Coquelin benoit constant (25 resultados)
Editorial: Vanity Fair May 5 1898
- Lámina artística
Librería: Robert Frew Ltd. ABA ILAB, London, , Reino UnidoRobert Frew Ltd. ABA ILAB
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Drawn by Guth. Original chromolithograph. Page size approx. 38 x 26.5cm. Image size approx. 32 x 19cm. With original leaf of biographical text.
Editorial: Vanity Fair May 5 1898
- Lámina artística
Librería: Robert Frew Ltd. ABA ILAB, London, , Reino UnidoRobert Frew Ltd. ABA ILAB
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Drawn by Guth. Original chromolithograph. Page size approx. 38 x 26.5cm. Image size approx. 32 x 19cm. With original leaf of biographical text.
Idioma: Inglés
Editorial: UK 1898
- Tapa blanda
- Primera edición
- Firmado
- Manuscrito
Librería: Lasting Words Ltd, Northampton, UK, Reino UnidoLasting Words Ltd
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Paper. Condición: Very Good. First Edition. An Original Handwritten and Signed Letter by French Actor Benoît-Constant Coquelin. Dated 1898. Benoît-Constant Coquelin 1841 - 1909 known as Coquelin aîné ("Coquelin the Elder"), was a French actor, "one of the greatest theatrical figures of the age. Size is 152mm x 98mm. In good cond…ition. Light folding crease. Ref 18815. Signed by Author(s).
Editorial: Vanity Fair Aug 3 1893
- Lámina artística
Librería: Robert Frew Ltd. ABA ILAB, London, , Reino UnidoRobert Frew Ltd. ABA ILAB
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Drawn by Guth. Original chromolithograph. Page size approx. 38 x 26.5cm. Image size approx. 32 x 19cm. With original leaf of biographical text.
Coquelin, Benoit Constant, Theatre - an Original Vanity Fair "Spy" Print
COQUELIN, BENOIT CONSTANT - An Original Vanity Fair "Spy" Print
Idioma: Inglés
Editorial: Vanity Fair, London, May 5 1898
- Primera edición
Librería: K Books Ltd ABA ILAB, York, YORKS, Reino UnidoK Books Ltd ABA ILAB
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No Binding. Condición: Very Good. First. A fine original colour lithograph from Vanity Fair, a magazine which was published from 1869-1914, featuring a large caricature portrait each week. These were drawn by various artists, the most famous of whom was Leslie Ward who used the 'nom de crayon' of "Spy". This portrait will come m…ounted/matted and ready to frame using archivist quality materials, mount size 18 x 12 inches, 47 x 31 cms. It will be presented in a cellophane wrapper with our label guaranteeing authenticity. We pack very well, between sheets of hardboard. This is an excellent opportunity to purchase a portrait of M Benoit Coquelin, actor and author, with the caption "Coquelin aine". With accompanying biographical details. Drawn By Guth (ilustrador).
