Carter john 1748 (9 resultados)

Collector's Progress.
Lewis, W. S. (Wilmarth Sheldon), 1895-1979. [subject: Walpole, Horace, 1717-1797; art, JG Eckhardt, Wootton, Grinling Gibbons, William Evans, John Henry Müntz, John Carter (1748-1817), Richard Bentley, Hugh D Auchincloss, J C Barrow; assoc: Jack Hol
Editorial: London : Constable & Co Ltd ; [Edinburgh : Printed in Great Britain by R. & R. Clark, Ltd], 1952. 1952
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Librería: Joseph Valles - Books, Stockbridge, GA, Estados Unidos de AmericaJoseph Valles - Books
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EUR 126,59
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Hardcover. Condición: Very Good. Estado de la sobrecubierta: Fair. [British edition] ; 245 pp. ; illustrated ; 23 cm. ; LCCN: 53-67093 ; OCLC: 70299655 & OCLC: 2291303 ; LC: Z989; Dewey: 010 ; blue cloth with silver lettering, in tattered and patched pictorial dustjacket ; presentation, unsigned, from the author, March 1952, on…the front endpaper ; laid-in, an ALS from Jack Holland, the Birmingham England antiquarian bookseller, dated November 11, 1959, proffering this book to an associate ; the exciting and fascinating recounting of the efforts of Horace Walpole scholar and collector Wilmarth Sheldon Lewis to re-assemble Walpole's library from Strawberry Hill, Twickenham, as well as what he calls "relics" of Walpole: objects once owned by Walpole, and the republishing of Walpoliana ; with 17 photographic illustrations ; VG/FAIR. Inscribed by Author(s). Book.

The Ouse-Bridge: York. Große Ansicht der Ouse-Brücke in York vom Wasser aus mit Segelschiffen und Booten. Kolorierter Original-Stahlstich von Varrall nach Carter 1828
John Charles Varrall (1794-1855), britischer Stahlstecher; John Carter (1748-1817), britischer Zeichner und Maler
Editorial: London: Longman & Co Tafel für Britton's "Picturesque Antiquities of English Cities" 1828
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Librería: historicArt Antiquariat & Kunsthandlung, Wiesbaden-Breckenheim, AlemaniahistoricArt Antiquariat & Kunsthandlung
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EUR 70,00
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1. Original-Stahlstich von Varrall (in der Platte signiert) nach Carter auf Büttenblatt, sehr geschmackvoll koloriert, bildliche Darstellung ca. 12,5 x 20 cm, Passepartoutgröße ca. 27 x 32 cm, unter Schrägschnitt-Passepartout montiert, im breiten Rand außerhalb der bildlichen Darstellung etwas Alterspatina, ansonsten sauber und…sehr gut erhalten, selten 2100 gr.

Editorial: Henry G. Bohn, London 1887
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Librería: Tavistock Books, ABAA, Reno, NV, Estados Unidos de AmericaTavistock Books, ABAA
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EUR 223,79
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A New Edition. Engraved t.p. 109 plates. Elephant Folio. 20" x 13" Very heavy book, extra postage required. Frontis & engraved title leaves separating along gutter. Volume rebacked. Paper turning brittle, with some odd leaf chipping. Ex-lib, with spine call letters, bookplate & the occasional stamp. Withal, a VG copy. Period mar…oon half calf with marbled paper boards. TEG.

