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  • Idioma: Francés

    Editorial: Galerie Pascal Retelet, 2000. 56 pp. Text in French. Richly illustrated in colour and black and white., 2000

    2913808069 / 9782913808065

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    Librería: Antiquariaat Hortus Conclusus, Bergambacht, HolandaAntiquariaat Hortus Conclusus

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    Condición: Usado

    EUR 7,50

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    Softcover with flaps, large format, edges slightly rubbed, else in (very) good condition. Please see description or ask for photos.

  • Editorial: St. Paul: Alain Cinquini, 1996

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    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Good. 22x15 cm. Color photo. Very Good. Includes magazine article about Leah Rabin attached to back.Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: St. Paul: Alain Cinquini, 1996

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    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Good. 22x15 cm. Color photo. Very Good. Includes magazine clippings attached to back.Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: Nice: Alain Cinquini, 2000

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    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Good. 22x15 cm. Color photo. Very Good. Includes magazine clippings about Rainer Hunold attached to back.Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: St. Paul: Alain Cinquini, 1996

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    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Usado - Aceptable

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    Condición: Good. 22x15 cm. Color photo. Very Good. Includes magazine clipping about Eric Braeden attached to back.Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: St. Paul: Alain Cinquini, 1996

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    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Usado - Aceptable

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    Condición: Good. 22x15 cm. Color photo. Very Good. Includes magazine clippings about Kevin Kline attached to back.Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: Cannes: Alain Cinquini, 1997

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    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Good. 22x15 cm. Color photo. Very Good. Magazine clipping reading "Fonzie devient policier" taped to back.Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: St. Paul: Alain Cinquini, 1995

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    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Good. 22x15 cm. Color photo. Very Good. Magazine article titled "La Chevauchée fantastique" attached to back.Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: St. Paul: Alain Cinquini, 1996

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    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Good. 22x15 cm. Color photo. Very Good. Includes magazine clippings of reviews of Jim Belushi films.Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: Monte-Carlo: Alain Cinquini, 1998

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    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Good. 22x15 cm. Color photo. Very Good. Includes magazine clipping attached to back.Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: St. Paul: Alain Cinquini, 1996

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    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Usado - Aceptable

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    Condición: Good. 22x15 cm. Color photo. Very Good. Includes magazine clippings about Terence Stamp attached to back.Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: St. Paul: Alain Cinquini, 1996

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    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Good. 22x15 cm. Color photo. Very Good. Includes many magazine clippings of movie reviews attached to back.Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Idioma: Francés

    Editorial: France Europe

    291319706X / 9782913197060

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    Librería: Hubert Colau, LA BAZOCHE GOUET, FranciaHubert Colau

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    Condición: Usado - Como Nuevo

    EUR 30,00

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    Condición: as new. BROCHE.

  • Idioma: Francés

    Editorial: feel France Europe Editiones Livres, Nice, 1999

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    Librería: Antiquariat Mackensen & Niemann, Berlin, AlemaniaAntiquariat Mackensen & Niemann

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    Erstausgabe, Fotoband über Yves Montand mit französischem Text, nicht paginiert, Quart, Ecken leicht bestoßen, sonst sehr gutes Exemplar, Original-Broschur.

  • Editorial: St. Paul: Alain Cinquini, 1996

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    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Good. 22x15 cm. Color photo. Very Good. Includes magazine clippings of Attenborough film reviews attached to back.Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: St. Paul: Alain Cinquini, 1995

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    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Good. 22x15 cm. Color photo. Very Good. Magazine clippings about Richard Gere attached to front. Mysterious list on back.Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: St. Paul: Alain Cinquini, 1996

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    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Good. 22x15 cm. Color photo. Very Good. Includes magazine clippings about Roger Moore on back. Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: St. Paul: Alain Cinquini, 1996

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    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Good. 22x15 cm. Color photo. Very Good. Magazine clipping titled "Clic-clac Clint" attached to back.Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: St. Paul: Alain Cinquini, 1996

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    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Good. 22x15 cm. Color photo. Very Good.Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: St. Paul: Alain Cinquini, 2000

    • Arte / Grabado / Póster

    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Good. 22x15 cm. Color photo. Very Good.Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: St. Paul: Alain Cinquini, 1996

    • Arte / Grabado / Póster

    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Usado - Aceptable

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    Condición: Good. 22x15 cm. Color photo. Very Good.Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: St. Paul: Alain Cinquini, 1995

    • Arte / Grabado / Póster

    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Good. 22x15 cm. Color photo. Very Good.Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: St. Paul: Alain Cinquini, 1996

    • Arte / Grabado / Póster

    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Usado - Aceptable

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    Condición: Good. 22x15 cm. Color photo. Very Good.Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: St. Paul: Alain Cinquini, 1996

    • Arte / Grabado / Póster

    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Usado - Aceptable

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    Condición: Good. 22x15 cm. Color photo. Very Good.Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: St. Paul: Alain Cinquini, 1996

    • Arte / Grabado / Póster

    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Good. 22x15 cm. Color photo. Very Good.Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: St. Paul: Alain Cinquini, 1996

    • Arte / Grabado / Póster

    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Good. 22x15 cm. Color photo. Very Good.Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: St. Paul: Alain Cinquini, 1996

    • Arte / Grabado / Póster

    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Good. 22x15 cm. Color photo. Very Good. Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: Carros: Alain Cinquini, 2000

    • Arte / Grabado / Póster

    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Good. 22x15 cm. Color photo. Very Good. Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: St. Paul: Alain Cinquini, 1996

    • Arte / Grabado / Póster

    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Usado - Aceptable

    EUR 44,84

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    Condición: Good. 22x15 cm. Color photo. Very Good. Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.

  • Editorial: St. Paul: Alain Cinquini, 1995

    • Arte / Grabado / Póster

    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books

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    Condición: Usado - Aceptable

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    Condición: Good. 22x15 cm. Color photo. Very Good. Alain Cinquini (1941-2021), photographerL'Est Républicain - Nov. 04, 2012: [Article on Alain Cinquini] It all started when he came across Yves Montand, Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there, at the exit of the restaurant, and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century, Alain Cinquini will take between 80,000 and 100,000 shots of the greatest stars, becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César, among others. In short, an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working, with respect for people, probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well, that I was doing my job correctly. And with correction. Having a good reputation, in this environment, it counts, it opens doors.