Idioma: Inglés
Editorial: Roberts Brothers, Boston 1881
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- Primera edición
Librería: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, Estados Unidos de AmericaArroyo Seco Books, Pasadena, Member IOBA
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Hardcover. Condición: Very Good. No Jacket. First American Edition. 63 Pp + 2 Pp Ads At Rear. Red Cloth Printed In Black, Green And White Endpapers. First American Printing, 1981 Date On Title Page. Light Wear, Lettering Strong, Three Tiny Frays At Ends Of Spine, Covers With Tiny Flecks To Color. Ownership Signature Of Andy Fran…cisco (1866-1947); From Estate Of Artist J Bond Francisco's Nephew, Jack Okey, So Probably A Relative. Per Wikipedia, Benoît-Constant Coquelin (1841 - 1909), Known As Coquelin Aîné ("Coquelin The Elder"), Was A French Actor, "One Of The Greatest Theatrical Figures Of The Age." Coquelin Was Born In Boulogne-Sur-Mer, Pas-De-Calais. He Was Originally Intended To Follow His Father's Trade Of Baker (He Was Once Called "Un Boulanger Manqué" - "A Failed Baker" - By A Hostile Critic), But His Love Of Acting Led Him To The Conservatoire, Where He Entered Régnier's Class In 1859. He Won The First Prize For Comedy Within A Year, And Made His Début On 7 December 1860 At The Comédie-Française As The Comic Valet, Gros-René, In Molière's Le Dépit Amoureux, But His First Great Success Was As Figaro In The Barber Of Seville, In The Following Year. It Was An Honour For Coquelin To Be A Part Of The Comédie-Française At Such A Young Age. This Company Had Already Been In Existence For Around 150 Years. He Was Made Sociétaire In 1864. There Were 21 3⁄4 Shares And They Were Divided Among The Lead Actors, Known As Sociétaires. The Sociétaires Co-Manage, Choose Plays, And Share Profits. When There Was An Opening Caused By Retirement, Resignation, Or Death, It Was Filled By A Member Of The Pensionnaires. And Just Four Years After Joining The Comédie-Française, Coquelin Became One Of The Elite Sociétaires. During The Next Twenty-Two Years He Created The Leading Roles In Forty-Four New Plays At The Comédie Française, Including Théodore De Banville's Gringoire (1867), Paul Ferrier's Tabarin (1871), Émile Augier's Paul Forestier (1871), L'étrangère (1876) By The Younger Dumas, Charles Lomon's Jean Dacier (1877), Édouard Pailleron's Le Monde Où L'on S'ennuie (1881), Erckmann's And Chatrian's Les Rantzau (1884). In Consequence Of A Dispute With The Authorities Over The Question Of His Right To Make Provincial Tours In France He Resigned In 1886. Three Years Later, However, The Breach Was Healed; And After A Successful Series Of Tours In Europe And The United States He Rejoined The Comédie-Française As Pensionnaire In 1890. During His Time Away From The Comédie He Wrote His Book Art And The Actor. It Was During This Period That He Took The Part Of Labussière, In The Production Of Victorien Sardou's Thermidor, Which Was Banned By The Government After Three Performances. In 1892 He Broke Definitively With The Comédie-Française, And Toured For Some Time Through The Capitals Of Europe With A Company Of His Own; In New York, For Instance, He Performed At Abbey's Theatre In 1894, Playing The Lead In Tartuffe (His Son Jean Played Orgon) And Mascarille In Les Précieuses Ridicules.[3] In 1895 He Joined The Renaissance Theatre In Paris, And Played There Until He Became Director Of The Théâtre De La Porte Saint-Martin In 1897. Here He Won Successes In Edmond Rostand's Cyrano De Bergerac (1897), Which He Repeated In The Summer Of 1898 At The Lyceum Theatre, London, Émile Bergerat's Plus Que Reine (1899), Catulle Mendès's Scarron (1905), And Alfred Capus And Lucien Descaves' L'attentat (1906). In 1900 Coquelin Toured In America With Sarah Bernhardt, Appeared At Broadway's Garden Theatre In A Production Of Cyrano De Bergerac (Bernhardt Played Roxane). He Made His Only Film, The Duel Scene From Cyrano De Bergerac With Sound Recording On Phonograph Cylinder. The Film Is Thought To Be The First Ever Made With Both Color And Sound. On Their Return To France He Continued With His Old Colleague To Appear In L'aiglon, At The Théâtre Sarah Bernhardt. He Was Rehearsing For The Creation Of The Title Role In Rostand's Chantecler, Which He Was To Produce, When He Died Suddenly In Paris In 1909.
Editorial: Leningrad und Moskau, Izdatel'stvo Izkusstvo. 1937
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Librería: Antiquariat J.J. Heckenhauer e.K. - Tübingen & München, Tuebingen, AlemaniaAntiquariat J.J. Heckenhauer e.K. - Tübingen & München
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kl. 8°. 143 pages. Illustrated. Original Cloth. Good condition, a bit bumped. Sprache: russisch.
