Boris i marshak (21 resultados)

hardcover. Condición: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Olive-brown cloth, lettered in gold foil. As new/as issued. Color pictorial dust jacket shows minor surface rubbing, slight scratch to upper front panel, now in mylar. 1st ed. xxiv,392 pp., illus. Size: Folio - over 12" - 15" tall. Book. …

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 392pp. 12.5 by 9.50. Numerous color plates. Photos sent on request. Size: 4to - over 9¾" - 12" tall.

Hardback. Condición: Very Good+. Estado de la sobrecubierta: Very Good. 9.25 X 1.25 X 12.5 inches; 416 pages.

Hardcover. Condición: New. BRAND NEW. Still Sealed in Publishers Shrinkwrap.

Hardcover. First Edition; First Printing. Book condition is Very Good+; with a Very Good+ dust jacket. Text is clean and unmarked, illustrated throughout. ; 4to 11" - 13" tall; 416 pages.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. 349pp. 49colour plates and b&w illustrations.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Encuadernación de tapa blanda. Condición: Bien. The Metropolitan Museum of Art, New York, 2004. Texto en inglés. Arte. China. Profusamente ilustrado. XXIV + 392 pp. 30 x 23. Tapa blanda de editorial ilustrada. Sin subrayados ni anotaciones. Buen estado de conservación. ISBN: 0300104871.

Hardcover. Condición: Good. Dust Jacket Included. 1st Edition. English text.; Hardcover (with dust jacket).; 24 x 31.5 cm.; 2.3 kg.; 416 pages with 514 illustrations, of which 479 are in colour plus 8 maps.; Used with signs of wear on the exterior and interior. The dust jacket shows edge wear, scuffs and scratches on the front cover, spine and back cover and a small tear at the top of the spine. Minor signs of wear on the interior.; Catalogue from the exhibition "China: Dawn of a Golden Age, 200-750 AD," held at The Metropolitan Museum of Art, New York, October 12, 2004-January 23, 2005.; The Han (221 B.C.-A.D. 206) and Tang (618-907) dynasties mark the two great eras of early imperial China. From the fall of the Han at the turn of the third century to reunification under the Sui in the seventh, the country experienced devastation from war and social upheaval. It was also, however, a period of creativity and cultural change. The political fragmentation that occurred between the dynasties and the massive migration of nomadic peoples into China resulted in contact with every part of Asia and the introduction of foreign ideas, religions, and art forms and motifs. An important aspect of the cultural exchange that took place at this time was the spread of Buddhism in China. By the Tang dynasty, thousands of foreigners were traveling to the capital, Chang'an, which flourished as a great cosmopolitan center of world commerce and culture. The integration of foreign motifs and styles with the traditional arts of China is the focus of this catalogue and the landmark exhibition that it accompanies, "China: Dawn of a Golden Age, 200-750 AD," held at The Metropolitan Museum of Art. The exhibition com- prises some three hundred objects, most of them excavated in recent years and many never before seen out- side China. Each work is discussed in terms of its aesthetic qualities and art-historical significance and in the context of the philosophical and religious ideas that are reflected in iconography and style. In an introductory essay, James C. Y. Watt, Brooke Russell Astor Chairman, Department of Asian Art, at The Metropolitan Museum of Art, discusses the art and history of the entire period. Essays by both Chinese and Western scholars explore important aspects of metalwork, glass, and textiles, as well as the development of Buddhist art in China. …

Soft cover. Condición: Good. No Jacket. English text; Paperback.; 22.7 x 30.1 cm; 2.056 Kg; 352 pages with colour and black and white illustrations throughout; Catalogue from exhibition organised by the Asia Socity Center and held at Asia Society Museum, New York, October 13, 2001-January 6, 2002 and Norton Museum of Art, Palm Beach, Florida, February 9-April 21, 2002.; Used with signs of wear on the exterior. Interior as new.; The Northwest region of China comprising the modern provinces of Gansu and Ningxia formed a natural geographical corridor to China's heartland for foreign traders and missionaries traveling the Silk Road from regions as far west as India, Rome, and Byzantium. Monks and Merchants is the first book to focus on this region and the crucial role it played in the transformation of Chinese civilization from the fourth through the seventh century.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Describes itself as The Commemorative Edition, 2002. profusely illustrated with colour illustrations throughout. Very good copy. The dustwrapper is slightly frayed and rubbed at the top and the bottom of the spine and is generally very slightly rubbed. Generally a very good copy. Profusely illustrated with colour illustrations throughout. (ilustrador).…

