blake william paley morton (20 resultados)

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Cloth, price-clipped dust jacket, 192 pp., illustrated. Very good.

Hardback. Condición: Very Good. Estado de la sobrecubierta: Very Good. Please note that this is a heavy item and may incur extra shipping costs for international orders.; Dust jacket is bright and unmarked, front and rear upper panel creased, unprice clipped; brown cloth boards are clean, gilt titling bright, corners sharp; binding is tight; pages are unmarked with colour plates, previous owner's small numerical annotation on final page. Scarce in hardback.; 8.5 x 1.25 x 12 inches; 302 pages.

Hardcover. First Edition Thus. Folio, 243 pages with additional plates. In Good condition with Good minus dust jacket. Black jacket with green tilting to spine. Jacket with light plus bumping to edges and corners, head and tail of spine; light rubbing and shelf wear to surfaces of jacket. Moderate staining to lower fore edge corner of front wrap of jacket. Binding with light bumping to head and tail of spine. Some bleaching resulting in small rust-colored stain at tail of spine. Light plus soiling to cloth of binding generally. Top edge of text block dusty. Text block with light plus age toning. [Oversized book. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates.] Shelved in Room A Oversized. 1389761. Special Collections.

Paperback. Condición: Very Good. Princeton Paperbacks edition in the Blakeâs Illuminated Books series, 1998, in overall very good used condition with only slight signs of age, handling and storage - covers just a touch rubbed. Binding tight and appears almost unopened. Internally clean, no annotation or inscriptions; text and illustrations bright and clear throughout. Photographs available. Not an old library book.

softcover. Condición: Sehr gut. 302 p. ISBN: 9780691029078 Sprache: Englisch Gewicht in Gramm: 1327.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Frontis Portrait of Sir Geoffrey Keynes; 82 b&w illustrations, Ilustrador. 1st. First Edition, First Printing; dj w/unclipped price, in mylar; 390 clean, unmarked pages contains literary essays on William Black about/by: I. Blake's Early Poetry by Michael Phillips; II. Blade's 'Gothicised Imagination' and the History of England by David Bindman; III. The Altering Eye: Blake's Vision in the Tiriel Designs by Robert N. Essick; IV. Justifying One's Valuation of Blake by F. R. Leavis; V. Blake's Frame of Language by Josephine Miles; VI. Blake's Songs of Sprong by Michael J. Tolley; VII. Christ's Body by Jean H. Hagstrum; VIII. The Chapel of Gold by G. Wilson Knight; IX. Reading the Illuminations of Blake's Marriage of Heaven and Hell by David V. Erdman with Tom Dargan and Marlene Deverell- Van Meter; X. Blake's Figures of Despair: Man in his Spectre's Power by Janet Warner; XI. the Title-page of the Book of Urizen by Morris Eaves; XII. Blake, Coleridge, and Wordsworth: Some Cross-currents and Parallels, 1789-1805 by John Beer; XIII. William Blake, The Prince of the Hebrews, and The Woman Clothed with the Sun by Morton D. Paley; XIV. Blake, the Varleys, and the Graphic Telescope by Martin Butlin; XV. References to Blake in Samuel Palmer's Letters by Raymond Lister; XVI. William Blake in the Wilderness: A Closer Look at his Reputation, 1827-1863 by Suzanne R. Hoover; XVII. Geoffrey Keynes's Work on Blake: Fons et Origo, and a Checklist of Writings on Blake by Geoffrey Keynes, 1910-1972 by G. E. Bentley, Jr.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Folio, black bloth board with gilt lettering to spine, grey eps, x + 243pp, illus, VG+ (light foxing to upper page edges, light fading to top board edges) in d/w VG+ (moderate rubbing).

Hardcover. Condición: Fine. William Blake Ilustrador. 1st Edition. Hardcover. First edition thus. Condition: Fine. William Blake (illustrator). 4to. 30 by 21 cm. 303 pp. Quarter Morocco. Silk moire cloth on boards. Slipcase with paper pastedown.

Condición: Fine/Fine. Not stated, presumed 1st edition. Blake's longest and most complex illuminated book, his masterwork in its finest edition, divided into two sections, the color reproductions of the original text, and another section reproducing the full text in type. As a bonus this book comes with a free photocopy of Blake's A DESCRIPTIVE CATALOGUE from Woodstock Books 1990, 66 pp. 8-1/2 x 12, 302 pp, works cited, cream endpapers, full-pp color reproductions. Oversized hardback in black cloth boards w gilt spine titling, in color-illus jacket.

Hardcover. Condición: Very Fine. Estado de la sobrecubierta: Fine. Two volumes in very fine condition and in like new and unread condition. Volume two has a very tiny nick to top of jackets spine. No tears, no chips to jackets/brodart covered. No bumped corners to books. Spine tips are smooth and round. No signatures.

Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. Jerusalem, The Emanation of the Giant Albion. Edited with an Introduction and Notes by Morton D. Paley.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

4°, 195 Seiten. mit 11 Textabbildungen und 116, meist ganzseitigen, teils farbigen Abbildungen. Orig.Leinen mit OSU im Schuber. Mit Anmerkungen, Zeittafel. - Rücken unten bestoßen. Gewicht (Gramm): 1050.

Cloth. Condición: Fine. William Blake Ilustrador. First edition. A smart and bright first edition copy of this selection of essays on the poet William Blake written by scholar Sir Geoffrey Keynes. This volume gathers a selection of essays by Geoffrey Keynes that view William Blake's works from a variety of perspectives. The essays cover Blake's earliest works and his later poems and designs.Sir Geoffrey Keynes was a British surgeon and author who was a scholar and bibliographer of English literature and English medical history focusing primarily on William Blake and William Harvey.Richly illustrated throughout and in the original unclipped dust wrapper. In the publisher's original cloth binding. Externally, excellent. Internally, firmly bound with bright and clean pages. In the original unclipped dust wrapper which is generally excellent with some very minor edge wear. Fine. book.

Hardcover. Condición: Very Good. Hardcover. 8vo. Published by The Folio Society Ltd. , London, UK. 1992. Xviii, 54 pgs. Illustrated in color & black and white. Issued in slipcase. Slipcase lightly scuffed and worn. Bound in illustrated cloth with titles present to the spine and the front board. Boards lightly rubbed and worn. No ownership marks present. Text is clean and free of marks, binding tight and solid. Unabridged, full color value reproduction of Songs of Innocence and of Experience by William Blake. This classic poetry, written in 1789, was originally hand colored on each page and is reproduced here in full color for a visually rich experience. Songs includes his most famous poem, "Tiger Tiger burning bright, In the forests of the night, " and many others. Interesting to read, and unique to Blake's poetry in this collection, are that the poems of Innocence are often counter poised with the poems of Experience. EB; 8vo 8" - 9" tall.

Condición: Like New. Mint. William Blake Ilustrador. 4to. 30 by 21 cm. 303 pp. Quarter Morocco. Silk moire cloth on boards. Slipcase with paper pastedown.

Original Cloth. Condición: Very Good. Blake, William Ilustrador. First Edition. First Folio edition from 2007. This edition of Jerusalem was first published in 1991 as Volume 1 of the Collected Edition of Blake's Illuminated Books by Tate Gallery Publications in association with the William Blake Trust. Large volume in slipcase. There is a small surface blemish on the front panel. Original owner's book plate on the front pastedown - this was Felix Dennis the publisher - with a date in pencil under it. There is a trace of a small note in pencil to the half-title page but the pages are otherwise clean and unmarked. The slipcase has only very slight edge wear. Heavy item so there will be an additional postage charge for overseas orders.

Limited edition, one of 36 special copies from a total edition of 150 copies. Folio. 95, (1) pp. Publisher's wine red half calf over black moiré silk, gilt lettered to the spine with a matching gilt lettered label to the upper board, slipcase in matching moiré silk. Illustrated in colour and black and white; slipcase also housing a matching red full calf portfolio enclosing a card wallet holding fine reproductions of Blake's original watercolours mounted on card, as per the originals. Just some slight dustiness to the slipcase, a sumptuous production. An out-of-series set, marked as such on the watercolours wallet, being John Commander's own copy. Although not inscribed by him directly, the set was acquired from Commander's estate. Loosely inserted is a 12 page typescript of a review of the work by his fellow Blake scholar Robert N. Essick with Commander's pencilled annotations at intervals concerning some of Essick's observations. Also enclosed is an original 6" x 4" colour photograph captioned in pencil on the rear "John [Commander], Bob [Essick], Detto [unknown]" dated "October 21, 1991". Commander spent his life in publishing and for many years headed the Scolar Press. An expert on Blake, he was heavily involved in the refounding of the William Blake Trust and was appointed as secretary and executive director of the organisation. He also wrote about Blake and is credited with the design and production of this work on the verso of the title page. The story of the origins and subsequent disappearance of William Blake's designs for "The Grave" are long and complicated. Blake had been commissioned by Robert Hartley Cromek to produce illustrations for Blair's poem in late 1805 intending for a published edition. Blake assumed he would also be employed to engrave the images and be paid accordingly. However, Cromek had other ideas and gave the work to the Italian engraver Luigi (or Louis) Schiavonetti. Various miscommunications and provocations ensued causing Blake and Cromek to fall out. The published work eventually appeared in 1808 and Cromek passed away four years later at the age of 42. The whereabouts of Blake's designs for the next two decades are broadly known but after their sale in 1836 they completely disappeared. Nineteen of the watercolours in their original red portfolio (reproduced faithfully here) eventually turned up in Glasgow in 2001. Originally offered for sale together as a collection, the ownership passed to a London art dealer who failed to find a buyer. They were subsequently individually lotted up, including the case, and sold at Sotheby's New York in 2006. Now split between "four different countries and two continents", the auction was the last time the collection was held in one place.