Coquelin, Benoit Constant, Theatre - an Original Vanity Fair "Spy" Print
COQUELIN, BENOIT CONSTANT - An Original Vanity Fair "Spy" Print
Idioma: Inglés
Editorial: Vanity Fair, London, May 5 1898
- Primera edición
Librería: K Books Ltd ABA ILAB, York, YORKS, Reino UnidoK Books Ltd ABA ILAB
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EUR 77,42
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No Binding. Condición: Very Good. First. A fine original colour lithograph from Vanity Fair, a magazine which was published from 1869-1914, featuring a large caricature portrait each week. These were drawn by various artists, the most famous of whom was Leslie Ward who used the 'nom de crayon' of "Spy". This portrait will come m…ounted/matted and ready to frame using archivist quality materials, mount size 18 x 12 inches, 47 x 31 cms. It will be presented in a cellophane wrapper with our label guaranteeing authenticity. We pack very well, between sheets of hardboard. This is an excellent opportunity to purchase a portrait of M Benoit Coquelin, actor and author, with the caption "Coquelin aine". With accompanying biographical details. Drawn By Guth (ilustrador).
Editorial: 'Mardi' no date; no place
- Manuscrito
Librería: Richard M. Ford Ltd, London, , Reino UnidoRichard M. Ford Ltd
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2pp, 16mo. Bifolium. In good condition, lightly aged. 'Alice' will be 'charmante' if she can let him know when he can see her 'chez vous'. 'Je voudrais vous parler de l'affaire de Deauville pour laquelle Plumkett [sic] a écrit à mon frère.' He asks again to be sent 'un mot' telling him when he can see her, any time other than 4…pm will do. He ends by remarking how long it has been since he last had 'le plaisir de vous serrer la main!'.
['Coquelin aîné' [Constant Coquelin; Benoît-Constant Coquelin] of the Comédie Française, great French actor.] Autograph Letter Signed ('Coq') to 'Ma cheri Alice', giving his plans for the summer and referring to his 'depart de la Comédie'.
'Coquelin aîné' [Constant Coquelin; Benoît-Constant Coquelin] (1841-1909) of the Comédie Française, one of the greatest French actors of the nineteenth century
Editorial: No place or date
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Librería: Richard M. Ford Ltd, London, , Reino UnidoRichard M. Ford Ltd
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1p, 16mo. In good condition. He begins by telling her that he will not be travelling anywhere that summer for work, but that he may go and rest at Aix, 'et voilà tout'. He continues: 'On m'a dit que vous etiez charmante dans Andrea, mon premier soir de liberté sera pour vous aller voir . . . . | J'irai vous dire bonsoir et vous…raconter l'histoire de mon depart de la Comédie'.
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Librería: Wimbauer Buchversand, Hagen, NRW, AlemaniaWimbauer Buchversand
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Blatt. Condición: Gut. festes Albumblattfragment mit Klebstreifenrückstand und Eckknicken / Eckfehlstellen, mit aufmontiertem Cutouts /Brieffragmenten von Happy Fanny Fields, Gus Elen, Marie Lloyd und Benoît Constant Coquelin /// Autogramm Autograph signiert signed signee /// Benoît Constant Coquelin, bekannt als Coquelin aîné (…der Ältere) (* 23. Januar 1841 in Boulogne-sur-Mer; ? 27. Januar 1909 in Couilly-Pont-aux-Dames in der Île-de-France), war ein französischer Schauspieler. Coquelin wollte zunächst wie sein Vater Bäcker werden, doch dann führte ihn seine Leidenschaft für das Theater nach Paris, wo er 1859 in die Klasse von F. J. Régnier im dortigen Konservatorium eintrat. Schon am 7. Dezember 1860 debütierte er in der Comédie-Française mit der kleineren Rolle des Gros-René in Molières Le Dépit amoureux (deutsch: Der Liebeszwist). Seinen ersten großen Erfolg hatte er im folgenden Jahr in der Titelrolle in Beaumarchais? Figaro. 