Conde carole (11 resultados)

Paper Back. Condición: Like New.

First Edition. First edition. Exhibition brochure for a show that ran November 1 through December 29, 1991. Single sheet folded twice to create 6 pages. Features text by Gina Murtagh. Includes 9 images with 7 in color. A near fine copy but with the rubberstamp of the Visual Studies Workshop to the front cover. Otherwise free of marks.…

paperback. Condición: Very Good. Oversized softcover. Bound in glossy pictorial wrap. Cover is neat and tidy. Binding is tight and secure. Pages are otherwise crisp, clean, and bright. Images printed in B&W and color. 72 pages. Between the Lines Publishing. Copyright page dated 1986. A very good copy. This is an oversized book, so extra shipping will be necessary for priority or international shipping. We ship everyday from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it's properly described. Please contact us with questions or if you would like to see photographs.…

Paperback. Condición: Fine.

31 pp.; 27.8 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Periodical on political art. UPFRONT committee included Keith Christensen, Elizabeth Kulas, Lucy R. Lippard, and Irving Wexler. Essays: "From the Ground Up: Cultural Democracy as a National Movement," by Don Adams and Arlene Goldbard; "Artists Working with Unions: Union Made," a panel discussion featuring Tony Gillotte, Howard Saunders, Carla Katz, Fred Lonidier, Carole Condé, Karl Beveridge, and Mierle Laderman Ukeles; "This is a Political Document: A Description of the Making of a Work of Art," by Charles Frederick; "Night and Day: Womens' Encampment for a Future of Peace and Justice, Seneca Army Depot, New York, July 4 - Sept. 5, 1983," edited by Laura Levin and Holly Zox; "Sisters of Survival: The European Tour, End of the Rainbow," featuring Sisters of Survival members Jerri Allyn, Anne Gauldin, Cheri Gaulke, Sue Maberry, and Nancy Angelo; individual works by Janet Koenig, Dona Ann McAdams, and Elizabeth Kulas; "Artists Call" a prospectus for a group show illustrated with a Claes Oldenburg designed exhibition poster; "Not for Sale: A Project Against Displacement, The Lower East Side is Still Not For Sale," by PADD and "International News." Very Good / Fine. Light yellowing of spine edge, otherwise Fine. Contents clean and unmarked.…

Booklet. Condición: Very good. [32 p.]. 23 cm. B&w illustrations. Stapled. Light wear around spine.

Soft cover. Condición: Very Good. Unpaginated in very good condition. Pages are clean and unmarked with black and white photographs throughout. Page edges are lightly darkened. Staple-bound in yellow card covers with white and black titles. Lightly worn around the edges. Faded and lightly worn on the spine. Scuffed on the lower cover. SCARCE. VG. Book.…

Soft cover. Condición: Very Good. 72 pages in very good condition. Pages are clean and unmarked with illustrations throughout. SIGNED by both authors on the title page. Bound in blue card covers with pink titles. Lightly warped. SCARCE. VG Size: 11 1/2 x 8 1/2. Signed by Author(s). Book.

Softcover, staple-bound journal; 16 pages; good condition; pen and pencil marks to text and margins; museum library stamp on 1 page. Fine reading copy.

Paperback. Condición: New. Over the past 30 years, Canadian artists Carole Conde and Karl Beveridge have developed a collaborative practice of working with organized labor to reveal the increasingly complex relationships between paid work and global, ethical and environmental concerns. This volume, with 112 color reproductions of Conde and Beveridge's major projects, is the first comprehensive examination of the pair's influential work. Their collaboration began in 1976 when--through their involvement with the New York collaborative Art & Language and the nascent Conceptual art movement--they turned from solo production and formalist art-making to social engagement, which combines left-oriented discourses with the artists' formal and technical innovations, and which presaged the currently prevalent practice in which art-making is understood as an articulation of human conditions and a tool of community formation. This volume includes a chronology of their practice and essays by Jan Allen, D'Arcy Martin, Declan McGonagle, Allan Sekula, Dot Tuer and Bruce Barber and an extensive interview by Clive Robertson. …

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Ca.…