Constantine leigh (9 resultados)

Paperback. Condición: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condición: As New.

Hardcover. Condición: New. HARDCOVER, BRAND NEW COPY, Perfect Shape, No Black Remainder Mark,Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction.…

Hardcover. Condición: Near Fine. 1ST. Excellent Copy - Limited Edition, Number 107 Of 150 Copies. First Edition, First Printing. Book Is In Near Fine Condition. Boards Are Clean, Not Bumped. Fore Edges Have A Tiny Bit Of Shelf Wear. Interior Is Clean And Legible. Not Remaindered. No Dust Jacket As Issued. Book.…

Hardcover. Condición: Fine. 1ST. Outstanding Copy - Signed By Gwyneth Jones ? On The Title Page. Number 141 Of 150 Copies Printed. A First Edition, First Printing. Book Is In Fine Condition. Boards Are Clean, Not Bumped. Fore Edges Are Clean. Interior Is Clean And Legible. Not Remaindered. Signed by Contributors. Book.…

Paperback. Condición: Good. Wear at corners; no text markings noted.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condición: Good. No Jacket. 1st Edition. First English edition (first printing) of the author's first book, and in effect Paddy Fermor's first book too, preceding the publication of his own 'The Traveller's Tree' by thirteen years. 8vo. 299pp. Purple cloth lettered in gold at the spine. Seemingly an ex-library copy, with a plate to the front pastedown which has been obscured by a second plate, and indications of very careful removal of another plate from the front free endpaper, but no other indications of institutional ownership. Cloth lightly marked and stained in places, and the backstrip ends gently bruised. Binding just a little tender at the title page. Four or five small fox-spots to the margins of the first half a dozen leaves. Really quite a crisp and bright example of a most uncommon book, significantly more fugitive than the US edition, issued a year later as 'Forever Ulysses'. No dust wrapper. …

All items in good condition. The letters on blue paper, and each in a stamped, postmarked envelope, addressed to 'Mrs Felicity Rhodes | North Lodge | 128 Banbury Road | Oxford'. Letter One (29 May 1995): 2pp., 12mo. He thanks her for typing the poem, which is 'only just the first part of a rather long one and doesn't really quite stand on its own - not that the whole thing comes off except for a few lines here and there.' he has 'never thought of having any Poems published', as he is 'only too aware of how sadly they limp along'. He has only shown them to 'one or two friends'. He would have liked to have been 'like the Greek Alexandrian Poet Cavaffy [sic] who used to carry copies of his latest poems in his pocket to distribute among his friends. But then he was a very great poet and his friends must have felt very privileged.' He has been 'very impressed' by what he has 'glimpsed' of Rhodes's own poems. Accompanied by a typescript (by Rhodes?) of an untitled poem. 1p., 8vo. Headed in pencil: 'MAURICE CARDIFF.' It begins: 'Come to the edge and watch | The sickle winged sea birds, the slow | Implacable onrush of incoming sea | Beat on the rock bed and seawrack below.' Letter Two (4 February 1996): 2pp., 12mo. He has enjoyed reading her manuscript, which is 'full of fascinating facts and all so well written and clearly presented'. If she intends it to be 'a history of the dance in relation to the theatre' he wonders why she 'begins with the Etruscans and not the Greeks who had both'. He goes on to discuss the 'frescoes at Tarquinium', and is pleased at the news that she is 'getting back to painting'. 'I hope you are enjoying the dark ages.' In a postscript he explains that he is enclosing a 'rather poem prompted by the recent snow.' Accompanied by an Autograph Poem by Cardiff, 1p., 12mo, titled 'A Winter Casualty'. 20 lines arranged in four five-line stanzas. The first stanza reads: 'The flakes are falling fast | I sit by the fire and recall | Such snow-falls in the past | The snow-man and giant ball | That for more than a month might last.'.…