campbell lynton (27 resultados)

160 pages. Paperback: H 26.5cm x L 20.75cm. Stiff paper covers rubbed with some soiling, scuffing along edges and joints, creases at front cover's fore-edge corners. Some foxing to edges; small dark stain at page 160's lower fore-edge; interior pages are otherwise clean. Binding is firm. A very good- copy. Features Preface by Robin Campbell and Norbert Lynton, Introduction by Oliver Millar, color plates and b/w illustrations, Bibliographical Note, Catalogue Note, Paintings (a catalogue of paintings numbered as 1-219 on pages 30-123), essay "The English Sporting Print c.1650-1850" by David Coombs, Prints (a catalogue of prints numbered as 220-319), Drawings (numbered as 320-342), Books (numbered as 343-360, Objects (numbered as 361-363), Index of Lenders, and General Index. Published to accompany a touring exhibition held at the Hayward Gallery, London from December 13, 1974 to February 23, 1975, the Leicestershire Museum and Art Gallery, Leicester, from March 8 to April 6, 1975, and the Walker Art Gallery in Liverpool from April 25 to May 25, 1975. ISBN 0728700387.

Softcover. Condición: Fine. First Edition. Fine-looking, structurally sound copy of an exhibit catalog, following upon the exhibit of Cohen's works at the Hayward Gallery, London, 6 April - 14 May, 1972; Laing Art Gallery, Newcastle-upon-Tyne, 3 -25 June, 1972; City Art Gallery, Leeds, 1-23, July 1972. Simple printed wraps, but with several score lovely captioned, titled works by the famous Jewish artist Bernard Cohen. Richard Morphet provides a nice Introduction. 34 pp. and then followed by a select bibliography. Full color inset illustrations throughout, a nice catalog designed by Gordon House and Hugh Shaw. 5,000 copies printed by Lund Humphries on behalf of the The Arts Council of Great Britain.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Hardcover. Condición: Very Good. With 49 Color Plates Ilustrador. 59 pp. Tightly bound. Corners not bumped. Text is free of markings. Owner's name / date on front paste down. Good to very good dust jacket with two closed edge tears. 59 pp. followed by 49 colored plates. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.

Soft cover. Condición: Very Good. Paperback. Catalog printed on the occasion of an exhibit June 27-Sept 1, 1974. Minor foxing & wear to wrappers, otherwise very good.

Softcover. Condición: Very Good. Brief owner's writing on the title page. ; Approx. 8" wide by 9". ; 78 pages.

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,200grams, ISBN:

Soft cover. Condición: Very Good. 1st Edition.

Condición: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN:

Condición: Good. Catalogue of an exhibition held at the Hayward Gallery in London in 1973 (softcover). 8vo, 151pp. Text illustrations. Original laminated wrappers. Covers a little rubbed and scuffed, contents VG. Overall, this copy is in good plus condition.

Condición: Very Good. Estado de la sobrecubierta: None. 112 pages. Illustrated with black & white photographs and works by artists involved in the Vorticist movement. Slight sun fading to spine. Minor wear to covers. Previous owners name at top of front endpaper. Clean, tight copy. Record # 607455.

Soft cover. Condición: Good. No Jacket. The Arts Council of Great Britain, London, 1973, pb, covers somewhat rubbed and creased, pages clean and bright, a good secure binding [B4404][Box 58].

Condición: Good.

Condición: Good. 4to, pp. 34 + b/w illustrations. Illustrated card wrappers. Wrappers soiled and discoloured. Text block tanned, but plates clean. Catalogue of an exhibition held from 11th October to 10th November 1974 at Courtauld Institute Galleries, London, followed by at the Hatton Gallery, University of Newcastle-upon-Tyne.

Paperback. Condición: Good. Two paperbacks in good condition. Brochure and catalogue published on the occasion of the exhibition 'Art in Revolution: Soviet art and design since 1917' at the Hayward, Gallery, London, from 26 February to 18 April 1971. Changes to the exhibition notice laid in. Covers are marked and sunned. Page blocks are lightly tanned and foxed. Cover edges and corners are a little bumped and rubbed. A few of the the pages in the catalogue are foxed. Bindings are sound and pages are otherwise clear. LW. Used.

Soft cover. Condición: Very Good +. B/W Photographs Ilustrador. The cover illustration on this 79 page volume is from a 1902 painting by Claude Monet. The volume also offers works of Sisley, Derain, Renoir and others. The exhibition ran at the Hayward Gallery beginning in January 1973. tLEARN more about : Pissarro, picture-dealer Paul Durand-Ruel, Waterloo Bridge, Atelier Gleyre, Hanpton Court, Eragny, Hyde Park Corner, Julie Vellay, and Camille Doncieux. Four colour plates open the book, with most reporoductions in b/w. Cond : Cover has French flaps. Title page is on light brown card with black lettering. Tight in binding. Clean. No names nor marks. Light edge wear. Collectible ! ! Quote (p. 15) : " Exactly at what moment Monet so admired Turner, we do not know. Certainly from 1880 Monet began to plan his return to London, to paint the Thames, and follow up the magnificent beginning which the National Gallery's 1871 picture ._._._. . " Size: 8vo.