Hardcover. Condición: Very Good. Dust Jacket Included. 1st Edition. English text.; Hardcover (with dust jacket).; 32.6 x 26 cm.; 2.4 kg., 350 pages colour illustrations.; Used with minor signs of wear on the exterior and interior. The dust jacket shows minor edge wear, scuffs and scratches. Interior with minor signs of wear.; This magnificent book is the first survey of the figural arts of the Iranian world from prehistoric times to the early twentieth century ever to consider themes, rather than styles. Analyzing primarily painting - in manuscripts and albums, on walls and on lacquered, painted pen boxes and caskets - but also the related arts of sculpture, ceramics, and metalwork, the author finds that the underlying themes depicted on them through the ages are remarkably consistent. Eleanor Sims demonstrates that all these arts display similar concerns: kingship and legitimacy; the righteous exercise of princely power and the defense of national territory; and the performance of rituals and the religious duties called for by the paramount cult of the day. She describes a variety of superb works of art inside and outside these categories, noting not only how they illustrate archetypal themes but also what it is about them that is unique. She also discusses the ways that Iranian art both influenced and was influenced by invaders and neighboring lands. Boris I. Marshak discusses pre-Islamic and also Central Asian art, in particular the earliest Iranian wall paintings and their pictorial parallels in rock carvings and metalwork, and the richly painted temples and houses of Panjikent. Ernst J. Grube considers religious imagery, and provides an informative bibliography.…

Paperback. Condición: Brand New. 416 pages. 9.90x7.20x1.10 inches. In Stock.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. xi, 187 pages : illustrations ; 29 cm. Abstract:"In this survey of more than forty illustrative murals excavated over the last 54 years in Panjikent, a 5th-8th century C.E. town in the Zerafshan Valley in Tajikistan, Boris Marshak discusses the rich repertory of legends, tales and myths of the Sogdians that have come to light and recreates the secular literature of Soghdia, one of the most important regions along the Silk Road. Prior to the Panjikent excavations only small fragments of Soghdian secular literature had been discovered in Soghdian colonies in Turfan and Dunhuang. Prof. Boris Marshak has been participating in this famous archaeological expedition since 1954; and has served as its leader since 1976. Soghdian merchants were the masters of the Silk Road and, therefore, their art and literature included many motifs of Greek, Persian and Indian origin. In Soghdia among the pictorial narrative cycles there were at least three epics: a local version of the Indian Mahabharata, the well-known Roman story of Romulus and Remus, and the Iranian legends of Rustam. The excavation teams have found on the walls of the houses of Panjikent dozens of pictorial representations of parables, fables, fairy tales and anecdotes. In several compositions the author has recognized scenes from Aesop's Fables, the Panchatantra and the Sindbad-nameh. He has compared these subjects with those of the fragmentary Soghdian texts. Marshak's book is an important one for anyone interested in the history of the Soghdia, in Iranian studies in general, in comparative studies in folklore and literature, in studies on the problem of narration in the visual arts, and the history of cultural exchange along the Silk Road." -- Provided by publisher.…

Softcover. Condición: gut. Auflage: 1., (1. April 2006). This publication contains new perspectives on textile art of the early Middle Ages from Sogdia and the Tarim basin, Tibet and Central China. It is completed by reports about stirring findings in China, some of which are here presented to the public for the first time The contributions to the colloquium of the year 1999 focus on the art history of Central Asia. Various avenues of research bring about new perspectives on textile art of the early Middle Ages from Sogdia and the Tarim-basin, Tibel and Central China. Reihe/Serie Riggisberger Berichte ; 9 Mitarbeit: Susanne B Hohmann Sprache englisch; deutsch Maße 230 x 310 mm Einbandart Englisch Broschur Kunst Musik Theater Kunstgeschichte Kunststile Archäologie Künstler Kunsthistoriker Textiles Textilien ISBN-10 3-905014-19-X 390501419X ISBN-13 978-3-905014-19-8 9783905014198 Textile fabrics, Medieval -- Asia, Central -- Congresses. Textile design -- Asia, Central -- Congresses. Textile design. Textile fabrics, Medieval. Asia, Central. Textielkunst. Kunstmusea. Abegg-Stiftung Bern. Textilien Textilkunst Asien Zentralasien Textilien -- Zentralasien -- Geschichte 100-900 -- Kongress -- Riggisberg <1999 In englischer Sprache. 316 pages.…

Hardcover. Condición: New. 520-Simse; Sims, Eleanor; Grube, Ernst J.; Marshak, Boris, I.; Marshak, B. I. Peerless Images: Persian Painting and Its Sources PAINTING ART.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First edition. Quarto. 352pp. Heavily illustrated from photographs. Fine in a fine dust jacket. "*Monks and Merchants* is the first book to focus on this region and the crucial role it played in the transformation of Chinese civilization from the fourth through the seventh century" (from the rear panel).…

4to., pp.xiii,349, black hardcover, gilt, colour-illustrated throughout; bumping to lower edge of rear board, otherwise fresh and fine, in very good unclipped dust-jacket, again with bumping to rear lower edge.

Hardcover. Condición: New. 520-Simse; Sims, Eleanor; Grube, Ernst J.; Marshak, Boris, I.; Marshak, B. I. Peerless Images: Persian Painting and Its Sources PAINTING ART.

Hossein Amirsadeghi, 2002. In-4, 349-(1) pp., reliure éditeur, jaquette illustrée. Texte en anglais. Entièrement illustré en couleurs. Bel exemplaire. * Voir photographie(s) / See picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve. …