Cropper pericolo (41 resultados)

Hardcover. Condición: Fine. 2022 Harvey Miller large format hardcover edition. Unopened copy still shrinkwrapped.

Hardcover. Condición: Very Good. Book is in very good condition. 536pp with colour photographs.

Condición: Nuovo. Ril. in tela con sovr., cm 29 x 22,5, pp 535, molt.tavv a colori e ill. b/n. - ISBN: 9781905375844.

hardcover. Condición: New. 1st.

hardcover. Condición: New. 1st.

Hardcover. Condición: Brand New. annotated edition edition. 536 pages. 11.00x9.00x1.75 inches. In Stock.

Couverture rigide. Condición: As New. Estado de la sobrecubierta: As New. prima edizione. Harvey Miller Felsina Pittrice: The Lives of the Bolognese Painters (HMFP 1) C. C. Malvasia Felsina Pittrice: Volume I: Early Bolognese Painting E. Cropper, L. Pericolo (eds.) XXVI+536 p., 7 b/w ill. + 150 colour ill., 220 x 280 mm, 2012 ISBN: 978-1-905375-84-4 Languages: English, Italian Hardback The publication is available. Retail price: EURO 180,00 This richly illustrated volume provides a translation and critical edition of the opening part of the Felsina pittrice, which focuses on the art of late medieval Bologna. The text is unusual in the context of the Felsina pittrice as a whole in that it seeks to record what survives in the city, rather than focusing on individual artists. In response to Vasari¿s account of the Renaissance of painting in Florence, Malvasia offers a colorful and valuable portrait of Trecento painting in Bologna, noting the location and condition of destroyed or whitewashed frescoes, dismantled polyptychs, and paintings for which no other record survives. Malvasia provides crucial information on works by important fourteenth-century painters such as Lippo di Dalmasio, Simone dei Crocefissi, and Vitale da Bologna. Included in the volume are historical notes to the text and to the transcriptions of the Scritti originali, published here in their entirety for the first time. The notes enrich our understanding of individual works and identify the sources Malvasia used. Elizabeth Cropper¿s introductory essay serves to establish the significance of Malvasia as a historian of art, while Carlo Alberto Girotto¿s bibliographical essay analyses the production and reception of the Felsina pittrice as a whole. Size: 220 X280 mm-.…

Hardcover. Condición: Brand New. cri ant tr edition. 414 pages. 11.50x9.00x1.50 inches. In Stock.

Hardcover. Condición: Brand New. blg cri an edition. 410 pages. Italian language. 11.25x9.00x1.25 inches. In Stock. Ferone, Elise (ilustrador).

Condición: New. Ferone, Elise (ilustrador).

Condición: As New. Unread book in perfect condition. Ferone, Elise (ilustrador).

Rilegato. Condición: nuovo. Estado de la sobrecubierta: nuovo. prima edizione. Harvey Miller Felsina Pittrice: The Lives of the Bolognese Painters (HMFP 2.1) Carlo Cesare Malvasia Felsina pittrice: The Lives of Francesco Francia and Lorenzo Costa Elizabeth Cropper and Lorenzo Pericolo XXXIV+410 p., 14 b/w ill. + 163 colour ill., 220 x 280 mm, 2021 ISBN: 978-1-912554-79-9 Languages: English, Italian Hardback The publication is available. Retail price: EUR 240,00 Equipped with the most refined tools of forensic eloquence, seething with outrage, Malvasia is at his best in challenging Vasari's historical distortions and prejudices not only in connection with Francia, but also his disciples, Timoteo Viti (1469-1523), Lorenzo Costa (1460-1535), and Giovanni Maria Chiodarolo (1480-1530). In Bologna, Giorgio Vasari's maniera moderna is inaugurated through the art of the goldsmith-painter Francesco Francia (c.1447-1517). Malvasia assimilates the beginning of this new era with the end of night and the crack of dawn, when never before seen colors are revealed to the eyes with extraordinary intensity. In his life of Francia, Vasari had acknowledged the role of precursor played by this Bolognese master in the history of Italian painting. By the same token, he had tarnished Francia's reputation by alleging that he had died soon after unpacking Raphael's Ecstasy of Saint Cecilia upon its arrival in Bologna. His death, Vasari insisted, was a moment of reckoning: it was then that Francia recognized his artistic inferiority and damnation with regard not only to Raphael, but also to the highest achievements of the maniera moderna. Aware of the historical validity of Vasari's account, Malvasia "lifted" it wholesale into his Felsina pittrice, but not without bringing its author to trial by examining his biased testimony in light of the rich documentary evidence he had gathered against his narrative. Equipped with the most refined tools of forensic eloquence, seething with outrage, Malvasia is at his best in challenging Vasari's historical distortions and prejudices not only in connection with Francia, but also his disciples, Timoteo Viti (1469-1523), Lorenzo Costa (1460-1535), and Giovanni Maria Chiodarolo (1480-1530). Denouncing Vasari's silence about the works and importance of Francia's progeny--in particular Giacomo (1484-1557) and Giovan Battista Francia--Malvasia explains how the activity of these masters promoted the education and social status of painters in Bologna before the foundation of the Carracci Academy in 1582. Illustrated with numerous color images (many of them taken expressly for this publication), this volume provides a critical edition and annotated translation of Malvasia's lives of Francia and his disciples, among them prominently Costa. The integral transcription (for the first time) in this volume of Malvasia's preparatory notes (Scritti originali) to the lives of Francia, Costa, and Chiodarolo presents important material that could foster the study of Bolognese painting in the age of humanism under the rulership of the Bentivoglio. Elizabeth Cropper is Dean Emerita of the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington DC). Lorenzo Pericolo is Professor of the History of Art at the University of Warwick. Ferone, Elise (ilustrador). …

