Dayan peter (210 resultados)

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Clean copy, text free of any markings, binding is tight.

Paperback or Softback. Condición: New. For the Love of Art. Book.

Condición: New.

Paperback. Condición: New.

Paperback. Condición: Good. Theoretical neuroscience provides a quantitative basis for describing what nervous systems do, determining how they function, and uncovering the general principles by which they operate. This text introduces the basic mathematical and computational methods of theoretical neuroscience and presents applications in a variety of areas including vision, sensory-motor integration, development, learning, and memory. The book is divided into three parts. Part I discusses the relationship between sensory stimuli and neural responses, focusing on the representation of information by the spiking activity of neurons. Part II discusses the modeling of neurons and neural circuits on the basis of cellular and synaptic biophysics. Part III analyzes the role of plasticity in development and learning. An appendix covers the mathematical methods used, and exercises are available on the book's Web site.…

Paperback. Condición: Good. Theoretical neuroscience provides a quantitative basis for describing what nervous systems do, determining how they function, and uncovering the general principles by which they operate. This text introduces the basic mathematical and computational methods of theoretical neuroscience and presents applications in a variety of areas including vision, sensory-motor integration, development, learning, and memory. The book is divided into three parts. Part I discusses the relationship between sensory stimuli and neural responses, focusing on the representation of information by the spiking activity of neurons. Part II discusses the modeling of neurons and neural circuits on the basis of cellular and synaptic biophysics. Part III analyzes the role of plasticity in development and learning. An appendix covers the mathematical methods used, and exercises are available on the book's Web site.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. Dust jacket shows light shelf wear. Book pages are clean with no marks and no page folds.

Condición: New.

Paperback. Condición: Good. 1st Edition. We only honor returns for quality issues and won't accept reasons such as 'change my mind', 'find a better price', or 'school book requirement change', etc.

Condición: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. ix, 226p.

Softcover. Condición: Gut. 524 p Ex-Library book in good condition! 9783527271443 Sprache: Englisch Gewicht in Gramm: 1050.

HRD. Condición: Used - Very Good. Used - Like New Book. Shipped from UK. Established seller since 2000.

Original publisher's sewn paperback, title spine and frontcover, 8vo: 190pp. Very fine copy - as new. Volume 134: Faux Titre. Etudes de langue et littérature françaises publiées.

HRD. Condición: Used - Very Good. Used - Like New Book. Shipped from UK. Established seller since 2000.

Condición: Good. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION ? GOOD light wear and discolouration to jacket, light grub to fore edges, pages in nice condition, shipped from the UK.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition.

156 S., kt. 1-2. (Hist. des idées et critique litt., 312).

Condición: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

SOFTCOVER. Condición: Fine. 1st Edition. Extra Large Quarto size (4to). in photo illustrated stiff card covers, 39pp mainly captioned photos . [CONDITION: A well preserved FINE very clean and tight unmarked copy (Covers slightly edge-rubbed and faintly dusty) ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: New.

Hardcover. Condición: Fair. Estado de la sobrecubierta: Fair. 1st Edition. "Mallarme's 'Divine Transposition': Real and Apparent Sources of Literary Value" by Peter Dayan. This copy: First edition. Clarendon Press (Oxford), 1986. ix, 226 pp. Hardcover. Dust jacket: Present. Size: 22.5 x 15.0 cm Language: English Condition: Dust jacket: Fair - General wear, foxing, and age-toning present; noticeable foxing and staining to both flaps. Body: Very Good - Well preserved overall. Binding: Good - Hardcover binding with ordinary age wear. Edges: Fair - Foxing and age-toning present, especially to the top edge. Pages: Good - Foxing and age-toning present, particularly to several blank leaves. Text: Good - Ordinary age wear. Description: Issued as part of the Oxford Modern Languages and Literature Monographs series, this study examines Stephane Mallarme's literary theory and the question of literary value in relation to modern literary criticism and textual theory. Shipping from Tokyo, Japan. International shipping available. Please note: All sales are final, especially for higher-value items. Returns are not accepted unless the item is significantly not as described. Stock availability may change, as our listings are shared with a physical bookstore.…

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condición: New. 100 years after the Dada soirées rocked the art world, the author investigates the role that music played in the movement. Dada is generally thought of as noisy and unmusical, but The Music of Dada shows that music was at the core of Dada theory and practice. Music (by Schoenberg, Satie and many others) performed on the piano played a central role in the soirées, from the beginnings in Zurich, in 1916, to the end in Paris and Holland, seven years later. The Music of Dada provides a historical analysis of music at Dada events, and asks why accounts of Dada have so consistently ignored music's vital presence. The answer to that question turns out to explain how music has related to the other arts ever since the days of Dada. The music of Dada is the key to understanding intermediality in our time.…

Condición: New. pp. 192.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. A Fine unmarked copy in Very Good jacket. // ' In 1877, Ruskin accused Whistler of 'flinging a pot of paint in the public's face'. Was he right? After all, Whistler always denied that the true function of art was to represent anything. If a painting does not represent, what is it, other than mere paint, flung in the public's face? Whistler's answer was simple: painting is music - or it is poetry. Georges Braque, half a century later, echoed Whistler's answer. So did Braque's friends Apollinaire and Ponge. They presented their poetry as music too - and as painting. But meanwhile, composers such as Satie and Stravinsky were presenting their own art - music - as if it transposed the values of painting or of poetry. The fundamental principle of this intermedial aesthetic, which bound together an extraordinary fraternity of artists in all media in Paris, from 1885 to 1945, was this: we must always think about the value of a work of art, not within the logic of its own medium, but as if it transposed the value of art in another medium. Peter Dayan traces the history of this principle: how it created our very notion of 'great art', why it declined as a vision from the 1960s and how, in the 21st century, it is fighting back.' -- publisher.…