Chris puplick (6 resultados)

Paperback. Condición: new. Paperback. After 50 years of growth the National Institute of Dramatic Art (NIDA) has come to be recognised as the pre-eminent theatre training school in Australia and one of the finest theatre schools in the world. Its graduates have been the mainstay of our stage, film and TV industries, and in many ways constitute Australias most visible export.But in 2007 a new force with a different mission took command, determined to address perceived new challenges for the new century. Emotion has been high as petitions have been ignored and mentors marched away in an overt policy of removing all former practices and corporate memory from the building. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: new. Paperback. Australias political system is remarkably open. Most interest groups have a voice to government, but the arts record is unimpressive. Its continuing failure to get heard where it counts, and to turn its artistic, commercial and international successes into ongoing government support, reflects the failure of practitioners to understand the political system.In a stern disputation aimed at shaking the arts into coherent action, Puplick, a former federal Shadow Minister for the Arts, analyses the problem and calls for industrial unity.If everyone wants their own festival, their own arts precinct, their own flagship companies, what is the hope that a united front will ever be presented?, he writes. There is nothing that a government likes more than its mendicants to be disorganised. Cultural diversity in lobbying, he says, is death. Australia's political system is remarkably open. Most interest groups have a voice to government, but the arts record is unimpressive. It's continuing failure to get heard where it counts, and to turn its artistic, commercial and international successes into government support. This title analyses the problem and calls for industrial unity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New. After 50 years of growth the National Institute of Dramatic Art (NIDA) has come to be recognised as the pre-eminent theatre training school in Australia and one of the finest theatre schools in the world. Its graduates have been the mainstay of our stage, film and TV industries, and in many ways constitute Australia's most visible export. But in 2007 a new force with a different mission took command, determined to address perceived new challenges for the new century. Emotion has been high as petitions have been ignored and mentors marched away 'in an overt policy of removing all former practices and corporate memory from the building'.…

Paperback. Condición: New. Australia's political system is remarkably open. Most interest groups have a voice to government, but the arts' record is unimpressive. Its continuing failure to get heard where it counts, and to turn its artistic, commercial and international successes into ongoing government support, reflects the failure of practitioners to understand the political system. In a stern disputation aimed at shaking the arts into coherent action, Puplick, a former federal Shadow Minister for the Arts, analyses the problem and calls for industrial unity. 'If everyone wants their own festival, their own arts precinct, their own flagship companies, what is the hope that a united front will ever be presented?', he writes. 'There is nothing that a government likes more than its mendicants to be disorganised.' Cultural diversity in lobbying, he says, is death.…

Paperback. Condición: new. Paperback. Australia's political system is remarkably open. Most interest groups have a voice to government, but the arts' record is unimpressive. Its continuing failure to get heard where it counts, and to turn its artistic, commercial and international successes into ongoing government support, reflects the failure of practitioners to understand the political system.In a stern disputation aimed at shaking the arts into coherent action, Puplick, a former federal Shadow Minister for the Arts, analyses the problem and calls for industrial unity.'If everyone wants their own festival, their own arts precinct, their own flagship companies, what is the hope that a united front will ever be presented?', he writes. 'There is nothing that a government likes more than its mendicants to be disorganised.'Cultural diversity in lobbying, he says, is death. Australia's political system is remarkably open. Most interest groups have a voice to government, but the arts record is unimpressive. It's continuing failure to get heard where it counts, and to turn its artistic, commercial and international successes into government support. This title analyses the problem and calls for industrial unity. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condición: new. Paperback. After 50 years of growth the National Institute of Dramatic Art (NIDA) has come to be recognised as the pre-eminent theatre training school in Australia and one of the finest theatre schools in the world. Its graduates have been the mainstay of our stage, film and TV industries, and in many ways constitute Australia's most visible export.But in 2007 a new force with a different mission took command, determined to address perceived new challenges for the new century. Emotion has been high as petitions have been ignored and mentors marched away 'in an overt policy of removing all former practices and corporate memory from the building'. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…