Church frederick edwin (13 resultados)

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Condición: Near Fine. No Jacket. 125 pages, oversize, photos, Fine in soft covers. Frederick Edwin Church (ilustrador).

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condición: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Condición: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condición: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: First ] Publisher: Univ of Texas Pr Pub Date: 5/1/1987 Binding: Hardcover Pages: 159 First edition.

Soft cover. Condición: As New. B00K: As New/, $49.78 0812214137 Frederic E. CHURCH: UNDER CHANGING SKIES: OIL SKETCHES and DRAWINGS from the COLLECTION of the COOPER~HEWITT, National Museum of Design, Smithsonian Institution. * CHURCH, Frederick Edwin; DEE, Elaine Eva University of Pennsylvania 1992 Various Locations * * * * * Rectangular / Wide S/c Yellow Spine With No Title, Soft Cover B00K: As New/, Slightest Shelf, Edge And Corner Wear. 61 Numbered Pages Appear To Be UnRead, Clean And Tight To The Spine, Printed On 0ff~White Paper, In As New/ Condition. D/j: None. This Item Will Be Sent Wrapped In Plastic, Taped Shut And In A = Padded Mailing Envelope To Prevent Shipping Damage So That It Will Arrive In The Description Described Which Applies To This B00K, Only. = No Odors, No Writing, No Names, No Rippling, Not Stuck Together, No Book Plate, Not X~Library, No Other Marks. = Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift, For The Discriminating Reader / Collector. = WORLD WIDE SHIPPING, AVAILABLE *. B00K: As New/, 1992 (ilustrador).…

Condición: New. Satisfaction Guaranteed or your money back.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Condición: gut. 2004. Hudson River School Paintings 2005 Calendar In englischer Sprache. pages.

Condición: gut. 1992. Two Hundred Years of American Paintings: Corcoran Gallery of Art; Postcard Book In englischer Sprache. pages.

Hardcover. Condición: Good. 1st Edition. After Icebergs with a Painter: A Summer Voyage to Labrador and Around Newfoundland. By Rev. Louis L. Noble. New York: D. Appleton and Company, 1861. First Edition. 336 pp + 8 pp publisher's adverts, complete 6 lithographs by Frederick Edwin Church. Blind stamped navy cloth binding measures 8.25 x 5.25", 8vo. In good to fair condition. Binding slightly cocked. Boards normally scuffed at edges and worn/bumped at corners. Head and tail of spine collapsed with frayed cloth; gilt lettering on spine soiled/dulled, but still legible. Dampness staining found regularly on either bottom corner or fore-edge of leaves through text-block. Ownership bookplate pasted-in on front end-page: "Walter Merriam Pratt". Tissue guards of plates 2 & 5 LACKING - other tissue guards are torn, creased & age-stained. Toning and sporadic age-staining through text-block. Binding intact. Please see photos and ask questions, if any, before purchasing. Louis Legrand Noble (1813-1882) was an American Episcopal clergyman, poet, and writer, best known as the close friend, pastor, and primary biographer of the Hudson River School painter Thomas Cole. He is celebrated for chronicling the intersection of 19th-century American art, nature, and exploration. Frederic Edwin Church (1826 - 1900) was an American landscape painter born in Hartford, Connecticut. He was a central figure in the Hudson River School of American landscape painters, best known for painting large landscapes, often depicting mountains, waterfalls, and sunsets. Church's paintings put an emphasis on realistic detail, dramatic light, and panoramic views. He debuted some of his major works in single-painting exhibitions to a paying and often enthralled audience in New York City. In his prime, he was one of the most famous painters in the United States. Church's friendship with Isaac Israel Hayes, a prominent arctic explorer, stimulated the artist's interest in the arctic regions. In 1859, Church and his good friend Rev. Louis Legrand Noble traveled to Newfoundland and Labrador. The journey was chronicled in Noble's book After Icebergs with a Painter (1861), published shortly before Church's painting The Icebergs went on display. First Edition, Complete lithographs. RAREA1861DPTW - 07/26 - HK3722. Frederick Edwin Church (ilustrador).…

Hardcover. Condición: Very Good. Hardcover. 8vo. Published by D. Appleton and Co, New York. 1861. Xiv, 336 pgs. Illustrated with Six tinted lithographic plates after Frederick Edwin Church. First Edition/First Printing. Bound in double ruled pebbled cloth boards with titles present to the spine. Boards have light shelf-wear present to the extremities. Previous owner's bookplate present to the front pastedown. Foxing present to the pages. Text is clean and free of marks. Binding tight and solid. In 1859, Congregational clergyman Lewis Noble set out for Labrador and the Newfoundland coast in company with American landscape artist, Frederick Edwin Church, for the purpose of studying and sketching icebergs. This is the account of that voyage to Battle Harbour and of the return journey by way of the west coast of Newfoundland, Cape Breton, Nova Scotia, and the Bay of Fundy, with incidental remarks on sealing, missionary activities, native races, &c. "Church's paintings of the Arctic icebergs, begun on his first trip to the north in 1859, represented in a marine subject Church's awe of these romantic hinterlands. The more important paintings resulting from the trip [are] now lost. [The lithographs, tinted pale green], create the effect of an eerie northern wasteland, but possessing just the dramatic power that the artist sought. To Church the icebergs were symbols of the north. In such subjects he found both an expression of a continental geology and a sense of cosmic meaning." ; 8vo 8" - 9" tall. …