Catalogue edited by (81 resultados)

Paperback. Condición: Fine. 1st. 115 pages, illustrations (some colour); 25 cm. Firm binding, clean inside copy. Size: 8vo. Collectible.

Paperback. Condición: Very Good. Square wraps with some wear, none severe, clean, no spine crease; a clean and unmarked copy. A very good reading/reference copy.

Hardcover. Condición: Near Fine with no dust jacket. Including an appreciation of the artist first published in 1885 by Charles Eliot Norton. Complementary photography by Charles R. Mack. 201 pages; 9 x 12 1/8 ".

Paper-Covered Boards. Condición: Fine. A beautiful copy, Gift quality; Appears brand new; Bibliography at end. Size: Folio - over 12" - 15" tall. Photographs/Pictures/Maps (ilustrador). Hardcover.

paperback. Condición: Very Good. No Jacket. large paperback, pictorial card covers, text remains tightly bound, clean and unmarked, colour plates, b&w illustrations, 413pp. A heavy book which, if ordered from locations outside the United Kingdom, may attract a request for additional postage.

softcover. Condición: Very good. Catalogue of an exhibition. Organized by the Smithsonian Traveling Exhibition Service and the Neue Galerie der Stadt Linz. 126 pages. Includes both black and white and color illustrations. 012204A.

Paperback. Condición: Fine. 1st. 190 pages, illustrations (some colour); 32 cm. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "This collection in the Museum of Art at the Rhode Island School of Design, is one of the finest in the United States and was assembled largely on the spot in Japan during the 1920's by Rhode Islander Lucy Truman Aldrich. The 47 costumes came to the Museum by gift and bequest from Miss Aldrich herself and represent all categories of Noh costume. Four essays document the history of the collection, including Miss Aldrich's encounter with Chinese bandits; poetic allusion in the imagery of the robes; the traditional methods of making Noh robes; and the evolution of Noh costume over 650 years. Individual entries with colour illustrations discuss each of the 47 objects." - Publisher. *** CONTENTS: Introduction, by Susan Anderson Hay; Providence, Paris, Kyoto, Peking: Lucy Truman Aldrich and her collections, by Susan Anderson Hay; Where poetry and pattern meet, by Helen M. Nagata; No costumes from conception to use, by Monica Bethe; A history of No costume, by Iwao Nagasaki (translated and adapted by Monica Bethe); On the occasion of an exhibition of the Lucy Truman Aldrich Collection, 1937, by Kojiro Tomita; Calalogue: Entries, by Iwao Nagasaki (translated and adapted by Monica Bethe); Introductory sections, by Monica Bethe; Technical analyses, by Pamela A. Parmal: Karaori. Nuihaku. Surihaku. Choken. Maiginu. Katsura-obi. Kariginu. Happi. Atsuita. Hangire. Koshi-obi. Size: Folio. Collectible.…

Paperback. Condición: Near Fine. xiv, 210 pages, illustrations (some colour); 31 cm. Copublished by the J. Paul Getty Museum in association with the British Library. Published in conjunction with an exhibition held at the J. Paul Getty Museum, October 6, 1983 to January 8, 1984; the Pierpont Morgan Library, January 20 to April 29, 1984; and the British Library, May 25 to September 30, 1984. Firm binding, clean inside copy. Spine slightly sunned (bold & legible titles). Age toning. *** A beautiful book featuring Flemish, Italian, and French manuscript illuminations of the Renaissance era. *** CONTENTS: I. FLEMISH MANUSCRIPT ILLUMINATION 1475-1550: Ordinance of Charles the Bold; Breviary from "Rooclooster"; Hours of William Lord Hastings; Huth hours; Breviary of Queen Isabella of Castile; Guillaume de Lorris and Jean de Meun, Roman de la Rose; Hours of Joanna of Castile; Book of hours; Genealogy of the Infante Dom Fernando of Portugal; Calendar miniatures. II. ITALIAN MANUSCRIPT ILLUMINATION 1460-1560: Petrarch, Canzoniere and Trionfi; St. Augustine, Explanatio Psalmorum; Eusebius, Chronica; Giovanni Simonetta, Sforziada; Hours of Bona Sforza (by Mark Evans and Thomas Krens); Hours of Bonaparte Ghislieri; Pandolfo Collenuccio, Apologues; Lucian, Dialogues; Triumphs of Charles V (by Janet Backhouse). III. FRENCH MANUSCRIPT ILLUMINATION 1450-1530: House of Etienne Chevalier; Boethius, De consolatione philosophiae; Hours of Henry VII; Pierre Sala, Emblesmes et devises d'amour; Tilliot hours; Francois du Moulin and Albert Pigghe, Les Commentaires de la guerre gallique (by Myra Orth); Book of hours (by Myra Orth). Size: 4to.…

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, viii, 96 pages, illustrations (some colour); 26 cm. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket protected in a mylar cover. Size: 4to. Collectible.

