catherine dormor (48 resultados)

Condición: new.

Condición: New.

Paperback. Condición: New. This book builds new visions of belonging and new articulations of place and space through various models of artistic practice by women. Exploring how these practices reclaim and renegotiate space - institutional, urban, or natural - it interrogates the politics of artistic practice as a means of creating transnational networks of solidarity. Presenting a collection of case studies detailing the practices of womxn artists from China, Europe, North America and Latin America, the book considers relationships between artmaking, process and belonging. This transnational framework activates solidarity at a time of intensified divisions, partitioning global narratives, unequal trajectories.The contributors engage in a conversation signalling transversal thinking and artmaking in order to articulate and activate 'in-between' spaces. Organised around the triangulation of modes of belonging: spatial, affective and collective, these essays consider ways in which female agency disrupts borders and activates concerns around different forms of citizenship. Considering the current time of rising nationalisms and erecting borders, this book offers new narratives that build bridges across cultures; it's wide coverage will inform new directions in interdisciplinary research in visual culture, feminism, transnationalism, and cross-cultural anthropology.Cover Image credit: Keren Anavy, Garden of Living Images (2018), general installation view (detail). Courtesy of the artist and Wave Hill. Photographer: Stefan Hagen.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. This book builds new visions of belonging and new articulations of place and space through various models of artistic practice by women. Exploring how these practices reclaim and renegotiate space - institutional, urban, or natural - it interrogates the politics of artistic practice as a means of creating transnational networks of solidarity. Presenting a collection of case studies detailing the practices of womxn artists from China, Europe, North America and Latin America, the book considers relationships between artmaking, process and belonging. This transnational framework activates solidarity at a time of intensified divisions, partitioning global narratives, unequal trajectories.The contributors engage in a conversation signalling transversal thinking and artmaking in order to articulate and activate in-between spaces. Organised around the triangulation of modes of belonging: spatial, affective and collective, these essays consider ways in which female agency disrupts borders and activates concerns around different forms of citizenship. Considering the current time of rising nationalisms and erecting borders, this book offers new narratives that build bridges across cultures; it's wide coverage will inform new directions in interdisciplinary research in visual culture, feminism, transnationalism, and cross-cultural anthropology.Cover Image credit: Keren Anavy, Garden of Living Images (2018), general installation view (detail). Courtesy of the artist and Wave Hill. Photographer: Stefan Hagen Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Condición: New.

Condición: New.

Paperback. Condición: New. Textile is at once a language, a concept and a material thing. Philosophers such as Plato, Deleuze and Derrida have notably drawn on weaving processes to illustrate their ideas, and artists such as Ann Hamilton, Louise Bourgeois and Chiharu Shiota explore matters such as the seam, the needle and thread, and the flow of viscous materials in their work. Yet thinking about textile and making textile are often treated as separate and distinct practices, rather than parallel modes. This beautifully illustrated book brings together for the first time the language and materiality of textile to develop new models of thinking, writing and making. Through the work of thinkers such as Roland Barthes, Hélène Cixous and Luce Irigaray, and international artists like Eva Hesse and Helen Chadwick, textile practitioner, theorist and writer Catherine Dormor puts forward a new philosophy of textile. Exploring the material behaviours and philosophical language of folding, shimmering, seaming, viscosity, fraying and caressing, Dormor demonstrates how textile practice and theory are intricately woven together.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New.

Condición: New.

Paperback. Condición: Brand New. 304 pages. 9.00x6.00x1.00 inches. In Stock.

Paperback or Softback. Condición: New. A Philosophy of Textile: Between Practice and Theory. Book.

Condición: New.

Paperback. Condición: New. Textile is at once a language, a concept and a material thing. Philosophers such as Plato, Deleuze and Derrida have notably drawn on weaving processes to illustrate their ideas, and artists such as Ann Hamilton, Louise Bourgeois and Chiharu Shiota explore matters such as the seam, the needle and thread, and the flow of viscous materials in their work. Yet thinking about textile and making textile are often treated as separate and distinct practices, rather than parallel modes. This beautifully illustrated book brings together for the first time the language and materiality of textile to develop new models of thinking, writing and making. Through the work of thinkers such as Roland Barthes, Hélène Cixous and Luce Irigaray, and international artists like Eva Hesse and Helen Chadwick, textile practitioner, theorist and writer Catherine Dormor puts forward a new philosophy of textile. Exploring the material behaviours and philosophical language of folding, shimmering, seaming, viscosity, fraying and caressing, Dormor demonstrates how textile practice and theory are intricately woven together.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. In.

Condición: New.

