Christopher s wood (197 resultados)

Pamphlet. Condición: Very Good. Vol 19, No 1, pp. 25-44, Extracted from orig vol, begins with title page, trimmed & stapled, thus is llike a pamphlet, VG.

Softcover. Condición: Very Good. Pages clean and bright, with no owners' marks; the soft cover has a small brown spot at the upper rear and mild sunning along the spine, otherwise excellent. Articles include "Toleration and Dissent in Sixteenth-Century Spain" by Henry Kamen; "The Emergence of a Feminine Spirituality in The Book of Martyrs" by Ellen Macek; additional articles by Christopher S. Wood, David Ginsberg, Mary J. Baker, William Franklin Panici, and John Nothnagle.…

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Wraps. Condición: Very Good-. Vol. 5, No. 3. Edited by Boucher & McComas. Cover art by Jack Coggins ("Space ship over base on Ariel, Uranus in background"). Includes "Three Hearts and Three Lions" (pt. 1 of 2) by Poul Anderson; "One Man's Meat" by L. Sprague de Camp & Fletcher Pratt; "Silenzia" by Alan Nelson; "The Worp Reaction" by Lion Miller; "Mrs. Darymple's Cat" by Christopher Wood; "The Old Oaken Eight-Ball" by Richard Sale; "Gallie's House" by Thema D. Hamm; "Time Is the Traitor" by Alfred Bester; "The Warning" by Peter Phillips. Creasing; edge and corner wear; tanning; store date stamp on rear. Book.…

Wraps. Condición: Very Good-. Vol. 5, No. 3. Edited by Boucher & McComas. Cover art by Jack Coggins ("Space ship over base on Ariel, Uranus in background"). Includes "Three Hearts and Three Lions" (pt. 1 of 2) by Poul Anderson; "One Man's Meat" by L. Sprague de Camp & Fletcher Pratt; "Silenzia" by Alan Nelson; "The Worp Reaction" by Lion Miller; "Mrs. Darymple's Cat" by Christopher Wood; "The Old Oaken Eight-Ball" by Richard Sale; "Gallie's House" by Thema D. Hamm; "Time Is the Traitor" by Alfred Bester; "The Warning" by Peter Phillips. Creasing; mild tanning. Book.…

Condición: New.

Condición: As New. Unread book in perfect condition.

Soft cover. Condición: Near Fine. Trade paperback, 2002, 3rd printing.

Condición: As New. Unread copy in mint condition.

Condición: New. Brand New.

paperback. Condición: As New. Paperback--no flaws.

Condición: Very Good. Well kept copy, with jacket, tight and unmarked, little wear. Fast Shipping - Safe and Secure Bubble Mailer.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Fine. 1st. 485 pages, illustrations; 24 cm. Firm binding, clean inside copy. Previous owner's blind stamp/front free endpaper, otherwise unmarked. Remainder mark/tail edge. Dust jacket protected in a mylar cover. *** "This volume introduces to an English-language audience the writings of the so-called 'new Vienna School' of art history. In the 1930s Hans Sedlmayr and Otto Pacht undertook an ambitious extension of the art historical project of Alois Riegl (1858-1905). Sedlmayr and Pacht began with an aestheticist conception of the autonomy and irreducibility of the artistic process. At the same time, they believed they could read entire cultures and worldviews in the work of art. The key to this contextualist alchemy was the concept of 'structure,' a kind of deep formal property that the work of art shared with the world. The idea of this volume is to bring the drama of this methodological and political encounter to the attention of Anglo-American art historians." - Publisher. *** CONTENTS: The main characteristics of the late Roman Kunstwollen (1901), by Alois Riegl; The place of the Vapheio cups in the history of art (1900), by Alois Riegl; Toward a rigorous study of art (1931), by Hans Sedlmayr; The end of the image theory (1930/1931), by Otto Pacht; Remarks on the structure of Egyptian sculpture (1933), by Guido Kaschnitz von Weinberg; Design principles of Fifteenth-century Northern painting (1933), by Otto Pacht; Bruegel's Macchia (1934), by Hans Sedlmayr; Passages from Cezanne and the end of scientific.perspective (1938), by Fritz Novotny; Rigorous study of art: on the first volume of Kunstwissenschaftliche Forschungen (1931/1933), by Walter Benjamin; The new Viennese School (1936), by Meyer Schapiro. Size: 8vo.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Unmarked, Clean, Bright, And Tight Copy With No Signs Of Wear.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Dust Jacket. Copyright Date: 1988 Quarto, 1993, PP.223. Color Illustrations, Tyndale s The Cottage Garden On Jacket Cover (ilustrador).

Softcover. Condición: Fine. Leichte Verformung / umgeknickte Seiten; Leichte Verschmutzung / Farbtonveränderung. WOOD, TOWN PLANNING AND POLLUTION CONTROL [PAPERBACK]. MANCHESTER, 1976, ix 239 p. figuras.Encuadernacion original. Nuevo.

Hardcover. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: New.

Paperback. Condición: New.

Paperback. Condición: Very Good. The first independent or pure landscapes in Western art were produced in southern Germany in the first decades of the sixteenth century. They were painted, drawn and etched by Albrecht Altdorfer of Regensburg and his only slightly less flamboyant contemporary Wolf Huber of Passau. These radical experiments in landscape appeared without advance notice and disappeared from view almost as suddenly. Altdorfer converted outdoor settings into a theatre for stylish draughtsmanship and extravagant colour effects. At the same time, his landscapes offered a densely textured interpretation of that quintessentially German locus, the forest interior. In this revealing study, now available in a revised and expanded second edition, Christopher S. Wood shows how Altdorfer prised landscape out of its subsidiary role as setting and background for narrative history painting and devotional works, and gave it a new, independent life of its own. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Condición: As New. Unread book in perfect condition.

Trade Paperback. Condición: As New. Condition: 'As New'.

Soft cover. Condición: Very Good. No Jacket. 1st Edition. 4to, Card Covers. 323 Pages. Numerous Illustrations. Some Light Marks to Margins to Pages 53 & 57. (See Images). Few Light Marks to Title Page. Overall A Very Good Plus Copy. Heavy Book. Extra postage costs may apply to overseas orders. All books posted in sturdy book box.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Good. An authoritative history of art history from its medieval origins to its modern predicaments.

Condición: New.

Paperback. Condición: new. Paperback. An authoritative history of art history from its medieval origins to its modern predicaments.In this authoritative book, the first of its kind in English, Christopher S. Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesising and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline. Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history. An authoritative history of art history from its medieval origins to its modern predicaments. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New. An authoritative history of art history from its medieval origins to its modern predicamentsIn this authoritative book, the first of its kind in English, Christopher S. Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline. Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history.…

Condición: New.