By thomas b hess (16 resultados)

Soft cover. Condición: Near Fine. Book.

Paperback. Condición: Good. First Thus. Shelfwear, rubbing and light creasing to wraps. Size: 4to - over 9¾" - 12" tall. Color and B&W Illustrations By Bill Ward (ilustrador). Book.

First edition, first printing 150 years of rebellion, experiment and audacity. From a scholar's library with periodic marks to pages which may be helpful to the next reader. Close to fine profusely illustrated stiff wraps. In the hands of two knowledgeable authorities.

Hardcover. Condición: Very Good. This book has no rips or stains. The spine is tight and intact. There is no dust jacket. There is some wear at the edges and corners. Placitas Community Library is a small, rural library located in an unincorporated area. All proceeds help pay for the operating expenses of the library.…

Hardcover. Condición: Good. Art news annual XXXII, no marks except penciled price on ffp. Wear and rubbing on corners and spine ends.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. 224pp., xii. Stated: "First published 1993", with no other printings or editions cited. Index, pp. 218-224. In 4 Parts: 1. Cutting across race and gender; 2. Issues of race in the midst of reform; 3. Is there a new politics of gender?; 4. Summary, reaction and critique. Black boards with brilliant gilt-stamped lettering on spine. 13pp of 224pp have short vertical red ink lines in the margins: these are found in only three essays (of 10pp, 10pp and11pp) and on only 3pp of 13 are short horizontal lines in the text, one page having 3 blue ink curls around references cited at end of essay: the artifact is essentially in Like New condition, except for the ink marks: tight binding, very sharp corners (NO bumps), NO rubbing wear. Glossy white dustwrapper illustrated with dark pink and olive abstract geometrical design at center front cover, below title and editor name lettering in black and dark rose, respectively; medium pink and dark pink vertical strips down right front cover edge; 1/4" tear at lower right corner (now backed with archival tape), with associated minor creases to bottom front cover edge, evidently resulting from bump to lower dw edge (rear cover lower edge is As New); very slight horizontal curling to top dw edges, due to dw riding too high on book; sliver of horizontal triangular stain at very bottom of dustwrapper, with NO corresponding impact on very base of spine. No previous owner names.…

Paperback. Condición: Good. 1st. 158 pages, illustrations (some colour); 29 cm. Published in conjunction with a retrospective exhibition held from October 21, 1971 to January 10, 1972 at the Museum of Modern Art, New York. Good+. Firm binding, clean inside copy. Moderate shelfwear to wraps, with rubbing & wear to extremities. Age toning. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** A major retrospective of the New York Abstract Expressionist painter and sculptor Barnett Newman (1905-1970), known for his minimalist "zip" paintings expressive of his metaphysical, as well as formal, concerns. *** CONTENTS: Introduction; Not there - here; L'errance; Onement; The Stations of the Cross; Be; Bibliography. Size: 4to.…

First 4to, stiff wrappers, 158 pp, 175 illustrations (12 in color), bibliography. Exhibition Oct. 21, 1971 - Jan. 10, 1972. Freitag 7032; Karpel J750. 0870705006 Very good.

Softcover. Condición: New. First Edition. 8vo 8" - 9" tall; 247 pages.

Trade Paperback. Condición: Very Good. 257 pp. Solidly bound copy with minimal external wear, crisp pages and clean text. Light foxing on cover page edges. Louvre Musem (Cover Painting) (ilustrador).

Trade Paperback. Condición: Very Good. 1st Collier Books Edition/2nd Printing. 150 pp. Solidly bound copy with moderate external wear, crisp pages and clean text.

Soft cover. Condición: Fine. 1st Edition. A fine square and tight softcover copy.Signed and Dated by Cleve Gray at the Exhibition of his work - Albright Knox Art Gallery.A very nice copy.All books shipped with delivery confirmation.We have been selling Used Books for over 27 years.

1968. (4to paperback) Very good. 170pp. Black & white and color illustrations, bibliography, index. The spine is lightly faded and slightly cocked and worn. Arranged by Willem De Kooning. (Art, Exhibition Catalog--Museum of Modern Art).

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First Edition. A near fine copy of the presumed first hard cover edition (no explicit edition or printing statement) in a like (not clipped) dust-jacket. The text is wholly unmarked, pristine, and the binding and jacket are bright and fresh in appearance, with jacket in mylar protected. Very slight bumps to bottom corners of the boards. Publisher's ISBN label to bottom-left corner of the rear jacket panel. A brilliant copy of this sumptuous book. [Please note: Due to the size and weight of the volume extra shipping may be required depending on the destination and speed of delivery requested. International buyers may especially wish to inquire before ordering. Quotations gladly provided.]. Alex Katz (ilustrador).…

Softcover. Condición: Fine. First edition by this publisher. Fine in pictorial wrappers. Inscribed by Ashbery.

Soft cover. Condición: Very Good. 1st Edition. Small Quarto (9 1/2 x 8 1/2 inches. 240 x 215 mm), 98 [2] pages, in heavy illustrated wrappers. SIGNED by artist Larry Rivers on the upper wrapper, the first issue of this art and literary magazine that was devoted to Abstract Expressionism and New York School poetry. Rivers (1923-2002) contributed the cover art, designed the magazine, and wrote an article about collaborating with poets Frank O'Hara and Kenneth Koch. Other contributors include Koch, David Levy, Robert Rauschenberg, Kenneth Burke, Saul Steinberg, Marshall McLuhan, Willem de Kooning, Saul Bellow, and Peter Yates, among others. SCARCE SIGNED. CONDITION: Some flaking to the top of the spine, soiling to the wrappers, and slight toning to the page edges and verso of upper wrapper. A Very Good copy. Signed by Author(s).…