Condición: New. 2022. 1st Edition. paperback. . . . . .

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New. 2022. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condición: Brand New. 160 pages. 9.21x6.14x0.47 inches. In Stock.

Paperback. Condición: new. Paperback. This book builds new visions of belonging and new articulations of place and space through various models of artistic practice by women. Exploring how these practices reclaim and renegotiate space - institutional, urban, or natural - it interrogates the politics of artistic practice as a means of creating transnational networks of solidarity. Presenting a collection of case studies detailing the practices of womxn artists from China, Europe, North America and Latin America, the book considers relationships between artmaking, process and belonging. This transnational framework activates solidarity at a time of intensified divisions, partitioning global narratives, unequal trajectories.The contributors engage in a conversation signalling transversal thinking and artmaking in order to articulate and activate in-between spaces. Organised around the triangulation of modes of belonging: spatial, affective and collective, these essays consider ways in which female agency disrupts borders and activates concerns around different forms of citizenship. Considering the current time of rising nationalisms and erecting borders, this book offers new narratives that build bridges across cultures; it's wide coverage will inform new directions in interdisciplinary research in visual culture, feminism, transnationalism, and cross-cultural anthropology.Cover Image credit: Keren Anavy, Garden of Living Images (2018), general installation view (detail). Courtesy of the artist and Wave Hill. Photographer: Stefan Hagen Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. This book builds new visions of belonging and new articulations of place and space through various models of artistic practice by women. Exploring how these practices reclaim and renegotiate space - institutional, urban, or natural - it interrogates the politics of artistic practice as a means of creating transnational networks of solidarity. Presenting a collection of case studies detailing the practices of womxn artists from China, Europe, North America and Latin America, the book considers relationships between artmaking, process and belonging. This transnational framework activates solidarity at a time of intensified divisions, partitioning global narratives, unequal trajectories.The contributors engage in a conversation signalling transversal thinking and artmaking in order to articulate and activate in-between spaces. Organised around the triangulation of modes of belonging: spatial, affective and collective, these essays consider ways in which female agency disrupts borders and activates concerns around different forms of citizenship. Considering the current time of rising nationalisms and erecting borders, this book offers new narratives that build bridges across cultures; it's wide coverage will inform new directions in interdisciplinary research in visual culture, feminism, transnationalism, and cross-cultural anthropology.Cover Image credit: Keren Anavy, Garden of Living Images (2018), general installation view (detail). Courtesy of the artist and Wave Hill. Photographer: Stefan Hagen Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condición: New. Textile is at once a language, a concept and a material thing. Philosophers such as Plato, Deleuze and Derrida have notably drawn on weaving processes to illustrate their ideas, and artists such as Ann Hamilton, Louise Bourgeois and Chiharu Shiota explore matters such as the seam, the needle and thread, and the flow of viscous materials in their work. Yet thinking about textile and making textile are often treated as separate and distinct practices, rather than parallel modes. This beautifully illustrated book brings together for the first time the language and materiality of textile to develop new models of thinking, writing and making. Through the work of thinkers such as Roland Barthes, Hélène Cixous and Luce Irigaray, and international artists like Eva Hesse and Helen Chadwick, textile practitioner, theorist and writer Catherine Dormor puts forward a new philosophy of textile. Exploring the material behaviours and philosophical language of folding, shimmering, seaming, viscosity, fraying and caressing, Dormor demonstrates how textile practice and theory are intricately woven together.

Paperback. Condición: Fine.

Paperback. Condición: New. This book builds new visions of belonging and new articulations of place and space through various models of artistic practice by women. Exploring how these practices reclaim and renegotiate space - institutional, urban, or natural - it interrogates the politics of artistic practice as a means of creating transnational networks of solidarity. Presenting a collection of case studies detailing the practices of womxn artists from China, Europe, North America and Latin America, the book considers relationships between artmaking, process and belonging. This transnational framework activates solidarity at a time of intensified divisions, partitioning global narratives, unequal trajectories.The contributors engage in a conversation signalling transversal thinking and artmaking in order to articulate and activate 'in-between' spaces. Organised around the triangulation of modes of belonging: spatial, affective and collective, these essays consider ways in which female agency disrupts borders and activates concerns around different forms of citizenship. Considering the current time of rising nationalisms and erecting borders, this book offers new narratives that build bridges across cultures; it's wide coverage will inform new directions in interdisciplinary research in visual culture, feminism, transnationalism, and cross-cultural anthropology.Cover Image credit: Keren Anavy, Garden of Living Images (2018), general installation view (detail). Courtesy of the artist and Wave Hill. Photographer: Stefan Hagen.