Cleaver charles (60 resultados)

Condición: Very Good. First Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condición: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Hardcover. Condición: Good. Estado de la sobrecubierta: Fair. Light wear to cover edges/corners. Content pages are clean and unmarked. DJ is heavily worn and the back panel has some age spotting. 290 pages.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Cloth. First printing. A fine book in a near fine dust jacket. A tight clean copy, which appears unread. Jacket has two closed tears to rear cover. Comes with archival-quality dust jacket protector. Ferry.

Hardback. Condición: Very Good. Estado de la sobrecubierta: Good. 1st Edition. First edition, first printing. Octavo hardback. 157 pp. Very Good condition in generally Good dust jacket (corners are rather rubbed, tiny 2mm loss to head of spine). Dust jacket illustration by Charles Keeping. No inscriptions. Keeping, Charles (dust jacket) (ilustrador).…

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. Signed by the author. Dust jacket wear, stain.; 290 pages.

Soft cover. Condición: Very Good. Charles E. Tuttle Co., Rutland, VT & Tokyo, 1982. Softcover, 290 pp. With black & white photo illustrations. Book in very good shape but with underlining in ink on numerous pages in the first few chapters.

Soft cover. Condición: Near Fine. No Jacket.

Paperback. Condición: Very Good. Owner's name on first page. Pages tanned. ; 12mo 7" - 7½" tall; 290 pages.

Cloth. Condición: VG. Estado de la sobrecubierta: G+. None Stated. 290 pp + some B/W photo ill.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Jacket Has New Mylar Cover. First Printing. ------------Gray cloth covers, 9 1/2" tall. 290 pages, illustrated with photos. . . . VERY GOOD CONDITION, solid clean boo- - - dust jacket chipped and rubbed.

Paperback. Condición: As New condition. Reprint of the 1976 hardcover edition. Tokyo: Charles E. Tuttle Company, 1982. 4.25" wide by 7" tall. A bright, shiny, clean, square, tight, unmarked copy. No store stamp, owner's name or bookplate. Pages are fresh and crisp, apparently never read. No underlining. No highlighting. No margin notes. Flat spine. No creases. Illustrated with photographs. In English. Printed in Japan. Explanatory notes. Bibliography. Index. Bound in the original pictorial wrappers. Reprint of a book originally published in 1976 by The University of Minnesota Press. Discusses cultural differences and similarities, with emphasis on fictional writing, architecture, political and military nationalism, international economic reputations of the two countries, attitudes toward nature, the organization of work and leisure, local and international loyalties, distrust of political and military nationalism, etc. Published in association with Grinnell College. . Reprint of the 1976 hardcover edition. Soft Cover. As New condition. (xiv), 290pp.…

Hardcover. Condición: Good. Undated edition. Firmly bound, green cloth boards. A white number and scuffing on cover and spine. Browning on the end papers. No jacket.

Paperback. Condición: New. New copy - Usually dispatched within 4 working days.

Soft cover. Condición: Very Good. 1st Edition. Very good copy in wraps. All signatures present, but not bound or glued in apparent production oversight.

Soft cover. Condición: Very Good. First Edition. Very good in original wrappers.

Paperback. Condición: New. The contexts for the works of eleventh and twelfth-century historians are here brought to the fore.History was a subject popular with authors and readers in the Anglo-Norman world. The volume and richness of historical writing in the lands controlled by the kings of England, particularly from the twelfth century, has long attracted the attention of historians and literary scholars, whilst editions of works by such writers as Orderic Vitalis, John of Worcester, Symeon of Durham, William of Malmesbury, Gerald of Wales, Roger of Howden, and Matthew Paris has made them well known. Yet the easy availability of modern editions obscures both the creation and circulation of histories in the Middle Ages. This collection of essays returns to the processes involved in writing history, and in particular to the medieval manuscript sources in which the works of such historians survive. It explores the motivations of those writing about the past in the Middle Ages, and the evidence provided by manuscripts for the circumstances in which copies were made. It also addresses the selection of material for copying, combinations of text and imagery, and the demand for copies of particular works, shedding new light on how and why history was being read, reproduced, discussed, adapted, and written. LAURA CLEAVER is Senior Lecturer in Manuscript Studies, Institute of English Studies, University of London; ANDREA WORM is Professor of Art History. Kunsthistorischen Institut, Eberhard Karls University, Tubingen. Contributors: Stephen Church, Kathryn Gerry, Anne Lawrence-Mathers, Laura Pani, Charles C. Rozier, Gleb Schmidt, Laura Slater, Michael Staunton, Caoimhe Whelan, Andrea Worm.…

