Brooks mark steven (18 resultados)

Condición: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condición: New.

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good+. Very good condition, both book and dust jacket.; Conflicting Worlds: New Dimensions Of The American Civil War; 152.4 X 0.9 X 9 inches; 312 pages.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 312 pages. 9.00x6.00x0.70 inches. In Stock.

Condición: New. Offers eight case studies that illuminate the critical roles the Union corps commanders played in shaping the US Civil War s course and outcome. The contributors examine widespread assumptions about these men while considering the array of internal and exte.

Condición: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 2023 OUP hardcover edition. Light reading wear else very good condition. Contents: Introduction. Writing and Rioting: Literature in Times of Crisis - Jumana Bayeh, Helen Groth, and Julian Murphet 1. Tumultum Populi: Riots, Noise, and Speech Acts in Georgian England - Ian Haywood 2. I Would They Were Barbarians: Shakespeare, Brecht, and the Global Riot - Mark Steven 3. Bloody Sundays: Radical Rewriting and the Trafalgar Riot of 1887 - Helen Groth 4. Rhodes Must Fall, Ulysses, and the Politics of Teaching Modernism - Coilin Parsons 5. Buzz, Mob, Crowd, Life: Writing the Riot in Mulk Raj Anand's Untouchable and Virginia Woolf's Mrs Dalloway - J. Daniel Elam 6. Riotous Nations: Time and the Short Story of Partition - Rashmi Varma 7. A Sketch of the Mob -Joseph North 8. Phantom Justice and Orwellian Violence: Writing against Erasure in a Turbulent Hong Kong - Janny H. C. Leung 9. The Crowd in This Moment: Troubling the Immanence of Riots in Contemporary US Literature - Julian Murphet 10. 'If I write a Love poem it's against the police': The Abolitionist Poetics of the Riot - Andrew Brooks and Astrid Lorange 11. Mobilizing the History of Protest and Dissent in Post-2011 Moroccan Novels - Karima Laachir 12. From 'Jihadi City' to 'Bride of the Revolution': The Protest Rhythms of Tripoli - Caroline Rooney 13. Taming 'the Square': Documenting the Rioting Subject in Basma Abdel Aziz's The Queue - Rita Sakr 14. Mediating the Arab Spring's Riots: Reclaiming Egypt's Lost Archive - Jumana Bayeh. …

Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. Essays "Q & A: David Colman on Hard-Core Culture," by David Colman; "Gadget Love: R. U. Sirius on the Information State," by R. U. Sirius; "Hot List: Mark Van de Walle on Web Sights," by Mark Van de Walle; "Books: Simon Reynolds on Joe Carducci's 'Rock and the Pop Narcotic,'" by Simon Reynolds; "Museum Piece: jeff Weinstein on the American Visionary Art Museum," by Jeff Weinstein; "Real Life Rock: Richard Flood's Top Ten," by Richard Flood; "Where Are We Going? And What Are We Doing?: Rirkrit Tiravanija's Art of Living," by Bruce Hainley; "Walter Hopps Hopps Hopps," Hans-Ulrich Obrist talks with Walter Hopps; "Hundertwasser: Night Train," by William T. Vollmann; "The Big Picture," David Carrier talks with Ernst Gombrich; "Olivier Zahm's Flash Track," Designer: Véronique Leroy, Photographers: Inex van Lamsweerde and Vinoodh Matadin; "Eden Rocks: The Art of Alexis Rockman," by Katherine Dunn: "Openings: Ellen Gallagher," by Mark Van de Walle. Reviews by James Meyer, Alexander Alberro, Donald Kuspit, Kristin M. Jones, David Frankel, Nicolai Ouroussoff, Barry Schwabsky, Faye Hirsch, Joshua Decter, David Levi Strauss, Ingrid Schaffner, Tom Moody, Justin Spring, Jenifer P. Borum, Steven Drukman, James Yood, Maria Porges, Rosetta Brooks, Menene Gras Balaguer, Marco Meneguzzo, Olivier Zahm, Hans Rudolf Reust, Yilmaz Dziewior, Harald Fricke, Jeff Crane, Frank-Alexander Hettig, Daniel Birnbaum, and James Hall. Cover: Ed Kienholz. …

Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. Essays "Q & A: David Colman on the Radical Face of Fashion, " by David Colman; "Books: Linda Nochlin on Simon Schama's 'Landscape and Memory,'" by Linda Nochlin; "Press: Homi Bhabha on the New Black Intellectual," by Homi Bhabha; "Weather Report: Andrew Ross on the Highland Vogue," by Andrew Ross; "Film: Mark Van de Walle on Abel Ferrara's 'The Addiction,'" by Mark Van de Walle; "Real Life: R. U. Sirius' Top Ten," by R. U. Sirius; "Preview: The Tate at Bankside, Richard Flood talks with Nicholas Serota; "Brook adams on New Art from London," by Brooks Adams; "Letter from London," by Richard Shone; "Letter from London: Martin Maloney on the Class of '95," by Martin Maloney; "Jon Savage on the Britpop Scene," by Jon Savage; "Perfectly Awful," by Hilton Als and Andre Walker; "Gianni Versace: 'Evening Ensemble," by Richard Martin; "Langfroid: A Project for Artforum," by Helmut Lang, photographs by Juergen Teller, Introduction by Olivier Zahm; "Critical Reflections," by Richard Shiff with and introduction by David Carrier; "Plastic Made Perfect: Measuring Mondrian," by Robert Rosenblum, Mel Bochner, Robert Mangold, Benjamin H. D. Buchloh, Lydia Dona, David Sylvester, and Jonathan Laser; "Openings: Toba Khedoori," by Neville Wakefield. Reviews by Olivier Zahm, John Ash, Bruce Hainley, Anthony Iannacci, Barry Schwabsky, Donald Kuspit, Keith Seward, Thad Ziolkowski, Joshua Decter, Jenifer P. Borum, Ingrid Schaffner, Faye Hirsch, Steven Drukman, Nico Israel, Eileen Neff, Judith Russi Kirshner, Joan Seeman Robinson, Lane Relyea, Amy Gerstler, John K. Grande, Juan Vicente Aliaga, Giorgio Verzotti, Hans Rudolf Reust, Christian Kravagna, Justin Hoffmann, Noemi Smolik, Harald Fricke, Bojana Pejic, Thomas McEvilley, and Daniel Birnbaum. Cover: Piet Mondrian.…

Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. Essays "Q & A: David Colman on Hard-Core Culture," by David Colman; "Gadget Love: R. U. Sirius on the Information State," by R. U. Sirius; "Hot List: Mark Van de Walle on Web Sights," by Mark Van de Walle; "Books: Simon Reynolds on Joe Carducci's 'Rock and the Pop Narcotic,'" by Simon Reynolds; "Museum Piece: jeff Weinstein on the American Visionary Art Museum," by Jeff Weinstein; "Real Life Rock: Richard Flood's Top Ten," by Richard Flood; "Where Are We Going? And What Are We Doing?: Rirkrit Tiravanija's Art of Living," by Bruce Hainley; "Walter Hopps Hopps Hopps," Hans-Ulrich Obrist talks with Walter Hopps; "Hundertwasser: Night Train," by William T. Vollmann; "The Big Picture," David Carrier talks with Ernst Gombrich; "Olivier Zahm's Flash Track," Designer: Véronique Leroy, Photographers: Inex van Lamsweerde and Vinoodh Matadin; "Eden Rocks: The Art of Alexis Rockman," by Katherine Dunn: "Openings: Ellen Gallagher," by Mark Van de Walle. Reviews by James Meyer, Alexander Alberro, Donald Kuspit, Kristin M. Jones, David Frankel, Nicolai Ouroussoff, Barry Schwabsky, Faye Hirsch, Joshua Decter, David Levi Strauss, Ingrid Schaffner, Tom Moody, Justin Spring, Jenifer P. Borum, Steven Drukman, James Yood, Maria Porges, Rosetta Brooks, Menene Gras Balaguer, Marco Meneguzzo, Olivier Zahm, Hans Rudolf Reust, Yilmaz Dziewior, Harald Fricke, Jeff Crane, Frank-Alexander Hettig, Daniel Birnbaum, and James Hall. Cover: Ed Kienholz. …

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''''alternative'''' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."--from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked. …

Paperback. Condición: Brand New. 312 pages. 9.00x6.00x0.70 inches. In Stock. This item is printed on demand.

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