Cornell capa et al (11 resultados)

Hardcover. Condición: Very Good. Hardback VG Book is clean, tight, and bright., No DJ Illustrated with Photos green cloth binding with gilt lettering.

Hard cover. Condición: Very good. Estado de la sobrecubierta: Very good. Jacket front is lightly scratched, not affecting legibility. Jacket is protected by a mylar cover. Light scuff marks on front cloth cover board. Binding is tight. Black Sharpie mark on bottom edge of text block, visible on bottom edges of some pages, but not covering any text. Pages are otherwise clean and unmarked.…

Hardcover. Condición: New. Estado de la sobrecubierta: Near Fine. 1st Edition. First edition 1988. Published in conjunction with the exhibition by Intl Center of Photography. Hardcover in blue laminated boards with DJ. Condition new, square, tight and clean book, no edgewear, corners not bumped, no names, no underlinings, no highlights, no bent page corners, not a reminder. DJ near fine, bright, one repaired tear at rear lower edge, small nicks at corners, no chips, not clipped. Large square folio, 176 pages, illustrated throughout with full page plates. Heavy book will require additional postage for international orders.…

dj. First Edition. First edition and first printing. Hardcover. 192 pages. A very interesting book that looks behind the scenes of this famous movie that was based on Arthur Miller's play. Features an essay by Serge Toubiana's as well as the text of his interview of Arthur Miller. Also includes black and white images by Magnum photographers: Eve Arnold, Cornell Capa, Henri-Cartier-Bresson, Bruce Davidson, Elliott Erwitt, Ernst Haas, Erich Hartmann, Inge Morath, and Dennis Stock. A clean and tight near fine copy with a slight forward lean to the spine and in a near fine dust jacket with a small tear to the top of the front panel.…

Paperback. Condición: Good +. First printing. 8 x 10 in. Paper wraps. Condition is GOOD+ ; covers rubbed, edges worn, tiny split at spine tail. Binding tight, text and plates very good, no markings. Phot. Stax.

Magazine. 64p., 10.75x11.25 inches, illustrated with photos and artworks, essays, articles, reviews, poetry, fiction, sunned spine & light wear to covers else a very good magazine in red pictorial wraps. The portfolio by Weir brought down the law on Ginzburg's head again. Very young nude female models. Also a symposium on The Most Hated Man in America with nominations by various famous and infamous people. Warhol nominated Christine Jorgensen for "not sticking to his guns!" Also a photo report from Israel.…

Soft cover. Condición: Good. No Jacket. 1st Edition. Good condition First Printing book with Werner Bischof, Andre Kertesz, Robert Capa, Leonard Freed, David Seymour(Chim), Dan Weiner. Library of Congress Catalogue Card Number 68-31898.

Condición: Good. Printed card 9 x 12.5cm. and letter size list of speakers. Dated October 20, 1974. .Text below by Mary Panzer,Curator of PhotographsNational Portrait Gallery, Smithsonian Institution.Philippe Halsman (1906-1979) was born in Riga, Latvia. He studied engineering in Dresden before moving to Paris, where he set up his photographic studio in 1932. Halsman's bold, spontaneous style won him many admirers. His portraits of actors and authors appeared on book jackets and in magazines; he worked with fashion (especially hat designs), and filled commissions for private clients. By 1936, Halsman was known as one of the best portrait photographers in France.From the 1940s through the 1970s, Philippe Halsman's sparkling portraits of celebrities, intellectuals, and politicians appeared on the covers and pages of the big picture magazines, including Look, Esquire, the Saturday Evening Post, Paris Match, and especially Life. His work also appeared in advertisements and publicity for clients like Elizabeth Arden cosmetics, NBC, Simon & Schuster, and Ford. Photographers, amateur as well as professional, admired Halsman's stunning images. In 1958, a poll conducted by Popular Photography named Halsman one of the "World's Ten Greatest Photographers" along with Irving Penn, Richard Avedon, Ansel Adams, Henri Cartier-Bresson, Alfred Eisenstaedt, Ernst Haas, Yousuf Karsh, Gjon Mili, and Eugene Smith. Altogether, Halsman's images form a vivid picture of prosperous American society in the middle years of the twentieth century. "Philippe Halsman: A Retrospective" is the first historical survey of his work.Halsman's career came to a dramatic halt in the summer of 1940, when Hitler's troops invaded Paris. Albert EinsteinHis wife, daughter, sister, and brother-in-law, who all held French passports, immigrated to America, but as a Latvian citizen, Philippe Halsman could not obtain a visa. For several long months he waited in Marseilles along with many others who were forced to escape fascist Europe. Finally, through the intervention of Albert Einstein (who had met Halsman's sister in the 1920s), Halsman obtained permission to enter the United States, and he arrived in New York in November 1940 with little more than his camera.Halsman's big break came when he met Connie Ford, a striking young model who agreed to pose in exchange for prints for her portfolio.Constance Ford When publicists at Elizabeth Arden saw Halsman's photograph of Ford against an American flag, they used the image to launch a national campaign for "Victory Red" lipstick. A year later, in the fall of 1942, Life asked Halsman to shoot a story on new hat design. To Halsman's delight, his portrait of the model smiling through a feathery brim landed on the cover. One hundred more covers followed before the magazine ceased weekly publication in 1972.When Halsman began working for Life, the magazine was only six years old, and photojournalism was still a new field. Before the existence of Life and its competitors, Americans learned about the world from newspapers, radio, and newsreels. But the new picture magazines published pages filled with bright, dramatic photographs, bringing Americans vivid information that no other media could match. Frank SinatraIn the spirit of a variety show, or a world's fair, magazines combined stories about international politics, everyday life, news events, celebrities, exotic scenery, and humor to prove that "so much of the world, so judiciously selected, had never been seen before in one place." Today, to understand the significance of those great magazines, we need only look at the many forms of mass media that have come to replace them. Now, we find photographs on television and billboards; in special publications devoted to news, people, fashion, or sports; in newspapers; in museums and galleries; and on the Internet. And, ironically, the more places there are to see photographs, the harder it is to attract viewers. But in 1942, when Philippe Halsman's portrait.…

Hardcover. Condición: As New.

Hardcover. Condición: As New.

Hardcover. Condición: New.