Cynthia saltzman (271 resultados)

hardcover. Condición: Very Good. Fast shipping and order satisfaction guaranteed. A portion of your purchase benefits Non-Profit Organizations, First Aid and Fire Stations.

Paperback. Condición: Good. At a star-studded auction in 1990, a painting was sold for the record-breaking price of $82.5 million. That painting, Vincent van Gogh's Portrait of Dr. Gachet, has seemed to countless admirers to portray our times as "something bright in spite of its inevitable griefs." This fascinating book reconstructs the painting's journey and becomes a rich story of modernist art and the forces behind the art market. Masterfully evoked are the lives of the thirteen extraordinary people who owned the painting and shaped its history: avant-garde European collectors, pioneering dealers in Paris and Berlin, a brilliant medievalist who acquired it for one of Germany's great museums, and a member of the Nazi elite who sold it after it had been confiscated as a work of "degenerate art." Remarkable and riveting, The Portrait of Dr. Gachet illuminates, in dramatic detail, the dynamics of the art market and of culture in our time. …

Paperback. Condición: Fair. At a star-studded auction in 1990, a painting was sold for the record-breaking price of $82.5 million. That painting, Vincent van Gogh's Portrait of Dr. Gachet, has seemed to countless admirers to portray our times as "something bright in spite of its inevitable griefs." This fascinating book reconstructs the painting's journey and becomes a rich story of modernist art and the forces behind the art market. Masterfully evoked are the lives of the thirteen extraordinary people who owned the painting and shaped its history: avant-garde European collectors, pioneering dealers in Paris and Berlin, a brilliant medievalist who acquired it for one of Germany's great museums, and a member of the Nazi elite who sold it after it had been confiscated as a work of "degenerate art." Remarkable and riveting, The Portrait of Dr. Gachet illuminates, in dramatic detail, the dynamics of the art market and of culture in our time. …

Condición: Very Good. A bright, square, and overall a nice copy.

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Hardback. Condición: Good. One of The Christian Science Monitor's Ten Best Books of May "A highly original work of history . . . [Saltzman] has written a distinctive study that transcends both art and history and forces us to explore the connections between the two." --Roger Lowenstein, The Wall Street Journal A captivatingstudy of Napoleon's plundering of Europe's art for the Louvre, told through the story of a Renaissance masterpiece seized from Venice Cynthia Saltzman's Plunder recounts the fate of Paolo Veronese's Wedding Feast at Cana, a vast, sublime canvas that the French, under the command of the young Napoleon Bonaparte, tore from a wall of the monastery of San Giorgio Maggiore, on an island in Venice, in 1797. Painted in 1563 during the Renaissance, the picture was immediately hailed as a masterpiece. Veronese had filled the scene with some 130 figures, lavishing color on the canvas to build the illusion that the viewers' space opened onto a biblical banquet taking place on a terrace in sixteenth-century Venice. Once pulled from the wall, the Venetian canvas crossed the Mediterranean rolled on a cylinder; soon after, artworks commandeered from Venice and Rome were triumphantly brought into Paris. In 1801, the Veronese went on exhibition at the Louvre, the new public art museum founded during the Revolution in the former palace of the French kings. As Saltzman tells the larger story of Napoleon's looting of Italian art and its role in the creation of the Louvre, she reveals the contradictions of his character: his thirst for greatness--to carry forward the finest aspects of civilization--and his ruthlessness in getting whatever he sought. After Napoleon's 1815 defeat at Waterloo, the Duke of Wellington and the Allies forced the French to return many of the Louvre's plundered paintings and sculptures. Nevertheless, The Wedding Feast at Cana remains in Paris to this day, hanging directly across from the Mona Lisa. Expertly researched and deftly told, Plunder chronicles one of the most spectacular art appropriation campaigns in history, one that sheds light on a seminal historical figure and the complex origins of one of the great museums of the world.…

