Carracci annibale after (22 resultados)

Condición: Good. Etching. 24 x 16 cm (sheet). Very Good, sheet trimmed to the image, tear at left sheet edge, tear in right quadrant of image, minor surface soiling.

Condición: Good. Etching. 28.5 x 16 cm (sheet). Good, sheet trimmed to the image, tears along sheet edges, missing areas at right sheet edge.

Condición: Good. Etching. 26.5 x 15.5 cm (sheet). Very Good, sheet trimmed to the image, tear at bottom sheet edge, minor surface soiling.

Condición: Good. Etching. 225 x 155 mm. (sheet). Good, tears along sheet edges, some soiling.Provenance: From the collection of the Late Frederick G. Ruffner, Jr., founder of Gale Research, Detroit.

Condición: Good. Etching. 280 x 198 mm. (sheet). Good, scattered foxing.Provenance: From the collection of the Late Frederick G. Ruffner, Jr., founder of Gale Research, Detroit.

Condición: Good. Etching. 260 x 163 mm. (sheet). Good, tears along sheet edges, some soiling.Provenance: From the collection of the Late Frederick G. Ruffner, Jr., founder of Gale Research, Detroit.

Condición: Good. Etching. 238 x 160 mm. (sheet). Good, tears along sheet edges, some soiling.Provenance: From the collection of the Late Frederick G. Ruffner, Jr., founder of Gale Research, Detroit.

Condición: Good. Engraving. 37 x 24 cm. (sheet). A proof before the text below the title. Sheet mounted at corners to support sheet. Very Good. Sheet trimmed. Light foxing throughout.

etching, from 'Recueil de 283 estampes gravees a l'eau forte d'apres les dessins originaux . . .que Mons. Evrard Jabach de Cologne', small tear in left margin where it was removed from album, From a series of plates reproducing the drawings that used to form the Jabach collection. The original drawing is now in the Louvre.…

Condición: Good. Stipple and line engraving. 49.5 x 34.4 cm. (sheet). Drystamp of the publisher. Very Good. Light foxing in the margin areas."Storia della pittura dal suo risorgimento in Italia, dimostrata coi monumenti della Reale Galleria di Firenze." OCLC no. 83041262.

Blatt-Maße: ca. 34 x 46 cm. -- Bleistift-Zeichnung aus dem 19 Jh. -- gut erhalten. || Pencil drawing from the 19th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 35.…

Condición: Good. Two engravings mounted on a support sheetEach 16 x 23c.

Condición: Good. Engraving, mounted on a support sheet 13.3 x 15.8cm. This print described in "Prints and Related Drawings by the Carracci Family: A Catalogue Raisonné, " by Diane De Grazia Bohlin. Washington, DC: National Gallery of Art, 1979. Catalogue no. 20*, Copy no. 3, copy in reverse (p. 466). …

Extremely rare. Pagination: Single leaf. Engraving. Fine impression, beautiful original engraving, with large margins and fine, detailed lines. Contemporary ink notes on verso, no affect at all. Loose, without matting. Body of Christ lying on the ground, his head resting on the Vrigin, supported by another Mary; with St. John holding Christ?s left hand and displaying its wound to St. Mary Magdalene. Stunning and very rare. Suitable for framing. Lairesse (1641-1711), born in Liege, second son of painter Renier. Known for a facial deformity (some will state syphilis), Rembrandt?s portrait of Gerard at age 25, is a famous one. He was influenced by Rembrandt, and later French neo-classical. In 1690, he lost his sight and concentrated on art theory. A draughtsman, theatrical designer, writer, and theoretician, he is best known as the celebrated Dutch painter in the years to follow Rembrandt?s death.Lairesse shows more detail and finer lines than Carracci in this beautiful scene, which is in reverse of Carracci?s original. We attribute this work to Lairesse by the original auction purchase of this print over 20 years ago. Though, we find no other copies of this print in any institutions, reference citations, or for sale at time of description. It appears to be extremely rare.…

Diameter: ca. 9 cm. -- Ink drawing on paper. -- in good condition. || Feder-Zeichnung. --gut erhalten. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10. …

