Collison nika foreword (2 resultados)

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  • Idioma: Inglés

    Editorial: University of Washington Press, 2004

    0295983760 / 9780295983769

    • Tapa dura
    • Primera edición

    Librería: Chaparral Books, Portland, OR, Estados Unidos de AmericaChaparral Books

    Vendedor de 5 estrellas
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    Miembro de asociación: CBA

    Condición: Usado - Bueno

    EUR 10,85

    Envío por EUR 6,58 
    Se envía dentro de Estados Unidos de America

    Cantidad disponible: 1 disponibles

    Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. The binding is clean and tight with minor shelf wear. Light wear and soiling to edges of text block. Text and images unmarked. Dj lightly shelf worn with scuffs, creases & small scratches in a mylar cover.

  • Idioma: Inglés

    Editorial: University of Washington Press, 2004

    0295983760 / 9780295983769

    • Tapa dura
    • Primera edición

    Librería: Back Lane Books, North Vancouver, BC, CanadaBack Lane Books

    Vendedor de 5 estrellas
    Contactar con el vendedor

    Miembro de asociación: IOBA

    Condición: Usado - Excelente

    EUR 25,58

    Envío por EUR 26,34 
    Se envía de Canada a Estados Unidos de America

    Cantidad disponible: 1 disponibles

    Hardcover. Condición: Fine. 1st Edition. Bill Reid and Beyond: Expanding on Modern Native Art, Duffek, Karen [Editor]; Townsend-Gault, Charlotte [Editor]; Phillips, Ruth B. [Preface]; Collison, Nika [Foreword]. Published by University of Washington Press, 2004. First Edition. 8vo up to 9½" tall., 309pp. black and white photos, bibliography, biography of contributors. In fine, unread condition. Bill Reid's work has long been acknowledged for its astute and eloquent analysis of Haida tradition, and for the paradox of making modern art from the old Haida stories. It helped to make the so-called renaissance of Northwest Coast Native art visible to all. Bill Reid and Beyond pays Reid the compliment of expanding on his own clear-eyed self-scrutiny as he came to stand for Native art and artists, more perhaps than he would have wished. The book's nineteen contributors write from many perspectives, breaking down boundaries between art history and anthropology, between academic and artist, between colleague and politician. …