bruce adamson (31 resultados)

Condición: Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: As New. Like New condition. Very Good dust jacket. A near perfect copy that may have very minor cosmetic defects.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condición: Very Good. Bright, clean pages. Binding is tight. Cover is yellowed with age. Some wear at edges. ; 11.40 X 8.20 X 0.80 inches; 247 pages.

paperback. Condición: Acceptable. Book shows sizeable shelf & handling wear, including edge wear & scuffing on the cover. Spine is cracked & creasing, binding is intact but split near the center. Pages are worn & slightly tanning. Interiors remain intact with unmarked text/pictures. An acceptable reading copy.

Paperback. Condición: Good. Profusely Illustrated Ilustrador. some shelfwear but still NICE! Oversized.

Softcover, 248 pages; very good minus condition: creases to spine; pen underlingings on first couple pages.

Soft cover. Condición: Very Good. Hill / Adamson Ilustrador. 1st Edition. 1st. Edition 1974 , Illustrated soft cover , 247 page book with black & white photo illustrations by David Octavius Hill and Robert Adamson . Condition : Very Good with remainder stamp on bottom edge . Size: 4to - over 9¾ - 12" tall. Book.

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

hardcover. Condición: Like New. First Edition. Publisher: Allworth Press, New York, 2004. FINE hardcover book in FINE mylar-protected dust-jacket. First Edition, First Printing. As new. Pristine.

167pp, (5.5 x 8.5 inches), b&w illustrations, bibliography, index. Very Good in wrappers (soft cover). Corners rubbed, does not lie quite flat. Otherwise crisp and tight, no tears or creases, no markings. No spine creasing.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paper Back. Condición: Very Good. 4to prefect bound, clear plastic cover.

Cloth. Condición: Very Good ++. Estado de la sobrecubierta: Very Good. First Edition. PRICE NOT CLIPPED. Light tape marks to end papers.

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

125pp. 8vo. Original boards in dustwrapper. . First edition.

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Condición: New. Satisfaction Guaranteed or your money back.

Hardcover. Condición: Fair. Estado de la sobrecubierta: Fair. 1st Edition. Dust jacket is a chipped and edgeworn with the spine being a little yellowed. There is yellowing, a stamp and a bit of scuffing (looks like tape or sticker removed) from the endpaper.There is a little damp spotting to the title page and endpapers.

Hardcover/Hardback. Condición: Very Good. Estado de la sobrecubierta: Good. First Edition. Documentary novel about prison life, followed by Robert Adamson's prison poems. Very good in good dustwrapper worn along edges. book.

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Secure Bind Clip. Condición: Near Fine+. A privately printed 49 page booklet by Adamson dealing with the aftermath of the US H-bomb accident in Palomares, Spain. Volume in NF+ condition with slight creasing to top and bottom of pictoral cover page.

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title!