Christopher walken starring (20 resultados)

Soft cover. Condición: VG+. A VG or better 4-page screening program. Screening programs were distributed to attendees of special, often pre-release screenings and contain film credits as well as assorted other information. They can often be harder to find than other paper from the same film. Book.

Soft cover. Condición: VG+. An original presskit that contains two supplements as well as four 8 x 10 stills. Book.

Soft cover. Condición: VG+. An original presskit that contains one supplement as well as nineteen 8 x 10 stills. Book.

No Binding. Condición: VG+. 1st Edition. A lot of eleven VGF or better original release 8 x 10 stills. Size: 8" x 10". Photographic Image.

Vintage studio still photograph from the 1998 film, showing two images of actor Christopher Walken. Sequel to "The Prophecy" (1995). Fallen angel Gabriel returns to Earth to destroy a woman whose child will become the next savior of humankind. Set and shot on location in Los Angeles. 8 x 10 inches. Fine. …

Vintage insert poster for the 1976 film. An aspiring Jewish actor moves out of his parent's Brooklyn home to Greenwich Village in 1953, and ends up hanging out with an eccentric group of bohemians and artists. Nominated for the Palme d'Or. Set in and shot on location in New York City. 14 x 36 inches. Very Good plus, with several pinholes.…

Vintage proof poster design image from the 1980 film, showing actor Christopher Walken wielding a large machine gun. Based on Frederick Forsyth's 1974 novel. A group of mercenaries gather in a small African country, where they have been hired to depose the president so that a British tycoon may access the nation's platinum resources. Shot on location in Belize. 14 x 17 inches. Very Good plus, with a crease at the bottom right corner else quite nice.…

Draft script for the 2001 film. Agency copy in ICM Agency wrappers, with a copied annotation on the title page noting, "Please copy + return." A retelling of Shakespeare's "Macbeth," set in suburban Pennsylvania in the 1970s, following ambitious hamburger stand worker Joe McBeth. Shot on location in Halifax. White generic ICM agency wrappers. Title page present, dated 02/08/00, noted as Production Draft, with credit for director and screenwriter Billy Morrissette. 58 leaves, with last page of text numbered 116. Xerographic duplication, printed on rectos and versos. Pages Fine, wrapper Fine, bound internally with two gold brads.…

Revised Final Draft for the 1981 film. Copy belonging to an unknown crew member, with their name in manuscript pencil annotation on the front wrapper. One of Steve Martin's earliest and most bizarre critical successes and, along with "The Singing Detective" (1986), the work for which the late Dennis Potter is best remembered. Potter's trademark dark sensibilities permeate the film's mood, punctuated by wildly complex, choreographed musical numbers. Nominated for three Academy Awards, including Best Screenplay. Set in Illinois. Goldenrod titled wrappers, noted as REVISED FINAL DRAFT on the front wrapper, rubber-stamped copy No. 27, dated October 22, 1980, with credits for director Herbert D. Ross and screenwriter Dennis Potter. Title page present, dated 10/22/80, noted as REVISED FINAL DRAFT, with credits for screenwriter Dennis Potter. 145 leaves, with last page of text numbered 143. Xerographic duplication, rectos only. Pages Very Good plus, wrapper Very Good plus, bound with two gold brads.…

Revised Final Draft script for the 1983 film. A group of researchers create a method of entering human minds, allowing the scientists to play back recordings of what the subject was feeling, seeing, and thinking at any given moment. The project quickly lends itself to predatory behavior, however, and the laboratory begins fighting off government interference. Shot on location throughout North Carolina, in Durham, Outer Banks, Pinehurst, and Raleigh, and in San Francisco. Goldenrod titled MGM wrappers, dated September 18, 1981, and noted as REVISED FINAL DRAFT on the front wrapper, stamped copy No. 16, with credits for screenwriter Robert Stitzel and director Douglas Trumbull. Title page present, dated September 18, 1981, noted as Revised Final Draft, with credit for Stitzel. 136 leaves, with last page of text numbered 135. Xerographic duplication, rectos only. Pages about Near Fine, wrapper Near Fine, bound with three gold brads. …

