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Añadir al carritopaperback. Condición: Good.
Publicado por Doubleday, Page, 1927
Librería: Cragsmoor Books, Cragsmoor, NY, Estados Unidos de America
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Añadir al carritoHardcover. Condición: Very Good. No Jacket. Lg. 8vo. Dk. green cl., gilt lettering, crest, lines. Frontis. Illus. Xiv, 568pp., page tops gilt edged.
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Idioma: Inglés
Publicado por University College London, 2010
ISBN 10: 0955743923 ISBN 13: 9780955743924
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Idioma: Inglés
Publicado por University College London, 2010
ISBN 10: 0955743923 ISBN 13: 9780955743924
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Idioma: Inglés
Publicado por Faculty of Arts and Humanities, University College London, GB, 2010
ISBN 10: 0955743923 ISBN 13: 9780955743924
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Idioma: Inglés
Publicado por University College London, 2010
ISBN 10: 0955743923 ISBN 13: 9780955743924
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Añadir al carritoPaperback. Condición: New. Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts.
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Añadir al carritoPaperback. Condición: New. Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts.
Librería: zenosbooks, San Francisco, CA, Estados Unidos de America
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Añadir al carritopaperback. Condición: Very Good in Wrappers. No Jacket. First Edition. New York. 2016. May 2014. Berghahn Books. 1st Paperback Edition. Very Good in Wrappers. 9781785331947. 362 pages. paperback. keywords: Film Russia Soviet Union History. DESCRIPTION - Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts. inventory #42646.
Idioma: Inglés
Publicado por Faculty of Arts and Humanities, University College London, GB, 2008
ISBN 10: 0955743915 ISBN 13: 9780955743917
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 31,72
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Añadir al carritoPaperback. Condición: New.
Idioma: Inglés
Publicado por Berghahn Books, Oxford, 2016
ISBN 10: 1785331949 ISBN 13: 9781785331947
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 34,33
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Añadir al carritoPaperback. Condición: new. Paperback. Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts. The second scholarly study in English to consider the creative role of the camera operator in the film-making processRepresents the first scholarly study to offer a detailed analysis of the films of the Soviet avant-garde in their totalityCrosses disciplinary boundaries and examines the relationship between cinema and the visual arts Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Publicado por London : Oxford University Press, 1978., 1978
ISBN 10: 0193436647 ISBN 13: 9780193436640
Librería: Joseph Valles - Books, Stockbridge, GA, Estados Unidos de America
EUR 19,50
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Añadir al carritoSoft cover. Condición: Poor. score (403 pp.), [1] pp. ; 22 cm. ; ISBN: 0193436647; 9780193436640; LCCN: 79-770662 ; Contents: All creatures now / John Bennet -- Adieu,sweet Amaryllis / John Wilbye -- Adieu, ye city-prisoning towers / Thomas Tomkins -- Ah, dear heart / Orlando G ibbons -- April is in my mistress' face / Thomas Morley -- As Vesta was / Thomas Weelkes -- Come away, sweet love / Thomas Greaves -- Come, gentle swains / Michael Cavendish -- Come, sable night / John Ward -- Consture my meaning / Giles Farnaby -- Come, sirrah Jack, ho! / Weelkes -- Dainty fine bird / Gibbons -- Draw on, sweet night / Wilbye -- Fair nymphs, I heard one telling / John Farmer -- Flora gave me fairest flowers / Wilbye -- Fair Phyllis l saw / Farmer -- Fyer, fyer! ; Hard by a cry stal fountain / Morley -- Hark, all ye lovely saints / Weelkes -- Lady, when I behold / Wilbye -- I love, alas, I love thee ; Leave, alas, this tormenting / Morley -- Lullaby, my sweet little baby / William Byrd -- Mother, I will have a husband / Thomas Vautor -- Music divine / Tomkins -- My bonny lass she smileth ; Now is the month of maying / Morley -- O care, thou wilt despatch me ; Hence, care, thou art too cruel / Weelkes -- Out from the vale / Ward -- O what shall I do? / Wilbye -- O yes ! Has any found a lad? / Tomkins -- O that the learned poets / Gibbons -- Poor is the life ; Quick, quick, away, dispatch! ; No haste but good! / Michael East -- See, see the shepherds' queen / Tomkins -- Since Robin Hood / Weelkes -- See what a maze of error / George Kirbye -- Sing we and chant it / Morley -- Strike it up, tabor ; Sing we at pleasure / Weelkes -- Sleep, fleshly birth / Robert Ramsey -- Sweet honey-sucking bees ; Yet, sweet, take heed / Wilbye -- Sweet Suffolk owl / Vautor -- The silver swan / Gibbons -- This sweet and merry month of May ; Though Amaryllis dance / Byrd -- Though Philomela lost her love / Morley -- Those sweet delightful lilies / Thomas Bateson -- Thule, the period of cosmography ; The Andalusian merchant ; Thus sings my dearest jewel / Weelkes -- Too much I once lamented / Tomkins -- Trust not too much, fair youth / Gibbons -- Weep, O mine eyes / Bennet -- Weep, weep, mine eyes / Wilbye -- What is our life? / Gibbons -- Whither away so fast? / Morley. ; original covers and title page replaced with library boards ; performing copy ; READING COPY only. Book.
Idioma: Inglés
Publicado por Berghahn Books 2/1/2016, 2016
ISBN 10: 1785331949 ISBN 13: 9781785331947
Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de America
EUR 34,68
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Añadir al carritoPaperback or Softback. Condición: New. The Men with the Movie Camera: The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s. Book.
Idioma: Inglés
Publicado por University College London 2010-06-01, 2010
ISBN 10: 0955743923 ISBN 13: 9780955743924
Librería: Chiron Media, Wallingford, Reino Unido
EUR 17,77
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Idioma: Inglés
Publicado por University College London, 2010
ISBN 10: 0955743923 ISBN 13: 9780955743924
Librería: Ria Christie Collections, Uxbridge, Reino Unido
EUR 22,61
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Idioma: Inglés
Publicado por University College London, 2010
ISBN 10: 0955743923 ISBN 13: 9780955743924
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 20,72
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Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 21,36
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Añadir al carritoPaperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.
Librería: Academybookshop, Long Island City, NY, Estados Unidos de America
EUR 37,22
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Añadir al carritoHardcover. Condición: New.
Idioma: Inglés
Publicado por University College London, 2008
ISBN 10: 0955743915 ISBN 13: 9780955743917
Librería: Phatpocket Limited, Waltham Abbey, HERTS, Reino Unido
EUR 28,36
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Añadir al carritoCondición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Idioma: Inglés
Publicado por University College London, 2010
ISBN 10: 0955743923 ISBN 13: 9780955743924
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 23,99
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Añadir al carritoCondición: As New. Unread book in perfect condition.
EUR 42,67
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Librería: GreatBookPricesUK, Woodford Green, Reino Unido
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