Cavaceppi bartolomeo (6 resultados)

EA, 1. - 10. Tsd. J-135. Sehr gut. Inselverlag, Reise, Insel - Bücherei, Insel-Verlag, Inselbücherei.

4°. XII, 169 S. Mit 122 (18 farb.) Abb. Original-Leinenband mit Schutzumschlag. Wiss. Bestandskataloge der Kulturstiftung Dessau-Wörlitz, II. - Gutes Exemplar. Gewicht (Gramm): 1350.

Three vols., Cc. (1), (9), (1) pl. folded, 60 plates (v.1); cc. (17), (1) pl., 60 pl .; cc. (11), (1) pl., 60 pl.Many tables have pencil notes with numerical references; most likely referable to Cavaceppi himself. It could be references to his personal inventory or maybe even prices. Scattered light foxing.First and only edition of this rare work, a sort of "catalogue raisonné ante litteram" wanted and produced by the most important sculptor restorer of the eighteenth century, the Roman Bartolomeo Cavaceppi (1716-1799), an original character in his triple role as entrepreneur / restorer / scholar, and central not only in the nascent culture of restoration, but tout court in the scenario of the history of art and in the artistic debate of his time.The three volumes, produced separately between '68 and '72, have an importance that concurs only with their extrinsic beauty, a total of over 180 full-page engravings that from the beginning and probably also in the editorial intention were destined to be sold also separately, and therefore very rare to find fully bound as in the present set.The three volumes, in the iconographic and textual part, have enormous importance in the history of restoration, but more generally in the history of art and sculpture, both for their opulent iconographic apparatus, and for the text part, text that precedes each one of the three collections and consists of a series of monographs intended to discuss (and resolve) issues on the restoration and trade of antiquity much debated at the time of these writings and already addressed, but only in part, about the restoration of paintings. Clearly the theoretical questions on the restoration of sculptures extends the temporal horizon of the debate, which until then only concerned paintings and frescoes, and therefore works of art that were not as ancient.No less original is the commercial intent that prompted the author to create this book: already known and appreciated (and rich) at the time of the publication of the first volume, Cavaceppi catalogs his restorations also with the aim of advertising the quality of his work and sell the works themselves (those published in the first volume had already been sold or almost all, while in the second there are at least 41 purchasable works and in the third 23). The textual part confirms this intention: the "Collection is intended for a selected audience of sovereigns, nobles, especially British and German collectors with respect to whom the author tries on the one hand to accredit his very high professionalism, on the other to put himself on a collaborative plan, providing for example useful information to unmask the false "(see Meyer, SA - Piva, C.," The art of well-restored. The 'Collection of ancient statues by Bartolomeo Cavaceppi ", 2011).The choice and development of the arguments that make up the part of the text supports, in short, the originality of the editorial operation: following an introduction, contained in each volume with a different text, and directed "To the amateurs of ancient sculpture" , the author immediately enters, in the first volume, on the subject with an essay, "On the art of well restoring the ancient statues", which is both a theoretical premise to the work of restorer and self-promotion of his work and his workshop; in the second volume (printed in '69) we find another writing "Of the deceptions that are used in the trade of ancient sculptures" clearly aimed at reassuring possible patrons, collectors and customers, as well as what would later be the most famous writing of Cavaceppi, or the "Description of the trip to Germany" made in '68 together with his friend Winckelmann: a trip that would have been, among other things, the last episode in Winckelmann's life, as he was murdered in Trieste on the way back to Rome; Winckelmann's murder had a huge echo at the time, and the timely publication of the account of this tour, carried out by the two in the German courts before the death of.…

Softcover. Condición: New. Reprint. Lingua: Italiano. Circa 450 pagine. Volumi da 1 a 3 di un'opera in più volumi, rilegati in un solo libro. / Volumes 1 to 3 of a multi-volume work, bound together in a single book. Italiano : Ristampa su richiesta. Edizione originale : 1768. Opera in italiano. Questa opera monumentale di Bartolomeo Cavaceppi, scultore e restauratore romano del XVIII secolo, presenta una raccolta di statue antiche, busti, bassorilievi e altre sculture restaurate. Pubblicata in tre volumi, l'opera comprende 60 tavole incise per volume, accompagnate da leggende che identificano i proprietari attuali delle opere o indicano se sono ancora in vendita. Il testo è arricchito da testatine e iniziali in legno. Un'opera fondamentale per gli studiosi di arte classica e storia dell'arte. Immagini del libro non contrattuali English: Print-on-demand reprint. Original edition : 1768. Text in Italian. This monumental work by Bartolomeo Cavaceppi, a Roman sculptor and restorer of the 18th century, presents a collection of ancient statues, busts, bas-reliefs, and other sculptures restored by the author. Published in three volumes, the work includes 60 engraved plates per volume, accompanied by legends identifying the current owners of the works or indicating if they are still for sale. The text is enriched with woodcut headpieces and initials. A fundamental work for scholars of classical art and art history. Book images are non-contractual. Questo articolo è stampato su ordinazione e spedito dallo stabilimento dei nostri partner di stampa più vicino alla destinazione. Questi stabilimenti si trovano principalmente negli Stati Uniti, nel Regno Unito e in Canada. …

Leather Bound. Condición: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1768. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Vol:- Volume 1-3, Pages:- 450, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 1-3 450 450.…

Leather Bound. Condición: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1772. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Vol:- Volume 1-3, Pages:- 450, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 1-3 450 450.…