Paperback. Condición: Good. 1st. 163, [205] pages (pages [167-368] illustrations), plates (some colour), portraits; 25 cm. Text in German/Text Deutsch. Ausstellung der Staatlichen Museen Berlin der Stiftung Preussischer Kulturbesitz. Held in the Orangerie of the Schloss Charlottenburg, August 26 to October 16. 1966. GUT+. Good+. Firm binding, with one spine crease. Clean inside copy. *** Deutsche Maler und Zeichner des 17. Jahrhunderts = German painters and draftsmen of the 17th century. Size: 8vo.…

PB. Condición: very good++, wraps (softcover). 230pp ISBN 1854377027. B&W and color illustrations (ilustrador).

Hardcover. 95p., superb materials, terrific color exhibit photography, absurdly elitist eroticism, hardbound in 12.5x9 inch dead-white rayon cloth boards lettered scarlet and enclosed in the dust jacket. In every respect a fine copy: perfectly sound, clean and unmarked, dj too.

Softcover. Condición: Near Fine. No Dust Jacket. First Edition. Published to accompany an exhibition at the National Gallery, London June 1999 - September 1999 and at Royal Cabinet of Paintings Mauritshuis, The Hague September 1999 - January 2000. Includes brochure and Exhibition Guide to London exhibition and a sheet with some hand-written notes by Kerry Downes. Contains many colour and black and white illustrations. No dust jacket, as published. Previous owner's name, architectural historian Kerry Downes, in pencil at the front. Quantity Available: 1. Shipped Weight: under 1 kg. ISBN: 1857092708. ISBN/EAN: 9781857092707. Pictures of this item not already displayed here available upon request. Inventory No: 19122091142. All our books are sent by tracked mail.…

Hardcover. Condición: Very Good. 1st Edition. Turquoise cloth boards a little browned. Clean, unmarked contents.

Paperback. Condición: Near Fine. 1st. 226 pages, illustrations (some colour); 28 cm. Exhibition schedule: Royal Academy of Arts, London, 22 April to 21 August 1988; Musee D'Orsay, Paris, 15 September to 31 December 1988; National Gallery of Art, Washington, 29 January to 30 April 1989. With contributions by Gotz Adriani, Mary Louise Krumrine, Mary Tompkins Lewis, Sylvie Patin and John Rewald. Near fine. Firm binding, clean inside copy. Age toning. *** CONTENTS: Foreword; Lenders to the Exhibition; Acknowledgements; Photographic Acknowledgements; Editorial Note; Introduction, by John Rewald; The Early Work of Paul Cezanne, by Lawrence Gowing; Parisian Writers and the Early Work of Cezanne, by Mary Louise Krumrine; Literature, Music and Cezanne's Early Subjects, by Mary Tompkins Lewis; "La Lutte d'amour": Notes on Cezanne's early figure scenes, by Gotz Adriani; The Collectors of Cezanne's Early Works, by Sylvie Patin; The Catalogue; Chronology; Concordance of Works in the Exhibition; List of Exhibitions including Cezanne's Early Work; Select Bibliography; Index. Size: 4to.…

hardback. Condición: Very Good. Estado de la sobrecubierta: Good. hardback, small quarto, a very good tightly bound copy in an age-toned and price clipped dust jacket which is chipped and strengthened to the verso at the head and foot of the spine, double page map, b&w illustrations, 218pp.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, 226 pages, illustrations (some colour); 29 cm. Exhibition held at the Royal Academy of Arts, London, 22 April to 21 August 1988; and other venues. With contributions by Gotz Adriani, Mary Louise Krumrine, Mary Tompkins Lewis, Sylvie Patin and John Rewald. Firm binding, clean inside copy. Age toning. Dust jacket protected in a mylar cover. A near-fine copy of the first printing. *** CONTENTS: Foreword; Lenders to the Exhibition; Acknowledgements; Photographic Acknowledgements; Editorial Note; Introduction, by John Rewald; The Early Work of Paul Cezanne, by Lawrence Gowing; Parisian Writers and the Early Work of Cezanne, by Mary Louise Krumrine; Literature, Music and Cezanne's Early Subjects, by Mary Tompkins Lewis; "La Lutte d'amour": Notes on Cezanne's early figure scenes, by Gotz Adriani; The Collectors of Cezanne's Early Works, by Sylvie Patin; The Catalogue; Chronology; Concordance of Works in the Exhibition; List of Exhibitions including Cezanne's Early Work; Select Bibliography; Index. Size: 4to. Collectible.…