Paperback. Condición: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condición: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Paperback. Condición: Good. A spellbinding account of the rapacious pursuit of the most exquisite paintings in the world In the Gilded Age, newly wealthy and culturally ambitious Americans began to compete for Europe's extraordinary Old Master pictures, causing a major migration of art across the Atlantic. Old Masters, New World is a backstage look at the cutthroat competition, financial maneuvering, intrigue, and double-dealing often involved in these purchases, not to mention the seductive power of the ravishing paintings that drove these collectors-including financier J. Pierpont Morgan, sugar king H. O. Havemeyer, Boston aesthete Isabella Stewart Gardner, and industrialist Henry Clay Frick. Packed with stunning reproductions, this is an ideal gift book for art lovers and history buffs alike.…

Paperback. Condición: Fair. A spellbinding account of the rapacious pursuit of the most exquisite paintings in the world In the Gilded Age, newly wealthy and culturally ambitious Americans began to compete for Europe's extraordinary Old Master pictures, causing a major migration of art across the Atlantic. Old Masters, New World is a backstage look at the cutthroat competition, financial maneuvering, intrigue, and double-dealing often involved in these purchases, not to mention the seductive power of the ravishing paintings that drove these collectors-including financier J. Pierpont Morgan, sugar king H. O. Havemeyer, Boston aesthete Isabella Stewart Gardner, and industrialist Henry Clay Frick. Packed with stunning reproductions, this is an ideal gift book for art lovers and history buffs alike.…

Condición: Very Good. A bright, square, and overall a nice copy.

Condición: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Hardback. Condición: Good. In 1870 a group of wealthy and culturally ambitious New Yorkers founded the Metropolitan Museum of Art. Soon, America's new industrial tycoons began to compete for Europe's extraordinary Old Master pictures, laying claim to works by Vermeer, Titian, Rembrandt and others. Cynthia Saltzman recounts the fierce competition to acquire some of the greatest paintings in the world and the boom in the market. A story of beauty, aesthetics, and taste; money, trade, and power. …

Paperback. Condición: Very Good. One of The Christian Science Monitor's Ten Best Books of May "A highly original work of history . . . [Saltzman] has written a distinctive study that transcends both art and history and forces us to explore the connections between the two." --Roger Lowenstein, The Wall Street Journal A captivating study of Napoleon's plundering of Europe's art for the Louvre, told through the story of a Renaissance masterpiece seized from Venice Cynthia Saltzman's Plunder recounts the fate of Veronese's Wedding Feast at Cana, a vast, sublime canvas that the French, under the command of a young Napoleon Bonaparte, tore from a wall of the monastery of San Giorgio Maggiore, on an island in Venice, in 1797. Painted in 1563, the Renaissance picture had been immediately hailed as a masterpiece. Veronese had spread the scene across the end wall of the monastery's refectory and filled it with some 130 figures, lavishing color on the canvas to build the illusion that the biblical banquet was taking place on a terrace in sixteenth-century Venice. Once it was pulled from its frame, the canvas crossed the Mediterranean rolled on a cylinder, bound for Paris; soon after, artworks commandeered in Venice and Rome were triumphantly brought to the French capital. In 1801, the Veronese went on exhibition at the Louvre, the new public art museum founded during the Revolution, in the former palace of the French kings. As Saltzman tells the larger story of Napoleon's looting of Italian art and its role in the creation of the Louvre, she reveals defining traits of his character: his desire for greatness and his ruthlessness in getting whatever he sought. After Napoleon's defeat at Waterloo in 1815, the Duke of Wellington and the Allies forced the French to return many of the paintings and sculptures they had seized. Nevertheless, the French resisted sending The Wedding Feast at Cana back to Venice, and the painting remains in Paris to this day, hanging directly opposite the Mona Lisa. Expertly researched and deftly told, Plunder chronicles one of the most spectacular art-appropriation campaigns in history, shedding light on a seminal historical figure and the complex origins of one of the world's great museums.…

paperback. Condición: Fine. Publisher overstock. May have remainder mark / minimal shelfwear. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books.

Hardcover. Condición: Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. illustrated edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Good condition. Very Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.