly. Dust soiled covers in black plastic binding, includes a bibliography. ; 94 pages.

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.