Hardcover. xxiii, 109 p.; 4 il. (Library ca. 1852, p.1 of Elnathan Hammond ms. catalogue 1750, title-pages of Laws, Catalogue 1764); 23 cm. Descriptions of 867 items, each record expanded from the original citation, with page references to the 1816, 1829 and 1843 catalogues, and the names of prior owners and donors -- Index, p. 85-109. VG orig. sage cloth in edgeworn illus. dj.…

Soft cover. Condición: Fine. 112 pages : chiefly illustrations (some colour) ; 30 cm. Exhibition held at the National Gallery of Scotland, Edinburgh, Aug. 9 to Oct. 8, 1995.

Soft cover. Condición: Very Good. A detailed biography and analysis of the work of Le Corbusier, one of the most influential architects of the 20th century, also the catalogue of a centenary exhibition held at the Harvard Gallery London in 1987, organised by the Arts Council of Great Britain in collaboration with the Foundation Le Corbusier, Paris. 368 pages : illustrations, facsimiles, plans, portraits ; 25 cm. Shelf wear to edges, no inscriptions, couple of reading creases to spine. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Staplebound, Softcover, 8.5 by 11 inch, 60 page Catalogue. Tight sound copy with water staining throughout, some pages stuck together in spots, lift to bottom front edge of front cover make this a Reading Copy Only. Included is a folded hanging placard for the exhibition.

Condición: --/No Dustjacket. Fort Worth, TX: Amon Carter Museum. --/No Dustjacket. 1982. 4to., 480 pp. . Black&White/Color Illus. (ilustrador).

Soft cover. Condición: Very Good. 1st Edition. 226pp; Index. Contents clean and textually unmarked. No library markings. Owner's name written on half-title page.

Soft cover. Condición: Near Fine. No Jacket. paperback catalogue to accompany the travelling exhibition of the same name, measuring 11 1/2" x 9 4/5", pictorial card covers with full return flaps, a near fine tightly bound copy with a clean and unmarked text, illustrated throughout.

hardback. Condición: Very Good. Estado de la sobrecubierta: Good. hardback, quarto, measuring 12 1/2" x 10", a very good tightly bound copy in a complete but part faded pictorial dust wrapper, the text is clean and unmarked, illustrated throughout, 328pp. A heavy tome which may, if ordered from certain destinations outside the United Kingdom, attract a request for additional postage.…

Hardcover. Condición: Excellent condition. dj. Dustjacket.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. 280 pages : illustrations (chiefly colour); 31 cm. English Edition. Translated from the German. Contributions by Monika Faber, et al. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by special arrangement. A massive coffee-table book. Richly illustrated with colour plates. *** "In the 19th century, numerous photographers chose the same motifs as Impressionist painters: the forest of Fontainebleau, the cliffs of Etretat or the modern metropolis of Paris. They, too, studied the changing light, seasons and weather conditions. From its inception, photographers pursued artistic ambitions, as evidenced by their experimentation with composition and perspective, by means of various technical procedures. Until the First World War, the relationship between photography and painting was characterized both by competition and mutual influence. The exhibition and catalogue examine these interactions and illuminate the development of the new medium from the 1850s to its establishment as an autonomous art form around 1900" - Publisher. Size: Folio. Collectible.…

Both volumes Card covers. Condición: Covers and edges worn ow vg. (3)-86;56 Pp. Numerous b.&w. and colour illus. The catalogue index is of the artists, printmakers and publishers. The Conference report was in conjunction with the exhibition Gret Expectations and was held October 31,1980.

Soft cover. Condición: Very Good. 1st Edition. 297pp; b/w and color illustrations. Glossy, coated paper. This catalogue accompanied an exhibition held at Colnaghi, New York City, in 1989. Owner's name written on front blank endpaper, else Fine. Contents clean and textually unmarked; no library markings. 26 cm x 23 cm.…

Soft Cover. Condición: Very Good. Page Number: N/A. Nearly flawless copy with browned pages edges. A beautiful copy with many photo plates. Moderate use. Over-sized and/or over weight book; extra postage required. Please note that large and/or heavy items may incur an additional shipping charge. Kathleen Haven (Catalogue Design) (ilustrador). …