Soft cover. 8vo pamphlet. pp 51. Red, white and blue covers. Some black and white illustrations amongst the list of works. Published on occasion of the exhibition at Whitechapel Art Gallery, City Art Gallery Southampton, Museum and Art Gallery Carlisle, D.L.I. Museum and Arts Centre Durham, City Art Gallery Manchester, City Art Gallery Bradford and, Museum and Art Gallery Aberdeen. Very good indeed, only some light marking to covers.

Limp. Condición: Very Good. 50 page booklet.

Softcover. Condición: Good. First Edition. 4to. Book publihed to accompany the major touring exhibition. 55 pp. B/w plates. Just a little occasional foxing. No inscriptions. GOOD+.

Fol. , Broschiert. 148 Pages. A very good copy. Sprache: Englisch Gewicht in Gramm: 1550.

Paperback. Condición: Very Good. First Edition. Wraps. 4to. Illustrated wraps/ paperback. pp 55. Copiously illustrated in black and white throughout. Exhibition catalogue. Very good.

Taschenbuch. Condición: Sehr gut. 111 S. Umschlag an den Rändern minimal berieben/bestossen. Innenteil tadellos - u n g e l e s e n - keine Risse, Knicke, Anmerkungen. ! Altersbedingt leicht nachgedunkelt! KEIN Mängelexemplar! Versand aus München F07138 Sprache: Englisch Gewicht in Gramm: 266.

Paperback. Condición: Very Good. 28 pages, 138 catalogue entries, many of which are illustrated with small b/w reproductions. An important survey of contemporary art in the early 1970s. A Very Good, clean, bright copy. Images can be supplied on request.

SOFTCOVER. Condición: Fine. 1st Edition. 4to in colour printed stiff glossy card covers, 111pp, numerous illustrations in text, etc. PLUS loosely inserted short typed note from Norbert Lynton about changes to the exhibition made after this catalogue went to print . [CONDITION: Covers tanned else FINE, a well preserved clean and tight unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Paperback. Condición: Very Good. First Edition. Wraps. Small 4to. Black and white illustrated wraps / paperback. pp 56. Copiously illustrated in black and white throughout. Very faint browning to white card wraps else very good indeed.

//Introduction: Richard Cork./Textos en inglés./Ilustraciones en color y en b/n.//Buen estado.//30,5x24. 112 págs.//Arte., Catálogos Arte.

Soft cover. Condición: Near Fine. 8vo. (28) pp. Many small b&w photographs of exhibits. Original purple card covers with seven pear-shaped windows cut out of the front cover and replicated off-centre on the first page. Light crease down the middle of the front cover, short tear to one of the pears. Contents thumbed with a few ink annotations to the text. Catalogue for the Art Spectrum London exhibition at Alexandra Palace Great Hall, 11- 30 August 1971. David Hockney, John Lennon, Victor Passmore, Scratch Orchestra, Yoko Ono, Birgit Skiold, Allen Jones, Tony Stubbing, Michael Rothenstein and Barry Martin were among the 100 odd exhibiting artists. It was one of seven exhibitions forming a major nationwide survey of contemporary art in the United Kingdom with a view to staging a large exhibition at the Hayward Gallery, London, in the summer of 1972. Scarce. Book.

Paperback. Condición: Very Good. First Edition. Wraps. Oblong 4to. 255 by 215 mms. pp 28 Rare and invaluable survey of contemporary art in the early 1970s. Loosely inserted 4 typed (roneoed) foolscap pages detailing Art Spectrum events for the August Bank Holiday at Alexandra Palace including the film programme listing films by John and Yoko, Derek Boshier, Bruce Lacey, Conrad Atkinson, Mark Boyle. This insert is very rare indeed. The catalogue has many small b&w photographs of exhibits. Original mauve (lilac?) card covers with seven pear-shaped windows cut out of the front cover and replicated off-centre on the first page. Catalogue for the Art Spectrum London exhibition at Alexandra Palace Great Hall, 11 August-30 August 1971. David Hockney, John Lennon, Gustav Metzger, Victor Passmore, Scratch Orchestra, Yoko Ono, Bruce McLean, John Latham, Birgit Skiold, Allen Jones, Tony Stubbing, Peter Lacoux,Tim Head, William Pye, Carlyle RTeedy, Eddie Wolfram, Liliane Lijn, Gillian Daniell, Ian Breakwell, Ivor Abrahams, Carol Joseph, Kay Hunt, Michael Rothenstein and Barry Martin were among the 100 odd artists showing at the exhibition which was organised by the Greater London Arts Association and the Arts Council of Great Britain. It was one of seven exhibitions forming a major nationwide survey of contemporary art in the United Kingdom with a view to staging a large exhibition at the Hayward Gallery, London, in the summer of 1972. Some of the artists were also involved with books and poetry. Faint fading to thin mauve card, very faint wear covers ow about VG+.