Large archive including two heavily annotated Revised Draft scripts (one lined), 30 pages of storyboards, a large blueprint of the military compound in the film story, two maps, a "The Dogs of War / New York" folder of location facts and contacts, a 30-page shooting schedule, and over 200 pages of daily revised shooting schedules, call sheets, and various memos from the 1980 film. Detail as follows: A heavily annotated Revised Draft script, dated November 5, 1979, with manuscript pencil, ink, marker, and orange highlighter annotations on nearly every page. A heavily annotated Lined Revised Draft script, dated February 12, 1980 with manuscript ink and marker annotations on nearly every page. 30 matte-finish prints of storyboards, most containing eight storyboards per page. A large blueprint of the military compound with several pencil and ink annotations. Two matte-finish prints of maps, one of the final battle garrison and one of the Belize airstrip with annotations in blue ink. A folder, with the label "The Dogs of War / New York" on the front wrapper, containing a three page Memo, six pages of New York shooting schedules, 14 location fact sheets, and a two-page location contact List. A 30 page Shooting Schedule and over 200 pages of daily Revised Shooting Schedules, call sheets, and memos, many with manuscript ink annotations. Based on Frederick Forsyth's 1974 novel, about a ruthless mercenary who, after being tortured and deported, is hired to lead a group of soldiers in a coup against a small African dictatorship so a British tycoon can plunder the nation's platinum resources. Set in the fictional African country of Zangaro, shot on location in Belize City, London, Miami and New York. November 5, 1979 Revised script: Black untitled wrappers with a die-cut window in the British fashion. Title page present, dated November 5, 1979, noted as Revised, with credits for screenwriter Gary M. Devore and author Frederick Forsythe. 117 leaves, with last page of text numbered 115. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with two silver brads. February 12, 1980 Draft script: Black titled Studio Duplicating Service wrappers. Title page present, dated February 12, 1980, noted as Revised, with credits for screenwriter Gary M. Devore and author Frederick Forsythe. 124 leaves, with last page of text numbered 122. Xerographic duplication on blue leaves, rectos only. Pages Near Fine, wrapper Very Good plus, bound with two gold brads. Storyboards and Maps: 8 x 10 inches. Near Fine. Blueprint: 48.5 x 25.25 inches, folded. Very Good plus with light toning, light edgewear, pinholes, tape shadows, and cello tape at the extremities. "New York" Folder: Generic green folder, 9 x 11.5 inches. Near Fine. Shooting Schedules, Call Sheets, and Memos: 8.5 x 11 inches, 8 x 13 inches, and 8.5 x 14 inches. Very Good plus overall, with wear commiserate with production use.…

Archive of material relating to the 1998 film. Archive includes four scripts dated variously between 1991 and 1997 and credited variously to screenwriters Christ Zois, Zoë Lund, and William Gibson, as well as approximately ten pages of correspondence and ephemera relating to the film's production, and a xerographically duplicated copy of Gibson's source story. One screenplay with the ownership name of Zois on the title page. From the archive of Christ Zois, Abel Ferrara's frequent co-screenwriter. Of note are several pieces of correspondence regarding writing credits for the film, dated variously between 1997 and 1998. Screenwriters Abel Ferrara and Christ Zois claimed that prior adaptations of Gibson's novel by Gibson, Lund, and others had no bearing on their own adaptation. Ferrara and Zois would ultimately receive sole screenwriting credit on the completed film. Based on the 1984 short story by William Gibson, about two freelance industrial spies in Tokyo who decide to use a call girl to execute their latest mission. Shot on location in New York. November, 1991 Draft: Self wrappers. Title page present, dated November 1991, noted as Third Draft, with credit for author and screenwriter William Gibson. 93 leaves, with last page of text numbered 92. Xerographic duplication, rectos only. Pages Near Fine, partially bound with a binder clip at the top left corner. October 9, 1993 Draft: Self wrappers. Title page present, dated Oct. 9. 1993, noted as SECOND DRAFT, with credit for screenwriter Zoë Lund. 116 leaves, with last page of text numbered 109. Xerographic duplication, rectos only. Pages Near Fine, partially bound with a binder clip at the top left corner. September 28, 1997 Draft: Self wrappers. Title page present, dated 9/28/97, noted as Draft, with credits for screenwriters Christ Zois and Abel Ferrara. 75 leaves, with last page of text numbered 74. Xerographic duplication, rectos only. Pages Very Good plus, partially bound with a binder clip at the top left corner. Undated Draft: Self wrappers. Title page present, undated, with credit for screenwriter Christ Zois. 99 leaves, with last page of text numbered 98. Xerographic duplication, rectos only. Pages Very Good plus, partially bound with a binder clip on the top edge, and housed in a red card folder. …

