comer vayo (20 resultados)

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. This collection considers film in the aftermath of September 11, 2001. Eleven essayists address Hollywood movies, indie film, and post-cinematic media, including theatrical films by directors such as Steven Spielberg, Darren Aronofsky, Quentin Tarantino and Spike Lee, and post-cinematic works by Wafaa Bilal, Douglas Gordon and Peter Tscherkassky, among others. All of the essays are written with an eye to what may be the central concept of our time, the sublime. The sublime--that which can be thought but not represented (the "unpresentable")--provides a ready tool for analyses of trauma, horror, catastrophe and apocalypse, the military-industrial complex, the end of humanism and the limits of freedom. Such essays take the pulse of our cultural moment, while also providing the reader with a sense of the nature of the sublime in critical work, and how it continues to evolve conceptually in the 21st century.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. This collection considers film in the aftermath of September 11, 2001. Eleven essayists address Hollywood movies, indie film, and post-cinematic media, including theatrical films by directors such as Steven Spielberg, Darren Aronofsky, Quentin Tarantino and Spike Lee, and post-cinematic works by Wafaa Bilal, Douglas Gordon and Peter Tscherkassky, among others. All of the essays are written with an eye to what may be the central concept of our time, the sublime. The sublime--that which can be thought but not represented (the "unpresentable")--provides a ready tool for analyses of trauma, horror, catastrophe and apocalypse, the military-industrial complex, the end of humanism and the limits of freedom. Such essays take the pulse of our cultural moment, while also providing the reader with a sense of the nature of the sublime in critical work, and how it continues to evolve conceptually in the 21st century. "The sublime provides a ready tool for analyses of trauma, horror, catastrophe and apocalypse, the military-industrial complex, the end of humanism, and the limits of freedom. Such essays take the pulse of our cultural moment, while providing the reader with the dual nature of the sublime in critical work, and how it continues to evolve conceptually"--Provided by publisher. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. In.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Very Good. Card covers in bright condition, 208pp Size: 8vo - over 7¾" - 9¾" tall.

Paperback. Condición: Brand New. reprint edition. 208 pages. 8.75x6.00x0.75 inches. In Stock.

Paperback. Condición: new. Paperback. This collection considers film in the aftermath of September 11, 2001. Eleven essayists address Hollywood movies, indie film, and post-cinematic media, including theatrical films by directors such as Steven Spielberg, Darren Aronofsky, Quentin Tarantino and Spike Lee, and post-cinematic works by Wafaa Bilal, Douglas Gordon and Peter Tscherkassky, among others. All of the essays are written with an eye to what may be the central concept of our time, the sublime. The sublime--that which can be thought but not represented (the "unpresentable")--provides a ready tool for analyses of trauma, horror, catastrophe and apocalypse, the military-industrial complex, the end of humanism and the limits of freedom. Such essays take the pulse of our cultural moment, while also providing the reader with a sense of the nature of the sublime in critical work, and how it continues to evolve conceptually in the 21st century. "The sublime provides a ready tool for analyses of trauma, horror, catastrophe and apocalypse, the military-industrial complex, the end of humanism, and the limits of freedom. Such essays take the pulse of our cultural moment, while providing the reader with the dual nature of the sublime in critical work, and how it continues to evolve conceptually"--Provided by publisher. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: New. This collection considers film in the aftermath of September 11, 2001. Eleven essayists address Hollywood movies, indie film, and post-cinematic media, including theatrical films by directors such as Steven Spielberg, Darren Aronofsky, Quentin Tarantino and Spike Lee, and post-cinematic works by Wafaa Bilal, Douglas Gordon and Peter Tscherkassky, among others. All of the essays are written with an eye to what may be the central concept of our time, the sublime. The sublime--that which can be thought but not represented (the "unpresentable")--provides a ready tool for analyses of trauma, horror, catastrophe and apocalypse, the military-industrial complex, the end of humanism and the limits of freedom. Such essays take the pulse of our cultural moment, while also providing the reader with a sense of the nature of the sublime in critical work, and how it continues to evolve conceptually in the 21st century.

Condición: New. Print on Demand pp. 216.

Condición: New. Print on Demand pp. 216 Index Reprint edition.

Condición: New. PRINT ON DEMAND pp. 216.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextThis collection considers film in the aftermath of September 11, 2001. Eleven essayists address Hollywood movies, indie film, and post-cinematic media, including theatrical films by directors such as Steven Spielberg, Darren A.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This collection considers film in the aftermath of September 11, 2001. Eleven essayists address Hollywood movies, indie film, and post-cinematic media, including theatrical films by directors such as Steven Spielberg, Darren Aronofsky, Quentin Tarantino and Spike Lee, and post-cinematic works by Wafaa Bilal, Douglas Gordon and Peter Tscherkassky, among others. All of the essays are written with an eye to what may be the central concept of our time, the sublime. The sublime--that which can be thought but not represented (the 'unpresentable')--provides a ready tool for analyses of trauma, horror, catastrophe and apocalypse, the military-industrial complex, the end of humanism and the limits of freedom. Such essays take the pulse of our cultural moment, while also providing the reader with a sense of the nature of the sublime in critical work, and how it continues to evolve conceptually in the 21st century.

Taschenbuch. Condición: Neu. Terror and the Cinematic Sublime | Essays on Violence and the Unpresentable in Post-9/11 Films | Todd A. Comer (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2013 | McFarland | EAN 9780786472079 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.