Casetti (463 resultados)

Paperback. Condición: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Pamphlet. Condición: Very Good. Vol 48, No 2, pp. 193-198, Extracted from orig vol, begins with title page, stapled & trimmed, thus is llike a pamphlet, VG.

Hardback. Condición: Good. A historical and theoretical investigation of the unexpected ways screen-based media protect and excite viewers' fears and anxieties of the world In this brilliant contribution to contemporary media studies, acclaimed theorist Francesco Casetti advances a provocative hypothesis: instead of being prostheses that expand or extend our perceptions, modern screen-based media are in fact apparatuses that shelter and protect us from exposure to the world. Rather than bringing us closer to external reality, dominant forms of visual media function as barriers or enclosures that defend against the apparent threats and dangers that seem increasingly to surround us. Working with an original historical overview that begins with the Phantasmagoria of the late eighteenth century, then the shared interior spaces of the movie theater in the early to mid-twentieth century, and finally the solitary digital milieus of the present, Casetti traces the outlines of the protective "bubbles" that disconnect us from our immediate surroundings. To be provided with a shield of immunity to the hazards and uncertainties of the world while experiencing them at a safe remove might seem a positive development. But, he asks, what if these media, instead of providing invulnerability, ensnare individuals in a suffocating enclosure? What if, in their effort to keep reality under control, they exercise a violence equal to that of the dangers they resist? In a dialectical exercise, and through a vivid range of cultural artifacts, Screening Fears traces the emergence of modern protective media and the way they changed our forms of mediation with the world in which we live.…

hardcover. Condición: Very Good.

Pamphlet. Condición: Very Good. Vol 77, No 1, pp. 76-88, Maps, Illus, Extracted from orig vol, begins with title page, stapled & trimmed, thus is llike a pamphlet, VG.

Hardback. Condición: Good. A historical and theoretical investigation of the unexpected ways screen-based media protect and excite viewers' fears and anxieties of the world In this brilliant contribution to contemporary media studies, acclaimed theorist Francesco Casetti advances a provocative hypothesis: instead of being prostheses that expand or extend our perceptions, modern screen-based media are in fact apparatuses that shelter and protect us from exposure to the world. Rather than bringing us closer to external reality, dominant forms of visual media function as barriers or enclosures that defend against the apparent threats and dangers that seem increasingly to surround us. Working with an original historical overview that begins with the Phantasmagoria of the late eighteenth century, then the shared interior spaces of the movie theater in the early to mid-twentieth century, and finally the solitary digital milieus of the present, Casetti traces the outlines of the protective "bubbles" that disconnect us from our immediate surroundings. To be provided with a shield of immunity to the hazards and uncertainties of the world while experiencing them at a safe remove might seem a positive development. But, he asks, what if these media, instead of providing invulnerability, ensnare individuals in a suffocating enclosure? What if, in their effort to keep reality under control, they exercise a violence equal to that of the dangers they resist? In a dialectical exercise, and through a vivid range of cultural artifacts, Screening Fears traces the emergence of modern protective media and the way they changed our forms of mediation with the world in which we live.…

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: As New. : La Enciclopedia Universal Tomo 1 es una obra de referencia exhaustiva que abarca una amplia gama de temas, desde la A hasta Alonso A. Publicada por Editorial Salvat en 2009, esta enciclopedia de tapa dura ofrece información detallada e ilustraciones a color y en blanco y negro. Es una valiosa herramienta para estudiantes, investigadores y cualquier persona interesada en ampliar sus conocimientos. EAN: 9788447114306 Tipo: Libros Categoría: Enciclopedias Título: Enciclopedia Universal Tomo 1 Autor: Mónica Casetti Editorial: Editorial Salvat Idioma: es-ES Páginas: 472 Formato: tapa dura Año de publicación: 2009. …

Soft cover. Condición: Near Fine. clean, unmarked copy.

Pamphlet. Condición: Very Good. Vol 71, No 4, pp. 572-579, Illus, Extracted from orig vol, thus begins with title page, trimmed & stapled pamphlet, last page in facsimile else VG.

Paperback. Condición: Fine. Eight essays by various authors, in Italian, on THE CINEMA IN MILAN BETWEEN THE TWO WARS. In French wraps.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Trade Paperback. Condición: Very Good+. 1st Paperback. First trade paperback printing, has a very minor lean to the binding, small bumps to spine ends and cover corners, and faint rubbing with a touch of edgewear to the covers, otherwise a solid, tight, clean VG+ copy.

Paperback. Condición: Very Good. pp. 123-133, Extracted from orig vol, begins with title page, trimmed & stapled, thus is like a pamphlet, else VG.

Pamphlet. Condición: Very Good. Vol 60, No 3, pp. 533-539, Illus, Extracted from orig vol, thus begins with title page, trimmed & stapled pamphlet, else VG.

paperback. Condición: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

paperback. Condición: Good. Ships same day or next business day! UPS shipping available (Priority Mail for AK/HI/APO/PO Boxes). Used sticker and some writing and/or highlighting. Used books may not include working access code or dust jacket.

Paperback. Condición: Fine. Discussion Paper No 1, 21 pp., Brn Paperback, Spiral Binding, 4to, Fine.

Paperback. Condición: Fine. Discussion Paper No 2, 16 pp., Brn Paperback, Spiral Binding, 4to, Fine.

Taschenbuch. Condición: Gut. 3. Auflage.. 176 Seiten Das Buch ist in einem neuwertigen Zustand. Sprache: Deutsch Gewicht in Gramm: 180.

Pamphlet. Condición: Very Good. Vol 79, No 3, pp. 329-344, Illus, Extracted from orig vol, then Recased in Orig Journal Covers, name on cover else VG.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Excelente estado.

hardcover. Condición: New.

Condición: As New. : El libro 'El film y su espectador' de Francesco Casetti, publicado por Ediciones Cátedra, explora la relación entre el cine y su audiencia. Analiza cómo el espectador cinematográfico se construye a partir de las estrategias activadas por la película y cómo esta relación influye en la acción y la interpretación. El libro examina el espacio que se abre entre la pantalla y el espectador, considerándolo un componente esencial del juego cinematográfico. EAN: 9788437608273 Tipo: Libros Categoría: Películas Título: El film y su espectador Autor: Francesco Casetti Editorial: Cátedra Idioma: es-ES Páginas: 191 Formato: tapa blanda.…

Rústica. Condición: Buen estado. 370pp.

Softcover. Condición: Bon. Tome 1. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Volume 1. Ammareal gives back up to 15% of this item's net price to charity organizations.