Cheryl snay (65 resultados)

Condición: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Good. bumped/creased still NICE! - may have remainder mark or previous owner's name Oversized.

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: New copy in shrinkwrap. Cloth with color pictorial dustjacket. 408 pp., profusely illustrated in color and bw. Many patrons of the arts in nineteenth-century America built collections of paintings and sculpture imported primarily from England or Italy. Collectors in Baltimore-William Walters, George Lucas, the famous Cone sisters, among others-stand out in this milieu for having developed a strikingly different aesthetic for their homes and newly founded public institutions. These collectors looked to France for models of culture and, acting upon a remarkable understanding of the educational needs and working methods of artists, assembled extensive collections of drawings by French masters, from David to Daumier, Degas, and Cézanne. The Essence of Line offers the first comprehensive discussion of the formation of these collections and their significance for the history of French art. The book begins with essays by Jay M. Fisher, William R. Johnston, and Cheryl K. Snay that trace the history of collecting in Baltimore and afford new insights into the acquisition, display, and interpretation of drawings. In her essay, conservator Kimberly Schenck bridges the worlds of the collector and of the artist by examining the production and the use of drawing materials in an epoch of radical changes as much in technique as style. This book also provides a fully illustrated, scholarly catalogue for one hundred of the most important of the nineteenth-century French drawings now held by The Baltimore Museum of Art, The Walters Art Museum, and the Peabody Art Collection. Published on the occasion of an exhibition jointly organized by The Baltimore Museum of Art and The Walters Art Museum, this book presents a brilliant panorama of sketches, watercolors, and presentation drawings, many of them little known outside a small circle of experts. It is correlated with an online archive of the entire corpus of nineteenth-century French drawings in the holdings of these Baltimore museums. This volume has been published in conjunction with the exhibition The Essence of Line: French Drawings from Ingres to Degas, organized by The Baltimore Museum of Art and the Walter Art Museum, Baltimore, Maryland, and held at: The Baltimore Museum of Art, 19 June-11 September 2005. Uncommon in hardcover, this copy is NEW. BASEMENT (ilustrador).…

paperback. Condición: Good.

Condición: Fine. 192 pp., hardcover, fine in fine dust jacket. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Softcover. Condición: Fine. No jacket.

Condición: Very Good. None. 160 pages, illustrated throughout in color. Minor shelf-wear to wrappers with tiny tear to upper edge of spine. Clean, tight copy. Record # 460435.

hardcover. Condición: Fine. Brand New! Sealed in publisher's shrinkwrap. Never opened! No signs of wear.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condición: As New. Ships Out Tomorrow.

Softcover. Condición: new. Color pictorial wraps. 408 pp., profusely illustrated in color and bw. Many patrons of the arts in nineteenth-century America built collections of paintings and sculpture imported primarily from England or Italy. Collectors in BaltimoreWilliam Walters, George Lucas, the famous Cone sisters, among othersstand out in this milieu for having developed a strikingly different aesthetic for their homes and newly founded public institutions. These collectors looked to France for models of culture and, acting upon a remarkable understanding of the educational needs and working methods of artists, assembled extensive collections of drawings by French masters, from David to Daumier, Degas, and Cézanne. The Essence of Line offers the first comprehensive discussion of the formation of these collections and their significance for the history of French art. The book begins with essays by Jay M. Fisher, William R. Johnston, and Cheryl K. Snay that trace the history of collecting in Baltimore and afford new insights into the acquisition, display, and interpretation of drawings. In her essay, conservator Kimberly Schenck bridges the worlds of the collector and of the artist by examining the production and the use of drawing materials in an epoch of radical changes as much in technique as style. This book also provides a fully illustrated, scholarly catalogue for one hundred of the most important of the nineteenth-century French drawings now held by The Baltimore Museum of Art, The Walters Art Museum, and the Peabody Art Collection. Published on the occasion of an exhibition jointly organized by The Baltimore Museum of Art and The Walters Art Museum, this book presents a brilliant panorama of sketches, watercolors, and presentation drawings, many of them little known outside a small circle of experts. It is correlated with an online archive of the entire corpus of nineteenth-century French drawings in the holdings of these Baltimore museums. This volume has been published in conjunction with the exhibition The Essence of Line: French Drawings from Ingres to Degas, organized by The Baltimore Museum of Art and the Walter Art Museum, Baltimore, Maryland, and held at: The Baltimore Museum of Art, 19 June11 September 2005.…

