bruyninckx (250 resultados)

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condición: Very Good. The European Union and Multilateral Governance: Assessing EU Participation in United Nations Human Rights and Environmental Fora (Palgrave Studies in European Union Politics) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Condición: New. Bruyninckx, Larry Ilustrador.

Condición: New. Bruyninckx, Larry Ilustrador.

Condición: As New. Bruyninckx, Larry Ilustrador. Unread book in perfect condition.

Decorated Boards. Condición: Very Good-. Estado de la sobrecubierta: No Dust Jacket. No Edition Stated. rubbing to edges and corners w/small tears, tiny cut to spine midway down, couple light soil marks to covers.

hardcover. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condición: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.

hardcover. Condición: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Softcover. Condición: Near Fine. Estado de la sobrecubierta: No Dust Jacket. 1st edition. c1989. Vol. 2. Ba-Ca. Near Fine. Quantity Available: 1. Category: Music; Jazz; Pictures of this item not already displayed here available upon request. Inventory No: 2508.

Hardcover. Condición: Very Good. hardback in very good+ condition.

Soft cover. Condición: Very Good. First Edition. Minor signs of handling. Undated but ca 1980`s.

Soft cover. Condición: Very Good. First Edition. Minor signs of handling. Undated but ca 1980`s.

Soft cover. Condición: Very Good. First Edition. Minor signs of handling. Undated but ca 1980`s.

Soft cover. Condición: Very Good. First Edition. Minor signs of handling. Undated but ca 1980`s.

Hardcover. Condición: New. Scientific observation and representation tend to be seen as exclusively visual affairs. But scientists have often drawn on sensory experiences other than the visual. Since the end of the nineteenth century, biologists have used a variety of techniques to register wildlife sounds. In this book, Joeri Bruyninckx describes the evolution of sound recording into a scientific technique for studying the songs and calls of wild birds and asks, what it means to listen to animal voices as a scientist. The practice of recording birdsong took shape at the intersection of popular entertainment and field ornithology, turning recordings into objects of investigation and popular fascination. Shaped by the technologies and interests of amateur naturalism and music teaching, radio broadcasting and gramophone production, hobby electronics and communication engineering, birdsong recordings traveled back and forth between scientific and popular domains, to appear on gramophone recordings, radio broadcasts, and movie soundtracks. Bruyninckx follows four technologies - the musical score, the electric microphone, the portable magnetic tape recorder, and the sound spectrograph - through a cultural history of field recording and scientific listening. He chronicles a period when verbal descriptions, musical notations, and onomatopoeic syllables represented birdsong and shaped a community of listeners; later electric recordings struggled with notions of fidelity, realism, objectivity, and authenticity; scientists, early citizen scientists, and the recording industry negotiated recording exchange; and trained listeners complemented the visual authority of spectrographic laboratory analyses. This book reveals a scientific process fraught with conversions, between field and laboratory, sound and image, science and its various audiences.

Kl.-8°, Taschenbuch der Zeit. Condición: Gut. 406 S., Einband etwas berieben. Innen sauber und gut erhalten. Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 500.

Condición: New. Bruyninckx, Larry Ilustrador.

Soft cover. Condición: Very Good. No Jacket. 1st Edition. Decorative green soft cover in very good condition. A comprehensive discography of New orleans Dixieland and Chicago styles of Jazz together with the origins. A very useful publication for anyone who is into traditional Jazz.

Soft cover. Condición: Near Fine. No Jacket. Green soft cover very slight creasing at the top and bottom of the spine otherwise in excellent condition both inside and out. This is a comprehensive discography of traditional Jazz including it's origins New Orleans dixieland and Chicago Styles.

Condición: As New. Bruyninckx, Larry Ilustrador. Unread book in perfect condition.

Hardcover. Condición: New. Scientific observation and representation tend to be seen as exclusively visual affairs. But scientists have often drawn on sensory experiences other than the visual. Since the end of the nineteenth century, biologists have used a variety of techniques to register wildlife sounds. In this book, Joeri Bruyninckx describes the evolution of sound recording into a scientific technique for studying the songs and calls of wild birds and asks, what it means to listen to animal voices as a scientist. <p>The practice of recording birdsong took shape at the intersection of popular entertainment and field ornithology, turning recordings into objects of investigation and popular fascination. Shaped by the technologies and interests of amateur naturalism and music teaching, radio broadcasting and gramophone production, hobby electronics and communication engineering, birdsong recordings traveled back and forth between scientific and popular domains, to appear on gramophone recordings, radio broadcasts, and movie soundtracks. <p>Bruyninckx follows four technologies - the musical score, the electric microphone, the portable magnetic tape recorder, and the sound spectrograph - through a cultural history of field recording and scientific listening. He chronicles a period when verbal descriptions, musical notations, and onomatopoeic syllables represented birdsong and shaped a community of listeners; later electric recordings struggled with notions of fidelity, realism, objectivity, and authenticity; scientists, early citizen scientists, and the recording industry negotiated recording exchange; and trained listeners complemented the visual authority of spectrographic laboratory analyses. This book reveals a scientific process fraught with conversions, between field and laboratory, sound and image, science and its various audiences.

Condición: New.

8Vo Softcover. Condición: Good. 405pp. Text is clean on unmarked, uncreased pages. Hinges are secure, textblock is square with pointed corners. Minimal overall shelf/timewear, coverwear, cover edge and cornerwear.

Condición: New. pp. 296 Index.

Condición: New. pp. 296 5 Figures.

Soft Cover. First Edition. Very good in green wraps. Pages 1620 - 2026 of this 6 volume discography (this is volume 5 only).

Condición: New.

Soft cover. Condición: Very Good. First Edition. 406pp. Minor signs of handling. Undated but ca 1980`s.

Condición: Used - Good. Good paperback. Volume 2 only, D-H. Bright internally. Covers and spine creased.