hardcover. Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Some rubbing and bumps to edges otherwise fine.…

printed wrappers. Condición: Very Good. First edition. 12mo, 53 pages; wrappers taped at spine. Fergus Historical Series no.19. An abridged version of this appeared in the Lakeside Classics volume of 1912. London-born Charles Cleaver founded a soap manufacturing business in the South Side of Chicago, and created a business locale that became Cleaverville. Before it was annexed into Chicago, it became the first commuter suburb. His additional dealings in real estate made him well-off. Cleaver had arrived in Chicago in 1833, making these among the earliest memories of pioneers at Chicago.…

Paperback. Condición: New. The contexts for the works of eleventh and twelfth-century historians are here brought to the fore.History was a subject popular with authors and readers in the Anglo-Norman world. The volume and richness of historical writing in the lands controlled by the kings of England, particularly from the twelfth century, has long attracted the attention of historians and literary scholars, whilst editions of works by such writers as Orderic Vitalis, John of Worcester, Symeon of Durham, William of Malmesbury, Gerald of Wales, Roger of Howden, and Matthew Paris has made them well known. Yet the easy availability of modern editions obscures both the creation and circulation of histories in the Middle Ages. This collection of essays returns to the processes involved in writing history, and in particular to the medieval manuscript sources in which the works of such historians survive. It explores the motivations of those writing about the past in the Middle Ages, and the evidence provided by manuscripts for the circumstances in which copies were made. It also addresses the selection of material for copying, combinations of text and imagery, and the demand for copies of particular works, shedding new light on how and why history was being read, reproduced, discussed, adapted, and written. LAURA CLEAVER is Senior Lecturer in Manuscript Studies, Institute of English Studies, University of London; ANDREA WORM is Professor of Art History. Kunsthistorischen Institut, Eberhard Karls University, Tubingen. Contributors: Stephen Church, Kathryn Gerry, Anne Lawrence-Mathers, Laura Pani, Charles C. Rozier, Gleb Schmidt, Laura Slater, Michael Staunton, Caoimhe Whelan, Andrea Worm.…

unknown_binding. Condición: Used-Very Good. Octavo. 52 pp. Unbound, with uncut leaves restsing in wraps. Mild shelf wear and toning to wraps. Variable toning to pages. Altogether a copy in Very Good condition.

Magazine. Condición: Near Fine. 72pp. Quarto [26.5cm]; saddle-stapled in color printed wraps. Black and white newsprint inside. Illustrated with photographs and artwork. [Misprinted inside on the copyright page [p3] as "Vol. 35 No. 2, Litha - Summer 2015," but this is indeed the Mabon, Fall/Autumn, Sept-Oct 2015 issue.] Just a bit of shelf- and edge-wear. "No Compromise in Defense of Mother Earth!" - Earth First! Earth First! is a group of radical environmentalists that formed in the American Southwest in the spring of 1980, founded by Dave Foreman, Mike Roselle, Howie Wolke, Bart Koehler, and Ron Kezar, among others. Earth First! quickly came to national attention with their "cracking" of Glen Canyon Dam activist stunt, which was performed and filmed in the spring of 1981. Edward Abbey is considered to be the "literary father" of the group, and the monkey wrench is their ever-present emblem and tool. "Earth First! is the beginning of the new, bold environmental movement. And 'Earth First! The Radical Environmental Journal' is its voice" (Dave Foreman, 1980s). The late-1980s and early-1990s were a tumultuous time for Earth First! Law enforcement cracked down on its members, and various internal issues and factions began to form within the group. Earth First! embraced non-hierarchical structures and organic methods of organization and growth, while continuing to focus on direct action in defense of wilderness as its primary focus. Through the 1990's, 2000's, and 2010's, the journal continued to be published in various forms under the direction of a diverse and rotating collective of voices from within the broad Earth First! movement. Regular print publication of the Earth First! Journal under this title seems to have ceased sometime in the early 2020s, though the movement still survives and maintains a presence online and on social media. The front cover of this issue features an image from the Finnish Hyokyaalto Eco Action Group's occupation of Finland's Hanhikivi Cape nuclear power plant and the rear cover shows a Finnish coastal forest that was clear cut by the same nuclear project. The accompanying story "Hyokyaalto Eco Action Group Defends Finland's Coastal Forests From Nuclear Expansion" by Rabbit is printed on pages 19-23 of this issue. Front inner cover shows a striking image captioned "July 30, 2015, thirteen climbers hang from the St. Johns Bridge in Portland, Oregon, to block Shell Oil's icebreaker from heading to the Arctic." The accompanying story "Fighting the Leviathan: Activists in the Northwest Put Their Bodies Between Chell and the Arctic" by Sasha is printed on pages 4-9 of this issue. …