Editorial: All 54 captioned as 'Engrav'd & Pub'd' by John Carter between January and January 1791 successively at Wood Street and College Street Westminster; and Hamilton Street Hyde Park Corner; from drawings made by him between 1766 and 1785 1786
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Librería: Richard M. Ford Ltd, London, Reino UnidoRichard M. Ford Ltd
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All 54 are printed on paper 12 x 9 cm. Each is captioned and numbered in roman numerals, with the first as III and the last as XCVII. Carter published his 'Views of Ancient Buildings in England' between 1786 and 1793, and the six volumes contained a total of 120 views. Those LACKING from this collection, in arabic numerals, are…1, 2, 6-10, 15, 16, 18, 19, 21, 26, 36-38, 43, 48, 53, 57-59, 63-66, 69-71, 73, 75, 76, 78, 81-84, 90-94, 96, and 97-120. The 53 present are in fair condition, on lightly-foxed paper, with small pinholes in the margins of a few of the engravings (not affecting image or text). Simply-executed and charming, the images range from '[III] View of the chapel of St. John Baptist, and part of the tomb of Sr. Thomas Vaughan Kt. treasurer to Edward IV. in the east end of the Abbey Westminster.' to '[XCVII] North view of the Gate of Bermodsey [sic] Monastry, [sic] in the Borough, Southwark.' The images are not confined to London.
Más imágenesThe seats of the Nobility and Gentry : in Great Britain and Wales in a collection of select views, engraved by W. Angus. From pictures and drawings by the most eminent artists. With descriptions of each view. Second edition.
Angus, William ( 1752-1821); Engraver and publisher : Artist: After Robert Adam (British, Kirkcaldy, Scotland 1728-1792 London);Artist: After Samuel James Arnold (British, London 1774-1852 Walton upon Thames);Artist: After James Barret (British, London, active 1785-1819 London);Artist: After Joseph Charles Barrow (British, died 1804);Artist: After William Beilby (British, Durham 1740-1819 Hull);Artist: After John Bird (British, 1768-1829 Whitby);Artist: After John Carter (British, London 1748-1817 London);Artist: After William Bernard Cooke (British, 1778-1855 Camberwell, London);Artist: After George Cuit the Elder (British, Moulton, Yorkshire 1743-1818 Richmond, Yorkshire);Artist: After Nicholas Thomas Dall (Scandinavian, died London, 1776);Artist: After Thomas Day, Esqr. (British, active 1791);Artist: After Edward Dayes (British, London 1763-1804 London);Artist: After Viscount Frederick Duncannon (British, London 1758-1844 Dorset);Artist: After Samuel Evans (British, Mold, Wales 1762
Editorial: Islington, [London],: Published by W. Angus, Gwynne's Buildings, Feby. 1 [1815] 1787
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Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books
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EUR 1039,81
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Condición: Good. 4to. 26.2 x 25 cm.Contemporary straight-grain morocco blind-stamped decorative gilt border, extremities rubbed. 64 leaves, LXIII leaves of plates : ill. ..additional engraved title and 63 engraved views by Angus after Sandby, Turner, Nattes & others, each with explanatory leaf of text, spotting and foxing throug…hout.OCLC Number / Unique Identifier:22224907.Engraved title page.First issued 1787-[1797] with 48 plates. Reissued in 1815 with an additional 15 plates; these 63 plates are dated 1787-1815Some leaves have printing on verso.
Editorial: London : Bohn 1838
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Librería: MW Books, New York, NY, Estados Unidos de AmericaMW Books
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EUR 1481,77
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Second Edition. The plates collated and all present. Finely bound in contemporary aniline calf over marble boards. Raised bands with the title blocked direct in gilt. Spine compartments uniformly tooled in gilt. An exceptional copy - scans and additional bibliographic detail on request.; 8vo 8" - 9" tall; 148 pages; A new and im…proved ed., arranged in topographical order, and illustrated with copius notes, by Dawson Turner . Sir Samuel Rush Meyrick . Physical desc.: [6], 148, [6] p., [4], CXV leaves of plates (one double-leaf, one folded) : ill. (some col.) ; LARGE FOLIO. Notes: Engr. plates (some hand-colored). Includes bibliographical notes. Referenced by: Nash, Paul W., Savage, Nicholas, et al., Early printed books 1478-1840: catalogue of the British Architectural Library Early Imprints Collection (London: Bowker-Saur/Saur, 1994-2003), 572. Notes: "G. Norman, printer ." - foot of p. [154].In addition to the antiquaries named on the title-page, footnotes were supplied by J. G. Nichols, Henry G. Bohn, Thomas Willement and Albert Way.Includes reprints of the two etched title-pages and their associated frontispieces (dated 1780 and 1787 and bearing the author's imprint) from the original edition, which was published in parts, 1781-1794. These constitute the four unnumbered plates. Includes index (compiled by John Britton). Subject: Art - England. Sculpture, English. Painting, English. Sculpture, Medieval. Glass painting and staining. Church decoration and ornament. England - Antiquities. 6 Kg.
Editorial: London : Bohn 1838
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Librería: MW Books Ltd., Galway, IrlandaMW Books Ltd.
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EUR 1595,00
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Second Edition. The plates collated and all present. Finely bound in contemporary aniline calf over marble boards. Raised bands with the title blocked direct in gilt. Spine compartments uniformly tooled in gilt. An exceptional copy - scans and additional bibliographic detail on request.; 8vo 8" - 9" tall; 148 pages; A new and im…proved ed., arranged in topographical order, and illustrated with copius notes, by Dawson Turner . Sir Samuel Rush Meyrick . Physical desc.: [6], 148, [6] p., [4], CXV leaves of plates (one double-leaf, one folded) : ill. (some col.) ; LARGE FOLIO. Notes: Engr. plates (some hand-colored). Includes bibliographical notes. Referenced by: Nash, Paul W., Savage, Nicholas, et al., Early printed books 1478-1840: catalogue of the British Architectural Library Early Imprints Collection (London: Bowker-Saur/Saur, 1994-2003), 572. Notes: "G. Norman, printer ." - foot of p. [154].In addition to the antiquaries named on the title-page, footnotes were supplied by J. G. Nichols, Henry G. Bohn, Thomas Willement and Albert Way.Includes reprints of the two etched title-pages and their associated frontispieces (dated 1780 and 1787 and bearing the author's imprint) from the original edition, which was published in parts, 1781-1794. These constitute the four unnumbered plates. Includes index (compiled by John Britton). Subject: Art - England. Sculpture, English. Painting, English. Sculpture, Medieval. Glass painting and staining. Church decoration and ornament. England - Antiquities. 10 Kg.
Más imágenesEditorial: Published by Society of Antiquaries of London 1828. 1828
Librería: Little Stour Books PBFA Member, Canterbury, Reino UnidoLittle Stour Books PBFA Member
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EUR 596,70
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Vetusta Monumenta is the title of a published series of illustrated antiquarian papers on ancient buildings, sites, and artefacts, mostly those of Britain, published at irregular intervals between 1718 and 1906. Hand made wove paper 'J. Whatman, Turkey Mill, 1827' watermark. Light grey folding card covers with title in black to…the front cover. Elephant folio 22½'' x 15¼''. Containing 3 single sheet plates, 1 double sheet plate (Palace of Westminster). 8 pages of text (Palace of Westminster), 4 pages of text (Swords of State Belonging to the Earldom of Chester) and 2 pages of text (The Obelisk at Forres, Morayshire, North Britain. Called Sueno's Stone). William Capon, an architect and scene painter known for his depictions of historic buildings, lived in Westminster and surveyed the Old Palace of Westminster between 1793 and 1823. This plan was purchased from him by the Society of Antiquaries in 1826 which had it engraved and published in 1828. Old water stains to the edges of the single plates, and to the centre and the edges of the double plate, and to the centre of the card covers, small tears to the edges of the plates. Member of the P.B.F.A. LONDON (Londinium).

