charles millard (191 resultados)

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Condición: very_good. This books is in Very good condition. There may be a few flaws like shelf wear and some light wear.

paperback. Condición: Very Good. 1983. Smithsonian Pub. Pages clean tight and bright no marks.Cover is clean and strong with light shelf rub at spine and top edge of cover.

Paperback. Condición: Very Good.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Very Good. First Edition. [10] pp.; b/w plates, pictorial stapled-wraps, 4to.: Bumping/light creasing to edges, some splitting to spine-ends of wraps, one marker line along bottom edge of FFEP: Well packaged in a box, ships with tracking.

Paperback. Condición: Very Good. Booklet, illustrated wih numerous photos and one opage of drawings by Phil May, illustrating life at the camp. Camp Roberts was built as a World War II training center, now used as a National Guart post. ; 8-1/2" x 11"; 32 pages.

Trade paperback. Condición: Very Good. Catalog of an exhibition held Oct. 10 to Nov. 24, 1968, at the National Collection of Fine Arts, Jan. 10 to Feb. 16, 1969, at the Philadelphia Museum of Art, Mar. 11 to Apr. 27, 1969, at the Whitney Museum of American Art. Bibliography: p. 106-107. Charles Sheeler (July 16, 1883 - May 7, 1965) was an American painter and commercial photographer. He is recognized as one of the founders of American modernism, developing a "quasi-photographic" style of painting known as Precisionism and becoming one of the master photographers of the 20th century. Sheeler painted using a technique that complemented his photography and has been described as "quasi-photographic". He was a self-proclaimed Precisionist, a term that emphasized the linear precision he employed in his depictions. As in his photographic works, his subjects were generally material things such as machinery and structures. He was hired by the Ford Motor Co. to photograph and make paintings of their factories.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. Bound in dark grey cloth with white title on the spine. Full color illustrations. 94pp. Illustrated black-and-white dustjacket.CONDITION: Light shelf wear. Pages are crisp and clean. Binding and text block are square and straight. Dustjacket has light rubbing and edge wear.Full refund if not satisfied.

Condición: Very Good. Very Good condition. (Abstract Art, Exhibition Catalogs) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condición: New.

Paperback or Softback. Condición: New. The Law of Real Property in New South Wales. Book.

Paperback. Condición: Good. 1st. [30] pages, illustrations; 28 cm. An exhibition presented by the Dallas Museum of Fine Arts, February 6 to March 24, 1974, sponsored by the Atlantic Richfield Foundation. Good+. Firm binding, clean inside copy. Moderate shelfwear to wraps, with a closed tear on the back cover. Size: 4to.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Good. Good hardcover. No DJ. SCARCE ORIGINAL 1913 PRINTING. Pages are clean and unmarked. Light foxing spots on pages top edge. Covers show edge wear with rubbing/scuffing. Binding is tight, hinges strong. Book slightly shelf-cocked.; 100% Satisfaction Guaranteed! Ships same or next business day!

Paperback. Condición: Good. Hardcover. No DJ. Ex-Library with usual markings. Pages are clean and unmarked. Covers show light edge wear with rubbing/light soiling. Binding is tight, hinges strong.; 100% Satisfaction Guaranteed! Ships same or next business day!

Paperback. Condición: Very Good. Softcover. Good binding and cover. Edge wear. Clean, unmarked pages.

Soft cover. Condición: Near Fine. Foundations Gallery, Visual Arts Center North Carolina State University, Raleigh, NC, 1997. Softcover, 74 pp. An illustrated exhibition catalog for a show of ceramics which took place from October 16 to December 7, 1997. In near fine condiion.

First edition Very close to fine and bright pictorial stiff wraps with strong square spine and crisp bright text throughout. Some color and black and white illustrations throughout. A sharp copy.

Soft cover. Condición: Fine. 1st Edition. First edition softcover for an exhibition in 1997. See my photos of the book you will receive, not stock photos. More available upon request. This book is in my possession and will be packed in bubble wrap and shipped in a cardboard box. USPS tracking provided. #1.

Condición: As New. Unread book in perfect condition.

Condición: Good. Good condition. (Art, Art Exhibition, Exhibition Catalog) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Softcover. Binding is sound. Pages clean, off-white. Wrappers have fading at spine, address label on back, general light handling wear. Contents: Mullin, Guest editor's introduction. Homan, Criticism for the filmed Shakespeare. Hodgdon, Barbara, Kozintsev's King Lear: filming a tragic poem. Berlin, Peter Brook's interpretation of King Lear: "nothing will come of nothing." Kliman, Olivier's Hamlet: a film-infused play. McCreadie, Henry V: onstage and on film. Halio, Zeffirelli's Romeo and Juliet: the camera versus the text. Rothwell, Zeffirelli's Romeo and Juliet: words into picture and music. Bazerman, Time in play and film: Macbeth and Throne of Blood. Kinder, Throne of Blood: a morality dance. Poague, As You Like It and It Happened One Night: the generic pattern of comedy. Millard, Shakespeare on film: towards an audience perceived and perceiving. Staton, Shakespeare redivivus: supplementary techniques for teaching Shakespeare. Richmond, The synergistic use of Shakespearean film and videotape. Reviews. 9.0" tall; 89 pages. Very Good in No Dust Jacket dust jacket.

Trade Paperback. Condición: Fine. First Edition. This is a fine paperback copy, blue spine. Signed by Mark Hewitt on the half-title page. Signed by Author(s).

Trade Paperback. Condición: Good. First Edition. Oblong Small 4to. 156 pages. Catalogue of the exhibition at the National Collection of Fine Arts, and 2 other US institutions, October 1968 - April 1969. Foreword by David W. Scott; introduction by Harry Lowe; catalogue by Abigail Booth. Includes bibliographical references and index. Freitag #8950. A Good copy with mild scuffing and rubbing to wrappers (chiefly to spine edges); previous owner's pencil signature on half-title page; slight internal browning to edges.over 125 color & b/w Illustrations.