Condición: Good. First Edition. G : in good condition. Cover rubbed with edge-wear. Page edges browning. Loss to title page and front plate. 300mm x 230mm (12" x 9"). 832pp. Heavy book extra shipping needed for overseas. Red illustrated hardback cloth cover.

Sm octavo hardcover (VG-); Photos available on request. All our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs.…

Hardback. Condición: Good. No Jacket. 1924. Good condition with no wrapper. Blue cloth spine, pictorial front board shows boys in a sailing boat. Colour frontispiece. B/w plates and illustrations throughout. 288 pages. First story is "A Famous Name" by Hylton Cleaver. Boards edge worn and slightly grubby. Spine worn. Light damp stain to edges of front free-endpaper. Some foxing. Packaged with care and promptly dispatched. Brock, H.M. & Browne, Gordon & Millar, H.R. & et al., (ilustrador).…

Condición: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.

Hardcover. Condición: Fair. No Dust Jacket. First Edition. Worn red covers illustrated with gold, black and orange. Corners are bumped and well rubbed, covers are lightly marked. Rear cover has the remains of six South African Christmas stamps (1957) stuck on. Spine ends are well worn, cloth over both front and rear joints is split. Contains all 12 listed colour plates including the fold out frontis 'Pacific Type Express Locomotive' and many more black and white illustrations. Binding is split at contents page, all pages are still bound in. Front cover is loose but still attached. Binding is otherwise sound. Pages are lightly foxed at edges and paper is a little darkened, pages otherwise clean, coloured plates are bright. Quantity Available: 1. Shipped Weight: 2-3 kg. Pictures of this item not already displayed here available upon request. Inventory No: 08120124029. All our books are sent by tracked mail. This book is heavier than 1kg, and may incur additional delivery charges on some delivery services to some locations.…

Hardcover. Condición: Good. No Dust Jacket. First Edition. Bright red covers illustrated with gold, black and orange. Corners are lightly bumped and worn. Spine is faded, slight wear to spine ends, hand written '1931' at base of spine. Split in cloth over rear external joint extends from bottom of spine to about half way up. Covers are still firmly attached, binding is sound. Contains all 12 listed colour plates including the fold out frontis 'Pacific Type Express Locomotive' and many more black and white illustrations. Pages are clean and crisp but paper is a little darkened, plates are clean and bright. Quantity Available: 1. Shipped Weight: 2-3 kg. Pictures of this item not already displayed here available upon request. Inventory No: 08121024050. All our books are sent by tracked mail. This book is heavier than 1kg, and may incur additional delivery charges on some delivery services to some locations.…

Paperback. Condición: New. The contexts for the works of eleventh and twelfth-century historians are here brought to the fore.History was a subject popular with authors and readers in the Anglo-Norman world. The volume and richness of historical writing in the lands controlled by the kings of England, particularly from the twelfth century, has long attracted the attention of historians and literary scholars, whilst editions of works by such writers as Orderic Vitalis, John of Worcester, Symeon of Durham, William of Malmesbury, Gerald of Wales, Roger of Howden, and Matthew Paris has made them well known. Yet the easy availability of modern editions obscures both the creation and circulation of histories in the Middle Ages. This collection of essays returns to the processes involved in writing history, and in particular to the medieval manuscript sources in which the works of such historians survive. It explores the motivations of those writing about the past in the Middle Ages, and the evidence provided by manuscripts for the circumstances in which copies were made. It also addresses the selection of material for copying, combinations of text and imagery, and the demand for copies of particular works, shedding new light on how and why history was being read, reproduced, discussed, adapted, and written. LAURA CLEAVER is Senior Lecturer in Manuscript Studies, Institute of English Studies, University of London; ANDREA WORM is Professor of Art History. Kunsthistorischen Institut, Eberhard Karls University, Tubingen. Contributors: Stephen Church, Kathryn Gerry, Anne Lawrence-Mathers, Laura Pani, Charles C. Rozier, Gleb Schmidt, Laura Slater, Michael Staunton, Caoimhe Whelan, Andrea Worm.…