Block marina (13 resultados)

Condición: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Condición: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Soft cover. Condición: Very Good. 1st Edition.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: very_good. This book is in Very good condition. There may be a few flaws like shelf wear and some light wear.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Softcover. Condición: Bon. Tome 2. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Volume 2. Ammareal gives back up to 15% of this item's net price to charity organizations.

Brossura. Condición: new. Napoli, 2024; br., pp. 148, cm 15x21. Libro.

Cloth. Condición: Fine Condition. Estado de la sobrecubierta: Fine Condition. 238 pages 108 illustrations 105 in color. Published on the occasion of the exhibition from the Cultural Centre, Brussels February 19-May 18, 2014 and the Inidanapolis Museum of Art, Indianapolis IN June 15-September 7, 2014. Artist Biographies. Selected Bibliography. …

Wrappers. Condición: Fine Condition. 432 pages and lavishly illustrated in full color, including numerous close-up detail images of portions of paintings. Texts are in French. Softcover catalogue, bound in stiff pictorially printed paper French fold covers. Binding is tight and sharp, with an uncreased spine and clean interior. Very minimal scuffing to covers. Excellent chronology, artists biographies, and index.…

92 pp.; 27.9 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; 1984 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Laurie Anderson Goes for the Throat," by Mark Dery; "The Why and How of Collaboration," by Susan Block; "Pat Oleszko," by Carl Heyward; "The Evolution of Obsession," by Margot Mifflin, Yayoi Kusama Interviewed on Her Psychosomatic Art; "Linda Burnham Reports;" "Performance in the '80s: The TV Generation: Lin Hixson, Molly Cleator, Tim Miller" by Jacki Apple; "Glamour as Environmental Art," by Moe Meyer; "Michael Kelley," by Kathi Norklun; "From a Whisper to a Shout: Suzanne Lacy Talks About a Network for Women's Voices," by Margot Mifflin; "The Catalist Olympics," by Lewis MacAdams; "In Dogged Pursuit of the World's Greatest Artist," by Linda Burnham; "The D.B.D. Experience," by Linda Burnham; "The White House as an Alternative Space," by Steven Durland; "A Dream of Life and Death: Jac Mote's Performance Installations," by Angelo Funicelli; "Los Angeles Music, Dance, Film & Video: 'The L.A. New Music Web (Part 1),' by Marina LaPalma, 'L.A. Also Dances,'" by Martin A. David; "Film & Video Resources," by Linda Burnham; "Portfolio: Million Dollar Flea Market," by Elaine Hindin; "Letters;" "Hot Shorts;" "SubGenius Dept.;" "Viewpoint" and "Tacit," by Steven Durland. Front Cover: Peggy Margaret and Lance Loud in "Hey John, Did You Take the El Camino Far?" Back Cover: Rachel Rosenthal in "Gaia, Mon Amour." Very Good. Light rubbing of cover edges. 3.1 cm. crease to top left corner of recto. Light bumping of corners. Contents clean and unmarked.…

Condición: Bueno. 1st ed. 18x27. 60pp. 4l. Español.

Condición: Bueno. 1st ed. 18x27. 60pp. 4h. Cartulina grapada, sobrecubierta fijada con una cuerda. Cartulina grapada, sobrecubierta fijada con una cuerda.