Vintage reference photograph of producer Norman Jewison and actor Christopher Walken on the set of the 1980 film, with a crew member holding a clapboard in the foreground. Annotations in manuscript ink on the verso, along with a United Artists label. Based on Frederick Forsyth's 1974 novel. A group of mercenaries gather in a small African country, where they have been hired to depose the president so that a British tycoon may access the nation's platinum resources. Shot on location in Belize. 10 x 8 inches. Very Good plus, lightly worn at the corners.…

Ten vintage reference photographs from the 1976 film, including nine borderless and one bordered. Director Paul Mazursky's semi-autobiographical comedy, about a young Jewish man from Brooklyn who moves to then-bohemian enclave Greenwich Village, befriending a motley cast of characters in the process, including a Black gay man, a WASP poet, and a wacky hippie girl. Featuring early performances by Jeff Goldblum and Christopher Walken. 10 x 8 inches. Generally Near Fine.…

Vintage reference photograph from the 1969 film, showing Robert Frank, Peter Orlovsky, and Allen Ginsberg. Printed mimeo snipe affixed to the verso, along with the stamp of Israel Film Archive. Director Robert Frank's first feature film and Sam Shepard's screenwriting debut, following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic, mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off, he is replaced in the film by actor Joseph Chaikin, pushing the boundaries of cinematic reality. The film was restored and released by Steidl in 2007, alongside a book publication outlining the film, which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside,' the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 10 x 8 inches. Near Fine.…

Vintage studio still photograph taken on the set of the 1969 film, showing director Robert Frank capturing a passionate scene between two men. Stamp of photographer Tom Conroy on the verso. Frank's first feature film and Sam Shepard's screenwriting debut, following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic, mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off, he is replaced in the film by actor Joseph Chaikin, pushing the boundaries of cinematic reality. The film was restored and released by Steidl in 2007, alongside a book publication outlining the film, which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside,' the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 10 x 8 inches. Near Fine.…

Vintage international one-sheet poster for the 1990 film, designed by Bob Peak. Rare. Based on Ian McEwan's 1981 novel, adapted for the screen by acclaimed playwright Harold Pinter, and directed by Paul Schrader. A dark thriller about a husband and wife vacationing in Venice who are gradually pulled into the clutches of a strange, wealthy local couple. Set and shot on location in London and Venice. 27 x 41 inches, in an archival frame with UV plexiglass. Fine. Criterion Collection 1041.…

Vintage reference photograph from the 1969 film, showing Allen Ginsberg with Peter and Julius Orlovsky. Director Robert Frank's first feature film and Sam Shepard's screenwriting debut, following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic, mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off, he is replaced in the film by actor Joseph Chaikin, pushing the boundaries of cinematic reality. The film was restored and released by Steidl in 2007, alongside a book publication outlining the film, which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside,' the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 8 x 10 inches. Near Fine.…

Collection of 17 vintage reference photographs taken on the set of the 1995 film by photographer Shade Rupe. Variously featured are director Abel Ferrara, actress Lili Taylor, cinematographer Ken Kelsch, screenwriter Nicholas St. John, and other cast and crew members, all photographed over the course of a single evening near Manhattan's Puck Building, Lafayette Street, an alley off Jersey Street, NYU, and Keith Haring's Pop Shop on Lafayette Street. Struck in 2020 from Rupe's original negatives, these being the only existing prints. Full provenance available, with letter from Rupe stating "no other prints have ever, or will ever, be struck." Stamp on verso of each photo crediting Rupe as photographer. A conceptual, black-and-white reimagining of the vampire movie, about a philosophy graduate student who is forced to reconsider the nature of evil and humanity after succumbing to a vampire and developing an addiction to human blood. Set and shot on location in Manhattan. 12 x 9 inches. Fine. Arrow 1769. Spicer US Neo-Noir.…

Vintage poster for the 1969 film, an experimental mix of documentary and fiction. Poster designed by Robert Frank. Director Robert Frank's first feature film, in which he follows poet Peter Orlvosky and his mentally ill (and mostly catatonic) brother Julius as they move through the late 1960s Beat scene. When Julius wanders off, he is replaced in the film by actor Joseph Chaikin. A meditation on the boundaries of reality and sanity, featuring the screenwriting debut of Sam Shepard and the first feature film appearance of Christopher Walken. The film was restored and released by Steidl in 2007, along with a book publication outlining the film. From the Steidl book: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside,' the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 26.75 x 20.75 inches. Near Fine. In a custom frame.…