1864 wurde er zum Teilhaber an der Comédie-Française. Die nächsten 22 Jahre stellte er die führenden Rollen in den neuen Stücken der klassischen Komödie dar. So brillierte er etwa in Théodore de Banvilles Gringoire (1867), Paul Ferriers Tabarin (1871), Émile Augiers Paul Forestier (1871), L?Étrangère von Dumas dem Jüngeren (1876), Charles Lomons Jean Dacier (1877), Edward Paillerons Le Monde où l?on s'ennuie (1881), Erckmann und Chatrians Les Rantzau (1884). Eine weitere Paraderolle für ihn war Molières Tartuffe. Benoît Constant Coquelin in Molieres Les Precieuses Ridicules (1888) Nach einem Streit mit der Leitung über sein Recht Tourneen in die französische Provinz zu unternehmen, verließ er die Comédie-Française im Jahre 1886. Drei Jahre später jedoch war der Bruch geheilt: Nach triumphalen Gastspielreisen durch Europa und die Vereinigten Staaten kehrte er 1890 zur dorthin zurück. Im Folgenden wurde Victorien Sardous Stück Thermidor nach nur drei Aufführungen von der Regierung verboten. 1892 brach er endgültig mit der Comédie und tourte mit einer eigenen Theatergruppe durch europäische Hauptstädte. 1895 trat er dem Renaissance Théâtre in Paris bei und spielte dort, bis er 1897 Direktor des Théâtre de la Porte Saint-Martin wurde. Hier erlangte er in der Uraufführung von Edmond Rostands Cyrano de Bergerac im gleichen Jahr in der Titelrolle Weltruhm. 1900 tourte er mit Sarah Bernhardt (sie hatte bereits 1880 die Comédie-Française verlassen) in die USA, wo sie auch am Broadway auftraten. Dort standen beide etwa im Hamlet, in La Dame aux camélias (deutsch: Die Kameliendame) und Cyrano de Bergerac auf der Bühne. Nach ihrer Rückkehr setzte er die Zusammenarbeit mit seiner früheren Kollegin am Théâtre Sarah Bernhardt fort. Ebenso 1900 wurde ein kleiner Film von ihm aufgenommen, der ihn als Cyrano zeigt: Seine Stimme wurde auf einen Zylinder aufgenommen, der während der Aufführung abgespielt wurde und ein Textstelle aus diesem Stück enthält. Rollen in Émile Bergerats Plus que reine (1899), Catulle Mendès? Scarron (1905), Alfred Capus? und Lucien Descaves? L?Attentat (1906) waren weitere Stationen seiner Karriere. Während der Proben für eine tragende Rolle in Rostands Chantecler starb Coquelin in einem Heim in Couilly-Pont-aux-Dames (andere Quellen sprechen von Paris), das er selbst 1902 für alte Schauspieler gegründet hatte. Sein Bruder Ernest-Alexandre Honoré Coquelin (1848-1909) war ebenfalls Schauspieler an der Comédie-Française, stand jedoch immer im Schatten Benoît Constants. Der Sohn von Benoît Constant, Jean Coquelin (auch Coquelin fils, der Jüngere, 1865-1945), war ebenso Schauspieler, zunächst am Théâtre Française (Debüt: 1890), später am Renaissance und am Porte Saint-Martin, wo er den Part von Raigoné in Cyrano de Bergerac kreierte, aber, wie sein Vater, auch die Titelrolle übernahm. Leistungen Coquelin galt mehr als Freund ?vorgespielter? denn ?wahrhaft empfundener? Gefühle auf der Bühne. Das Theaterlexikon bescheinigt ihm, dass er seine Rollen ?durch Einfallsreichtum und klaren Intellekt seiner Persönlichkeit charakteristische Umrisse? zu geben vermochte und über eine ?klangvolle Stimme? verfügte. Er ?entwickelte sich zu einem der führenden französischen Schauspieler /// Matilda Alice Victoria Wood (12 February 1870 - 7 October 1922), professionally known as Marie Lloyd (/'m??ri/[1]), was an English music hall singer, comedian and musical theatre actress. She was best known for her performances of songs such as "The Boy I Love Is Up in the Gallery", "My Old Man (Said Follow the Van)" and "Oh Mr Porter