Durham Cathedral. First edition engravings.
Carter, John (artist - 1748-1817) and James Basire (engraver - 1769-1822))
Editorial: London: The Society of Antiquaries of London 1801
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Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books
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EUR 678,14
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Condición: Good. Engravings 26.5 x 40 inches, folded once (3) and 26 x 19.5 inches (1) . Marginal defects, center fold tears and some light water stains,The Society's Cathedral Series, published from 1795 to 1813, was the first attempt to provide accurate, detailed and measured illustrations of religious houses in England. John…Carter, who was responsible for most, proved outstanding as a draughtsman and vigorously campaigned for the preservation of the buildings. Durham was chosen as 'the most magnificent' construction in the Norman style, and Carter's cross-section was the largest of his drawings to be engraved.Four perspective renderings from English cathedrals. These were commissioned by the Society of Antiquaries of London. They are engraved by James Basire from drawings by John Carter and relate to St Albans, Durham, Exeter, and Gloucester Cathedrals. James Basire (1730-1802) was a member of The Society of Antiquaries of London and specialised in architectural engraving. Works by Basire hang in museums and galleries throughout the world, including the Fine Arts Museums of San Francisco, the Museum of Fine Arts, Boston, and the National Portrait Gallery, London In 1772, William Blake was apprenticed to Basire for the term of seven years. For a time Blake considered Basire a rival and a threat to his own remarkable career.