Paperback. Condición: As New. Softcover. Good binding and cover. Minor shelf wear. Clean, unmarked pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Soft cover. Condición: Fine. 1st Edition. Catalogue accompanying the exhibit. Text is clean and unmarked, binding tight, but slight wear at the top and bottom of the spine. No indications of previous ownership.

hardcover. Condición: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardback or Cased Book. Condición: New. Homecoming: Walter Osborne's Portraits of Dublin, 1880-1900. Book.

Condición: New. Brand New.

Hardcover. Condición: new. Hardcover. A celebration of the art and career of Walter Osborne (18591903), one of Ireland's leading landscape and portrait painters. In conjunction with the first monographic exhibition of this Irish artist in forty years-and the first ever in the United States-this catalogue charts Walter Osborne's career from his student days in Dublin to his mature works made following his return to his native city in 1892. Through his depictions of Dublin's streets, parks, public spaces, domestic interiors and gardens, countryside, and most importantly its people, a vision of a vibrant-if divided-Ireland emerges. Osborne's experiences abroad during his formative years, his professional and social networks, and his commercial acumen help establish Dublin's unique brand of Modern painting rife with the possibility of change. Osborne's notable painting, At the Breakfast Table (1894), with its focus on family and home, launches an exploration of the other iconic works produced at the height of his career, including St. Patrick's Close, St. Stephen's Green, and his portraits of famous personalities and children. This publication accompanies an exhibition at Raclin Murphy Museum of Art, University of Notre Dame, opening in August 2025. AUTHORS: Cheryl K. Snay PhD, is curator of European and American Art before 1900, Raclin Murphy Museum of Art, University of Notre Dame. Kathryn Milligan is assistant librarian, Edward Murphy Library, Dublin. Brendan Rooney is head curator at the National Gallery of Ireland. Logan Sisley is acting head of collections at the Hugh Lane, Dublin. Judith Stapleton is a Keough-Naughton Institute National Endowment for the Humanities Fellow, and was previously the Donald & Marilyn Keough Curatorial Fellow at the Snite Museum of Art at the University of Notre Dame. SELLING POINTS: . Accompanies the first monographic exhibition of this Irish artist in forty years-and the first ever in the United States. . In terms of his position in Irish art, Osborne ranks alongside the likes of Jack B. Yeats, Helen Mabel Trevor, William Orpen, John Henry, and William Leech. . Osborne played a key role in establishing Dublin as a major artistic centre. . Features contributions by major essayists, and fifty works, with pieces from Irish national collections and important loans from private collections. 116 colour illustrations A celebration ofthe art and career of Walter Osborne (1859-1903), one of Ireland's leadinglandscape and portrait painters. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Softcover. First Edition; First Printing. Book condition is Very Good+ in wraps. Text is clean and unmarked. First Edition is stated. ; 4to 11" - 13" tall.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Hardback. Condición: New. In conjunction withthe first monographic exhibition of this Irish artist in forty years-and thefirst ever in the United States-this catalogue charts Walter Osborne's careerfrom his student days in Dublin to his mature works made following his return tohis native city in 1892. Through his depictions of Dublin's streets, parks,public spaces, domestic interiors and gardens, countryside, and mostimportantly its people, a vision of a vibrant-if divided-Ireland emerges.Osborne's experiencesabroad during his formative years, his professional and social networks, andhis commercial acumen help establish Dublin's unique brand of Modern paintingrife with the possibility of change. Osborne's notable painting, At the BreakfastTable (1894), with its focus on family and home, launches an exploration of theother iconic works produced at the height of his career, including St.Patrick's Close, St. Stephen's Green, and his portraits of famous personalitiesand children.…