What Shall I Do". She received both criticism and praise for her use of innuendo and double entendre during her performances, but enjoyed a long and prosperous career, during which she was affectionately called the "Queen of the Music Hall". Born in London, she was showcased by her father at the Eagle Tavern in Hoxton. In 1884, she made her professional début as Bella Delmere; she changed her stage name to Marie Lloyd the following year. In 1885, she had success with her song "The Boy I Love Is Up in the Gallery", and she frequently topped the bill at prestigious theatres in London's West End. In 1891, she was recruited by the impresario Augustus Harris to appear in that year's spectacular Theatre Royal, Drury Lane Christmas pantomime Humpty Dumpty. She starred in a further two productions at the theatre, Little Bo Peep (1892) and Robinson Crusoe (1893). By the mid-1890s, Lloyd was in frequent dispute with Britain's theatre censors due to the risqué content of her songs. Between 1894 and 1900, she became an international success when she toured France, America, Australia and Belgium with her solo music hall act. In 1907, she assisted other performers during the music hall war and took part in demonstrations outside theatres, protesting for better pay and conditions for performers. During the First World War, in common with most other music hall artists, she supported recruitment into the armed services to help the war effort, touring hospitals and industrial institutions to help.
Eigenh. Brief mit U. ("G. Coquelin").
[Coquelin, Benoît Constant, Schauspieler (1841-1909)]. - Georges Coquelin (Schauspieler und sein Bruder, D. n. b.).
Editorial: Lyon, 16. X. 1887. 1887
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1 S. auf Doppelblatt. 8vo. An einen namentlich nicht genannten Adressaten: "J'ai l'avantage d'etre chargé par mon frère ainé de vous presenter d'abord ses meilleurs amitiés et de vous prier de vouloir entrer en relations avec Monsieur Jannes parceque le dernier consentit à traiter avec mon frère cinq représentations qui devraien…t avoir lieu à Vienne le 24-25-26-27 et 28 Novembre prochain [.]". - Papierbedingt etwas gebräunt; in altem Sammlungsumschlag.
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Legendary French actor and manager with the Comedie-Francaise (1860-92) renowned for his performance in "Cyrano de Bergerac." Signed ("C.C.") and inscribed (in French) printed calling card, 4" X 2¼", Paris, France, n.d. Near fine. Accompanied by a fine 8½" X 11" steel engraved full-length portrait titled "Coquelin (as Mascarille… in the 'Precieuses Ridicules')," Plate LXXXIX from the 1889 "Century Gallery of One Hundred Portraits.".
BENOIT CONSTANT COQUELIN (bekannt als Coquelin aîné (der Ältere) , 1841-1909) führender französischer Schauspieler, Officier de l?Instruction Publique und der Ehrenlegion / important french actor
BENOIT CONSTANT COQUELIN (bekannt als Coquelin aîné (der Ältere) , 1841-1909) führender französischer Schauspieler, Officier de l?Instruction Publique und der Ehrenlegion / important french actor
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E. Briefkarte (knickspurig, 5 Zeilen) in Tinte mit eigenhändiger Unterschrift signiert - siehe Abbildung ! (dito : E.Brief (1 S. 8°, Kartenbrief mit Mittelfalte) in Tinte mit Ort, Datum, Unterschrift signiert Poststempel : 17.II.04 - an Monsieur LOUIS SCHNEIDER in Paris Euro 95,-) (dito : E.Albumblatt (1 S. kl. 8 to) in Tinte mi…t Empfehlung von Madame Coquelin und ihm, eigenhändig signiert, lt. Bleistiftnotiz am Unterrand wohl an YVETTE GUILBERT (1865-1944, französische Sängerin ( Sopran ) und Schauspielerin) BEILAGE : kleines Foto des Coqueline aine, Collection Felix Potin. Euro 145,-).
