brown trisha (97 resultados)

paperback. Condición: Very Good. Crease on cover*.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condición: New. Volume 1.

Paperback. Condición: Very Good. Write on the Coast This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Condición: New.

Paperback. Condición: Good. first edition,1p; 987654321pt line. GOOD CONDITION. SOLID, BRIGHT BUT some lines of text hilited in red. ; DARK BLUE TITLES WITH RED ENERGY LINES, SHOWING WOMAN DANCER IN CRANE? MOVEMENT.COVER PHOTO.WHITE ROOM BACKGROUND ; Photos, drawings,line art; 161 pages; In concrete terms it explains how you can create your own dance expressions.

Condición: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Paperback. Condición: Brand New. 38 pages. 9.00x6.00x0.10 inches. In Stock.

Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condición: Very good. New York: Performing Arts Journal, Inc., 1976., 1976. Very good. - Octavo, 8-3/8 inches high by 5-1/4 inches wide. Softcover bound in printed yellow wraps. The spine is very slightly darkened. 130 pages plus ads, with black & white illustrations. There is a chip to the head of the spine. Very good. Among the contents of this issue are Michael McClure's play "The Masked Chair", an interview with Edward Bond, a dialogue on dance between Trisha Brown and Douglas Dunn; Bonnie Marranca on Peter Handke's "Sprechstucke" and articles by Eugene Ionesco, Richard Foreman and Polish playwright Tadeusz Rozewicz.

Condición: New. In.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Edition in Italian. Oblong. 117 pages. Printed boards. FIRST EDITION of the Italian language edition. A fine, unread copy.

[2] pp.; 10.4 x14.7 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Postcard featuring a color photograph of Trisha Brown's "Roof Piece" performance on New York City rooftops in 1973. Very Good / Fine. Unmailed postcards with faint yellowing from age along verso edges, otherwise clean and unmarked.

Paperback. Condición: Brand New. 2nd edition. 324 pages. 8.43x5.85x0.73 inches. In Stock.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. In the mid-1980s, Robert Rauschenberg's creative attentions turned toward the visual and plastic properties of junk metal when he began to assemble found metal objects and screenprint his photographic images onto aluminum, bronze, brass and copper. His first body of work in this vein was Gluts, a series begun in 1986 and continued intermittently until 1995, in which ornate metalwork seemingly derived from a bedpost might attach to a slice of mesh wire, or twisted petals of yellow metal might sprout from the remains of an eviscerated toaster. Asked to comment on his novel use of the word "gluts," Rauschenberg said, "It's a time of glut. Greed is rampant. I simply want to present people with their ruins. I think of the Gluts as souvenirs without nostalgia." Published to accompany the Peggy Guggenheim Collection's exhibition Robert Rauschenberg: Gluts (the first show to focus on Rauschenberg's sculpture since 1995), this fully illustrated catalogue features a selection of approximately 40 sculptures drawn from the holdings of institutions and private collections in the United States and abroad. It includes a reassessment of Rauschenberg's work as a sculptor by author and painter Mimi Thompson, an essay by Trisha Brown, an illustrated exhibition history, a preface by Philip Rylands and introduction by Susan Davidson that focuses on Rauschenberg's relationship to the Guggenheim and the artist's engagement with Venice in particular.

Paperback. Condición: New. In the mid-1980s, Robert Rauschenberg's creative attentions turned toward the visual and plastic properties of junk metal when he began to assemble found metal objects and screenprint his photographic images onto aluminum, bronze, brass and copper. His first body of work in this vein was Gluts, a series begun in 1986 and continued intermittently until 1995, in which ornate metalwork seemingly derived from a bedpost might attach to a slice of mesh wire, or twisted petals of yellow metal might sprout from the remains of an eviscerated toaster. Asked to comment on his novel use of the word "gluts," Rauschenberg said, "It's a time of glut. Greed is rampant. I simply want to present people with their ruins. I think of the Gluts as souvenirs without nostalgia." Published to accompany the Peggy Guggenheim Collection's exhibition Robert Rauschenberg: Gluts (the first show to focus on Rauschenberg's sculpture since 1995), this fully illustrated catalogue features a selection of approximately 40 sculptures drawn from the holdings of institutions and private collections in the United States and abroad. It includes a reassessment of Rauschenberg's work as a sculptor by author and painter Mimi Thompson, an essay by Trisha Brown, an illustrated exhibition history, a preface by Philip Rylands and introduction by Susan Davidson that focuses on Rauschenberg's relationship to the Guggenheim and the artist's engagement with Venice in particular.

Condición: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDExposition du 20 juillet au 27 septembre 1998, musees de Marseille. 16pp. illus in color.

Magazine. The April 10, 2005, issue of The New York Times Magazine with: a feature article on Trisha Brown photographed by Mario Sorrenti; how technology is about to radically change TV-audience monitoring; stem-cells and animals with human organs; Harry Blackmun and Roe v. Wade's original intent; what John Paul II embodied; and more. Staple-bound magazine; 70 pages; color and b&w reproductions throughout; 11.5 x 9.5 inches. Condition: Fine with a hint of handling wear. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Condición: Fine. Leichte Risse. Gabriel Álvarez hat ständig blaue Flecken und wird nicht aufs College gehen, obwohl er eine Aufnahmeprüfung an einer Musikhochschule bestanden hat. Ein Schicksalsschlag stoppt seine Träume, doch die Influencerin Joy Evans bringt sein Leben wieder in Bewegung, während sie selbst gegen persönliche Herausforderungen kämpft. Gabriel will ihr helfen, steht jedoch vor einer entscheidenden Wahl.

Condición: as new. Wie neu/Like new.

Softcover. Condición: As New. Leichte Abnutzungen. Gabriel Álvarez hat ständig blaue Flecken und wird nicht aufs College gehen, obwohl er eine Aufnahmeprüfung an einer Musikhochschule bestanden hat. Ein Schicksalsschlag stoppt seine Träume, doch die Influencerin Joy Evans bringt sein Leben wieder in Bewegung, während sie selbst gegen persönliche Herausforderungen kämpft. Gabriel will ihr helfen, steht jedoch vor einer entscheidenden Wahl.