Couverture rigide. Condición: Neuf. Estado de la sobrecubierta: Neuf. Edition originale. Harvey Miller Felsina Pittrice: The Lives of the Bolognese Painters(HMFP 13) C. C. Malvasia Lives of Domenichino and Francesco Gessi E. Cropper, L. Pericolo (eds.) XXIV+414 p., 151 colour ill., 220 x 280 mm, 2013 ISBN: 978-1-909400-00-9 Languages: English, Italian Hardback The publication is available. Retail price: EUR 240,00 excl. tax Richly illustrated, this critical edition and English translation of Malvasia?s lives of Domenichino and Francesco Gessi from his Felsina pittrice offer access to the life and work of two great masters of seventeenth-century Bologna. Domenichino?s life plays a seminal role in Malvasia?s definition of the "fourth age" of painting in Italy. From the very beginning, Malvasia pits against each other Guido Reni and Domenichino, the two champions of the vanguard style that emerged from the Carracci reform of painting. If Guido becomes the idol of the Lombard and Bolognese school, "more attuned to tenderness and audacity," Domenichino embodies an ideal of perfection more in keeping with the Florentine and Roman school, "fond of finish and diligence." Malvasia reports that he did not know Domenichino, and his reconstruction of the career of the master as he moved among Rome, Naples, and Bologna stands in stark contrast to Giovan Pietro Bellori?s more sympathetic account, published in 1672. If, to redeem the supremacy of the Bolognese school, Malvasia downplays the problem of Domenichino?s "erudition" and "fertility" of invention, he does so with hesitation and among unresolvable contradictions. His assimilation of Domenichino?s art to the Roman and Tuscan canon is, then, profoundly polemical. In this light, Malvasia?s life of Domenichino can be defined as the most tormented and ultimately unsuccessful eulogy in the Felsina pittrice: a great piece of art-historical criticism about an artist whose greatness Malvasia could not deny. Malvasia?s assessment of the artistic personality of Francesco Gessi turns upon the painter?s rivalry with his master, Guido Reni, whose perfection in painting nevertheless remains unmatchable. In relating how Domenichino snatched away the highly talented Giovan Battista Ruggeri from his previous master, Francesco Gessi, Malvasia turns the conflicts inherent in Domenichino?s life into a generational struggle between artistic factions. In the process, Malvasia provides important biographical information about Giovan Giacomo Sementi, another of Guido?s disciples and Gessi?s lifelong rival. Review "Thanks to the Center for Advanced Study in the Visual Arts, Washington, DC, and above all to the publisher, Harvey Miller, these are volumes of the very highest quality, featuring large type, illustrations of all pictures, profound and extensive scholarship, and a translation on facing pages that makes Malvasia a pleasure to read. Harvey Miller has already set the bar high with its many volumes of the Corpus Rubenianum. The Malvasia is even more lavish (.)" (Theodore K. Rabb, in: The Art Newspaper, N°262, November 2014) Language : english text. …

Condición: As New. Unread book in perfect condition. Ferone, Elise (ilustrador).

Condición: New. Ferone, Elise (ilustrador).

Condición: New. 2013. Annotated - Bilingual. hardcover. . . . . .

Condición: New. 2012. Annotated - Bilingual. hardcover. . . . . .

Condición: New. 2022. Hardcover. . . . . . Ferone, Elise (ilustrador).

Condición: New. 2013. Annotated - Bilingual. hardcover. . . . . . Books ship from the US and Ireland.

Condición: New. 2012. Annotated - Bilingual. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: Brand New. ant cri bl edition. 844 pages. Italian language. 11.25x9.00x2.75 inches. In Stock.

Condición: New.

Hardcover. Purple DJ with color illustration and white and green lettering; black boards with gilt lettering; two volumes; richly illustrated. Text in Italian with English translation on facing pages or columns; critical matter in English. VG (Light edge/shelfwear to DJ; textblock edges have minor smudging.).…

Condición: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland. Ferone, Elise (ilustrador).

Condición: gut. 2022. Carlo Cesare Malvasia's Felsina pittrice : Lives of the Bolognese Painters : A Critical Edition and Annotated Translation : Volume 2 : Part 1 : The Lives of Francesco Francia and Lorenzo Costa In englischer Sprache. pages. Ferone, Elise (ilustrador).

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Brand New. bilingual edition. 700 pages. Italian language. 11.50x9.00x3.50 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Condición: gut. Felsina Pittrice: Volume I: Early Bolognese Painting In englischer Sprache. pages.