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Librería: Antiquariat Martin Barbian & Grund GbR, Saarbruecken, , AlemaniaAntiquariat Martin Barbian & Grund GbR
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Phototypie nach E. Friant, Paris, 1894, 12,5x15 cm *Benoît Constant Coquelin, bekannt als Coquelin aîné (der Ältere) (* 23. Januar 1841 in Boulogne-sur-Mer - 27. Januar 1909 in Couilly-Pont-aux-Dames in der Île-de-France), war ein französischer Schauspieler.
Editorial: O. O. u. D.
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1 S. 8vo. In französischer Sprache an einen Monsieur Prudhon mit der Mitteilung, daß die Probe von "la cigale" um ½2 Uhr "trés precise" stattfinden werde und die Gastspielfahrt um drei Uhr losgehen würde. - Benoît Constant Coquelin wurde 1864 Teilhaber an der Comédie Française und spielte in den kommenden 22 Jahren die führenden… Rollen in den neuen Stücken der klassischen Komödie, etwa in Théodore de Banvilles "Gringoire" (1867) oder in "L'Étrangère" von Dumas dem Jüngeren; eine weitere Paraderolle für ihn war Molières Tartuffe. - Papierbedingt etwas gebräunt; in altem Sammlungsumschlag.
Editorial: Paris, Ch. Reutlinger o. J. [ca. ] 1865
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Rückw. hds. Beschriftung. - Foto etw. verblasst.
Editorial: O. O. u. D.
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165:110 mm. Brustbild des Schauspielers aus dem Atelier des Photographen van Bosch, Paris, mit Widmung "à Madame Lierer" und U. auf der Bildseite. - Etwas ausgebleicht. - Benoît Constant Coquelin wurde 1864 Teilhaber an der Comédie Française und spielte in den kommenden 22 Jahren die führenden Rollen in den neuen Stücken der kla…ssischen Komödie, etwa in Théodore de Banvilles "Gringoire" (1867) oder in "L'Étrangère" von Dumas dem Jüngeren; eine weitere Paraderolle für ihn war Molières Tartuffe.
Editorial: O. O., [Oktober 1894]. 1894
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1½ SS. auf Doppelblatt. 8vo. An einen namentlich nicht genannten Adressaten, der auf Bl. 1 verso vermerkt: "Antwort Cuquelier auf eine Anfrage für meine Geschichte einer Theorie der Schauspielkunst im Oktober 1894". - Coquelin wurde 1864 Teilhaber an der Comédie Française und spielte in den kommenden 22 Jahren die führenden Roll…en in den neuen Stücken der klassischen Komödie, etwa in Théodore de Banvilles "Gringoire" (1867) oder in "L'Étrangère" von Dumas dem Jüngeren; eine weitere Paraderolle für ihn war Molières Tartuffe. - Mit starken Randläsuren und Einr. in der Faltung.
Librería: Librairie Blaizot, Paris, , FranciaLibrairie Blaizot
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L'acteur se voit dans l'obligation de refuser une invitation .Hélas, après demain jeudi je serai à Bordeaux, bien désolé de ne pouvoir diner avec vous. Vous savez que ma sympathie pour vous est bien vive et bien sincère et que je regrette de ne vous voir jamais. Mais la semaine prochaine, nous irons avec Dittelbach entendre votr…e jeune amie et sortant vous serrer très affectueusement la main.En 1897, Coquelin aîné crée le rôle-titre de Cyrano de Bergerac au théâtre de la Porte-Saint-Martin, ce qui lui assure une gloire éternelle. Rostand lui dédie même sa pièce, en écrivant : « C'est à l'âme de Cyrano que je voulais dédier ce poème. Mais puisqu'elle a passé en vous, Coquelin, c'est à vous que je le dédie".
