crispijn passe elder (8 resultados)

Loose Leaf. Condición: New. Reproduction. Original title: Sardanapal in the Bath German: Sardanapal im Bad French: Sardanapal dans le bain Spanish: Sardanapal en el baño High-quality fine-art reproduction based on an original work from the Met. Creation period: 16th century (1576?1623). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Condición: Good. Engraving on laid paper with watermark. 10.5 x 10.3 cm (sheet). Tongo image. Very Good, sheet trimmed to the platemark.Ref. Hollstein 211.

Condición: Good. Engraving on laid paper with watermark. 18.5 x 23 cm (sheet). Very Good, trimmed to or within platemark.Ref.: Hollstein 514.

Jan van der Straet Ilustrador. '"C. IVLIVS CAESAR. 1.", "AVGVSTVS 2", "TIBERIVS. 3.", "CALIGVLA 4.", "CLAVDIVS 5", "NERO. 6.", "GALBA. 7.", "OTHO. 8.", "VITELLIVS. 9.", "VESPA SIANVS. 10.", "TITVS. 11.", "DOMITIANVS. 12."'Complete suite of twelve numbered prints representing the Roman Emperors on horseback.Made by Crispijn de Passe the Elder after Jan van der Straet.Medium: Engraving on hand laid (verge) paper.Sheet size: 13.5 x 20 cm (5.31 x 7.87 inch). Image size: 10.5 x 15 cm. (4.13 x 5.91 inch).ROMAN-EMPERORS-HORSEBACK | PCO-E17-22BACKGROUND INFORMATIONSeries: The Twelve Emperors. Published by: Crispijn de Passe the Elder in Utrecht.Reference: New Hollstein (Dutch & Flemish) 314 (Johannes Stradanus: copy e) Hollstein 314ad.6; Hollstein 309 (Crispijn de Passe I).Biography engraver: Crispijn de Passe the Elder (1564-1637) was a Flemish artist known for his work as a draughtsman, engraver, and publisher. His career took him across several cities in Europe. He began his career in Antwerp but had to flee due to religious reasons, eventually settling in Cologne by 1589. Later, he moved to Utrecht in 1611. Crispijn de Passe the Elder was the father of several notable artists, including Simon, Magdalena, Crispin II, and Willem.Biography artist: Stradanus, Johannes Stradanus, Jan van der Straet or Giovanni Stradano (1523-1605) was a Flemish artist active mainly in 16th-century Florence, Italy. He was a wide-ranging talent who worked as an easel and fresco painter, designer of tapestries, draughtsman, designer of prints and pottery decorator. His subject range was varied and included history subjects, mythological scenes, allegories, landscapes, genre scenes, portraits, architectural scenes and animals. After training in his native Flanders, he left his home country and ultimately settled down in Florence, Italy. He became a prominent court artist to the Medici during the second half of the 16th century and worked on the many decorative projects of the court. Stradanus also produced large altarpieces for the most important churches in Florence. He was a prolific designer of prints which were circulated widely throughout Europe for many centuries. Through his knowledge of Florentine and Italian art and his international contacts with engravers and editors in Antwerp, Stradanus contributed to the development of printmaking. He was one of the earliest members of the prominent Accademia e Compagnia delle Arti del Disegno established in Florence in 1563. Stradanus also worked on various commissions in Rome, and resided in Naples from 1576 until about 1580. Thereafter he returned to Florence, dying there in 1605. Condition: good, given age. With rear text. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Complete series of the Acts of Mercy, including the plate of the Last Judgement, engraved by the engraver, illustrator and publisher Crispijn de Passe I (ca. 1564-1637) after Maarten de Vos (1532-1603), one of the most prolific and influential print designers of his generation. They were first published by the engraver Crispijn de Passe the elder (I), and subsequently by Adriaen Collaert, Theodoor Galle and Johannes Galle. Our set shows the 7 prints of the Acts of Mercy in their second state (of 4) by Collaert, with his monogram "AC" in the plates. The eighth print, showing the Last Judgement, is in its third state, published by Johannes Galle. The acts of mercy depicts feeding the hungry, giving drink to the thirsty, clothing the naked in a dress shop, housing the homeless, tending the sick, visiting prisoners and burying the dead.One print (feeding the hungry) untrimmed. The 7 trimmed prints are reinforced with two small white paper slips in the head margin, the Last Judgement very slightly toned and with a few spots. Otherwise in good condition with very sharp and dark impressions of the plates. The complete series of the Acts of Mercy, including the Last Judgement.l Hollstein XV, 471-477; New Hollstein (Maarten de Vos), 613.3; 614-620.2. Loose prints. 8 engravings (ca. 17.5 x 20.5 cm) on laid paper by Crispijn de Passe I (the elder) after Maarten de Vos with the central scene framed by an exquisite ornamental border showing crafts, tools and scenes relating to the subject. All engravings captioned with engraved Latin text in a cartouche below the images.

