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Añadir al carritoPaperback. Condición: Very Good. Thresholds: Rethinking Spirituality Through Music This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
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Publicado por Open Book Publishers 10/25/2022, 2022
ISBN 10: 1800643926 ISBN 13: 9781800643925
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ISBN 10: 1800643926 ISBN 13: 9781800643925
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Publicado por Kok / Agora, 1996. 155 pp., 1996
ISBN 10: 9039106924 ISBN 13: 9789039106921
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ISBN 10: 1800643926 ISBN 13: 9781800643925
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Publicado por Kok Agora 1996, 1996
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Añadir al carritoPaperback, i.z.g.st.(geen leesvouwen, inscripties of verkleuringen), 155 pagina's.
Publicado por Kok Agora 1996, 1996
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Publicado por Ashgate Publishing, Aldershot, 2008
ISBN 10: 0754664821 ISBN 13: 9780754664826
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Original o primera edición
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Añadir al carritoPaperback. Condición: Near Fine. Estado de la sobrecubierta: No Dust Jacket. First Edition. Standard paperback binding, with small sections of music score in text. A few pencil annotations to some margins. In Thresholds Marcel Cobussen rethinks the relationship between music and spirituality. The point of departure is the current movement within contemporary classical music known as New Spiritual Music, with as its main representatives Arvo Pärt, John Tavener, and Giya Kancheli. In almost all respects, the musical principles of the new spiritual music seem to be diametrically opposed to those of modernism: repetition and rest versus development and progress, tradition and familiarity versus innovation and experiment, communication versus individualism and conceptualism, tonality versus atonality, and so on. As such, this movement is often considered as part of the much larger complex called postmodernism. Joining in with ideas on spirituality as presented by Michel de Certeau and Mark C. Taylor, Cobussen deconstructs the classification of the 'spiritual dimensions' of music as described above. Thresholds presents an idea of spirituality in and through music that counters strategies of exclusion and mastering of alterity and connects it to wandering, erring, and roving. Using the philosophy of Martin Heidegger, Georges Bataille, Jean-François Lyotard, Jacques Derrida and others, and analysing the music of John Coltrane, the mythical Sirens, Arvo Pärt, and The Eagles (to mention a few), Cobussen regards spirituality as a (non)concept that escapes categorization, classification, and linguistic descriptions. Spirituality is a-topological, non-discursive and a manifestation of 'otherness'. And it is precisely music (or better: listening to music) that induces these thoughts: by carefully encountering, analysing, and evaluating certain examples from classical, jazz, pop and world music it is possible to detach spirituality from concepts of otherworldliness and transcendentalism. Thresholds opens a space in which spirituality can be connected to music that is not commonly considered in this light, thereby enriching the ways of approaching and discussing music. In order to achieve this, it is necessary to show that spirituality is not an attribute of music, not a simple adjective providing extra information or used to categorize certain types of music. Instead, the spiritual can happen through listening to music, in a more or less personalized relationship with it. This relationship might be characterized as susceptible instead of controlling, open instead of excluding, groping instead of rigid. Size: Octavo. 182 pages. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Music; Music; General; Music theory; ISBN: 0754664821. ISBN/EAN: 9780754664826. Dewey Code: 781.12. Inventory No: 90488.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
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Publicado por Bloomsbury Publishing Plc, New York, 2022
ISBN 10: 1501393502 ISBN 13: 9781501393501
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 66,39
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Añadir al carritoPaperback. Condición: new. Paperback. The field of Sound Studies has changed and developed dramatically over the last two decades involving a vast and dizzying array of work produced by those working in the arts, social sciences and sciences. The study of sound is inherently interdisciplinary and is undertaken both by those who specialize in sound and by others who wish to include sound as an intrinsic and indispensable element in their research. This is the first resource to provide a wide ranging, cross-cultural and interdisciplinary investigation and analysis of the ways in which researchers use a broad range of methodologies in order to pursue their sonic investigations. It brings together 49 specially commissioned chapters that ask a wide range of questions including; how can sound be used in current academic disciplines? Is sound as a methodological tool indispensable for Sound Studies and what can sound artists contribute to the discourse on methodology in Sound Studies? The editors also present 3 original chapters that work as provocative sonic methodological interventions prefacing the 3 sections of the book. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.