Más imágenes2 autograph letters signed.
Coquelin, Benoît-Constant (known as Coquelin aîné), French actor (1841-1909).
Editorial: [Paris, postmarked 22 and 28 May 1898]. 1898
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Oblong 8vo. Together 1½ pp. With autograph addresses. Playful letters full of coquetry to a Mademoiselle Piron, probably the actress and dancer Léa Piron. In the earlier letter Coquelin asks about photographs of her, hinting at an exchange, and offers her tickets to "Cyrano de Bergerac", one of his greatest triumphs: "Avez vous…vos photographies? moi, j'ai les miennes - vous savez l'échange convenu entre nous - moi je suis prêt - etes- vous prête? vous serez gentille de me dire quand vous voudrez échanger - Sera-ce le matin? dans la journée? Je suis à votre disposition - Et si vous voulez voir au revoir Cyrano - vous me disez si vous voulez que je vous envoie des places - vous avez à choisir entre bien des questions. Choisissez [.]" (22 May 1898, postmark). - In the second letter Coquelin announces a visit, supposedly to pick up a sylph costume: "Vous menez demain un nez pour un sylphe que vous me donnerez . non, ce que j'y requerrai [?]. Le costume n'y fait rien . c'est ce que vous mettez dedans qui est tout. Je serai très content de vous servir, d'avance je vous le dis. Je serai chez vous vers 3 heures 1/4 - Merci pour votre gentil petit mot et croyez moi bien [.]" (28 May 1898, postmark). - The 1897 premiere of Edmond Rostand's "Cyrano de Bergerac" with Coquelin in the leading role was a resounding success for the actor, who later played Cyrano alongside Sarah Bernhardt on tour in the US. Coquelin even resumed the role in a short film that was produced for the 1900 Paris Exposition. The film was colour-tinted and synchronized to a wax cylinder recording and is considered the first film made with both colour and sound. - Traces of folds, some minor tears and minimal foxing.
Idioma: Francés
Librería: L'ENCRIVORE (SLAM-ILAB), VENDOME, , FranciaL'ENCRIVORE (SLAM-ILAB)
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Muy bueno
EUR 75,00
Envío por EUR 65,00Se envía de Francia a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Aucune reliure. Condición: Bon. Carton a en tete de Velle par Parlinges ( Saone et Loire ) " Ces amis des femmes qui croient les connaître par ce qu'ils ont beaucoup fréquenté les filles me rappellent cet amateur de pommes qui ne les mangeait que gatées . Benoit Constantin Coquelin ( 1841/1909), grand acteur de théâtre , dénommé… Coquelin Ainé , fut 1er prix de comédie au Conservatoire et sociétaire de la Comédie Française . Il prendra la direction du Théâtre St-Martin .
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Librería: Gyan Books Pvt. Ltd., Delhi, , IndiaGyan Books Pvt. Ltd.
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 29,10
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Leather Bound. Condición: New. Language: German. Language: German. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine len…ds an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1883. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - German, Pages: - 72, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 72 72.
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Librería: Antiquariat Martin Barbian & Grund GbR, Saarbruecken, , AlemaniaAntiquariat Martin Barbian & Grund GbR
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EUR 60,00
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Farblithographie von Frédéric Regamey nach Vibert, bei Lemercier, Paris, 1875, 29x20 cm *Benoît Constant Coquelin, bekannt als Coquelin aîné (der Ältere) (* 23. Januar 1841 in Boulogne-sur-Mer - 27. Januar 1909 in Couilly-Pont-aux-Dames in der Île-de-France), war ein französischer Schauspieler. 1864 wurde er zum Teilhaber an der… Comédie-Française.
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Librería: Gyan Books Pvt. Ltd., Delhi, , IndiaGyan Books Pvt. Ltd.
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 63,42
Gastos de envío gratisSe envía de India a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Leather Bound. Condición: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine len…ds an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1909. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages:- 106, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 106 106.