Mountain landscape with figures. High mountains on the right. Below a village. Closer to the foreground two figures seen from behind. On the left trees and rocks. From the 'Recueil de 283 estampes gravées à l'eau forte d'après les dessins originaux. que Mons. Evrard Jabach de Cologne. possédait' or Cabinet Jabach. Everhard Jabach (1618-1695) was an eminent French collector of drawings. This ensemble of plates is drawn after Italian masters as the Carraccis, Pietro da Cortona, Titian, Campagnola turned into print by Macé, Corneille Jean-Baptiste and Michel-Ange and Pesne. Signed on the bottom; at left 'An. Carache delin:', numbered '23.F', signed on the right bottom:'JB Corneille Sculp Cum privuil Regis.' l Etching on fine laid paper with small margins; platemark: 285 x 405 mm, total: 290 x 422 mm; in good conditions.…

River landscape with figures on the left. In the center a bridge on the river, mountains towards the right, a city on the left. From the 'Recueil de 283 estampes gravées à l'eau forte d'après les dessins originaux. que Mons. Evrard Jabach de Cologne. possédait' or Cabinet Jabach. Everhard Jabach (1618-1695) was an eminent French collector of drawings. This ensemble of plates is drawn after Italian masters as the Carraccis, Pietro da Cortona, Titian, Campagnola turned into print by Macé, Corneille Jean-Baptiste and Michel-Ange and Pesne. Signed on the bottom; at left 'An. Carache delin:', numbered '34.E', signed on the right bottom:'Massé. Sculp. Cum privuil Regis.' l Etching on fine laid paper with margins; platemark: 283 x 401 mm, total: 290 x 419 mm; in very good conditions.…

River landscape with figures. A road descending towards the center of the composition. The river flows from right to left to open sea where some sailing boats are. Mountains in the background. High trees on the left and on the right. From the 'Recueil de 283 estampes gravées à l'eau forte d'après les dessins originaux. que Mons. Evrard Jabach de Cologne. possédait' or Cabinet Jabach. Everhard Jabach (1618-1695) was an eminent French collector of drawings. This ensemble of plates is drawn after Italian masters as the Carraccis, Pietro da Cortona, Titian, Campagnola turned into print by Macé, Corneille Jean-Baptiste and Michel-Ange and Pesne. Signed on the bottom; at left 'An. Carache delin:', numbered '27.E', signed on the right bottom:'Massé. Sculp. Cum privuil Regis.' Etching on fine laid paper with margins; platemark: 279 x 402 mm, total: 286 x 410 mm; in good conditions.…

Copy after Annibale Carracci's popular engraving of the Madonna della Scodella: the Madonna, seated with the infant Christ on her lap, holds a bowl for the infant Baptist to drink from; St. Anne standing in the back, watching over the scene with her left hand raised. Lettered on the bottom right: 'A.b.C.I.' Documented copy number 12 (Berlin). In this copy figures have no halo and the background has no hatchings l Etching on paper; trimmed within platemark; total: 142 x 163 mm; yellowed paper, small stain on the shoulder of the Madonna; The Illustrated Bartsch (1980), p. 395, 9-12. …

Copy after Annibale Carracci's popular engraving of the Madonna della Scodella: the Madonna, seated with the infant Christ on her lap, holds a bowl for the infant Baptist to drink from; in this copy the figure of St. Anne standing in the back, watching over the scene is missing.Signed above right: 'Ani: Car in./ Nicolaus fran.ur Maffei / fecit'.The halos are left blanco, no hatchings. Engraving on paper; trimmed within platemark; total: 130 x 159 mm; on the verso traces of previous mounting; selected literature: Bartsch, XVIII.186.9; De Grazia Bohlin, no. 20, copy I; Bohn 1995, no. 3906.020, copy I. …

Copy after Annibale Carracci's popular engraving of the Madonna della Scodella: the Madonna, seated with the infant Christ on her lap, holds a bowl for the infant Baptist to drink from; in this copy the figure of St. Anne standing in the back, watching over the scene is missing. Signed above right: 'Ani: Car in./ Nicolaus fran.ur Maffei / fecit'. The halos are left blanco, no hatchings. l Engraving on paper; trimmed within platemark; total: 130 x 159 mm; on the verso traces of previous mounting; selected literature: Bartsch, XVIII.186.9; De Grazia Bohlin, no. 20, copy I; Bohn 1995, no. 3906.020, copy I. …

Anonymous copy after Annibale Carracci's popular engraving of the Madonna della Scodella: the Madonna, seated with the infant Christ on her lap, holds a bowl for the infant Baptist to drink from; St. Anne standing in the back, watching over the scene with her left hand raised.Lettered on the bottom: 'Annibal. Caracius. inuentor.' Documented copy number 4 (Windsor). Etching on paper; trimmed to platemark; total: 135 x 162 mm; top corners restored on the verso The Illustrated Bartsch (1980), p. 395, 9-4. …