No Binding. Condición: Fair. Portrait of Christian II of Saxony. Born 23 September 1583 in Dresden, Germany. Died 23 June 1611 in Dresden, Germany. Etching and Engraving by Crispijn van de Passe the Elder (c. 1564-1637), c. 1630. Reasonable condition. Margins trimmed to the border (=possibly a cut-out of a larger plate). Paper a bit soiled, with a closed tear in the upper part and some spotting. Mounted onto later paper. Dimensions: 144 x 111 mm. Christian II of Saxony was Elector of Saxony, and Elector. c. 1630. Print.

No Binding. Condición: Fair. Portrait of Christian II of Saxony. Born 23 September 1583 in Dresden, Germany. Died 23 June 1611 in Dresden, Germany. Etching and Engraving by Crispijn van de Passe the Elder (c. 1564-1637), c. 1630. Reasonable condition. Margins trimmed to the border (=possibly a cut-out of a larger plate). Paper slightly browned. Mounted onto later paper. Verso: blank. Dimensions: 141 x 109 mm. Christian II of Saxony was Elector of Saxony, and Elector. c. 1630. Print.

Three episodes from the Story of Jonas mounted on the same mount.1- God sends Jonas to Nineveh; God sends Jonah to Nineveh to preach to the pagan inhabitants there. The scene is framed in a circular frame with a Bible quote from Jonah in Latin: Et factum est verbum domini. eius coram me. Ionae I cap.Numbered at bottom center: 1Signed: M. de Vos inven. / Ph[i]l[ip]s Gall[e] excudit.2- The King and People of Ninive Repenting; Jonah's prophecy has reached the king of Nineveh who, clad in a penitential robe, kneels on the ground. He calls on his subjects to mend their lives. The scene is framed in a circular frame with a Bible quote from Jonah in Latin: Et pervenit verbum. sedit in cinere. Ionae III cap.Numbered at bottom center: 5Signed: M. de Vos inven. / Ph[i]l[ip]s Gall[e] excudit.3- Jonah Under the Gourd; Jonah is seated under a tree laden with gourds, one arm extended and the other touching his head, looking out over the landscape with ships sailing below and buildings in the distance.Lettered within the round frame: Et vidit Deus opera eorum.Ionæ III. cap.Numbered at bottom center: 6Signed: Marti. de Vos inven. / Ph[i]l[ip]s Gall[e] excudit.[NL] Geschiedenis van Jona:1- God stuurt Jona naar Nineve om daar te preken tot de heidense inwoners. De voorstelling is gevat in een cirkelvormige omlijsting met een Bijbelcitaat uit Jona in het Latijn.2- De voorspelling van Jona heeft de koning van Nineve bereikt die, gehuld in een boetekleed, op de grond knielt. Hij roept zijn onderdanen op hun leven te beteren. De voorstelling is gevat in een cirkelvormige omlijsting met een Bijbelcitaat uit Jona in het Latijn.3- Jona zit op een rots boven de stad Nineve en spreekt met God. Deze laat een boom voor hem groeien, zodat Jona in de schaduw kan zitten. De voorstelling is gevat in een cirkelvormige omlijsting met een Bijbelcitaat uit Jona in het Latijn.Gemaakt door oude meester Crispijn de Passe the Elder. Engravings on laid paper, trimmed within plate; total: ca. 100 x 95 each; the third plate cut on the circular frame on the right margin; some dirt and smudges due to handling, overall in fair condition. Mounted on laid paper, in cardboard passepartout. Hollstein 25, 29, and 30.