black sun press (19 resultados)

Hardcover. Condición: Used-Like New/NO DUSTJACKET. Black & White Photographs Ilustrador. Binghamton, NY: Press & Sun Bulletin. Used-Like New/NO DUSTJACKET. (2002). . Hardcover. Oblong 8vo., 160 pp. .

Hardcover. Condición: Very Good/NO DUSTJACKET. Black & White Photographs Ilustrador. Pediment Publishing. Very Good/NO DUSTJACKET. 2002. . Hardcover. Oblong 8vo., 160pp., Cover light shelf wear on edges, thin scratch on back cover, otherwise very good; pages clean and unmarked .

Condición: Good. 32mo., Single Printed Page, Very Good with minor creasing, shelf wear.

Original white wrappers. Five full-plate illustrations by Polia Chentoff Of 400 numbered copies, this one of only 50 on Holland paper Backstrip a little darkened, otherwise a very nice copy in marked and worn original slipcase. The original outer plain glassine wrapper appears to have become damaged and has been discarded in favour of an acetate wrapper.

Black Sun Press Ilustrador. 8vo. paper wrappers, original tissue, paper covered boards slipcase. 56 pages. Limited to 350 copies, of which this is one of 300 numbered copies on Navarre Paper. Small abraison to bottom of the spine. The slipcase shows small splits along the top and bottom edge. One of the finest expatriate presses founded in Paris during the 1920s, Black Sun was noted for publishing the early work of modernist writers and exclusively limited quantities of meticulously produced, hand-manufactured books. IMAGINARY LETTERS consists of eight essays reprinted from the Little Review and is rarely found in such nice condition. paper wrappers, original tissue, paper covered boards slipcase.

BLACK SUN PRESS Ilustrador. First Edition. Full Description: BOYLE, Kay. [BLACK SUN PRESS]. Short Stories. Paris: Black Sun Press, 1929. First edition, one of fifteen copies signed and numbered by the author, this being number fifteen. Octavo (9 1/2 x 6 1/2 inches; 241 x 163 mm.) Author's first book. Printed by Black Sun press on Japan paper. Title-page and text printed in black and in red. With the Black Sun blindstamp on front free endpaper and below author's signature. Publisher's original stiff printed wrappers. Wrappers printed in red and black. In the original glassine. Housed in the original silver board chemise with the original silver silk ties. Some minor rubbing to chemise. Overall a fine copy. Minkoff A-19. HBS 69484. $4,500. Signed.

Hardcover. Condición: Very Good. First Edition. Number 63 from the total edition of 284 copies. Modern red calf gilt, the original wrappers bound in, cloth slipcase. 10 3/4 x 8 3/4 inches (27.5 x 22 cm); printed in red and black, with 3 fine photogravures by Walker Evans. Light thumbsoiling to wrappers and few spots within but generally clean, the final plate and tissue guard detached. First edition of this collection of Crane's seminal modernist poems The Bridge. Crane met photographer Walker Evans by chance in the shadows of the Brooklyn Bridge and this work constitutes one of Evans' earliest publications. Connolly 100 64; Minkoff A32.

LAURENCIN, Marie; BLACK SUN PRESS Ilustrador. First Edition. With Six Color Lithographs by Marie Laurencin LAURENCIN, Marie, [illustrator]. BLACK SUN PRESS. CARROLL, Lewis. Alice in Wonderland. Paris: The Black Sun Press, 1930. Full Description: LAURENCIN, Marie, [illustrator]. BLACK SUN PRESS. CARROLL, Lewis. Alice in Wonderland. Paris: The Black Sun Press, 1930. First edition thus, one of 50 copies on Japan issued for Europe, this being copy number 21. Oblong quarto (11 1/2 x 9 3/4 inches; 290 x 245 mm).[vi], [114], [4] pp. With six inserted color lithographs. Original printed wrappers, printed in red and black. Title-page and all numbered text pages printed in red and black. Original glassine, pink cardboard chemise and silver and pink cardboard slipcase. Some rubbing and wear to slipcase and chemise. Book and glassine are pristine. Overall a fine copy. "This Edition of Alice's Adventures in Wonderland by Lewis Carroll illustrated with six colored lithographs by Marie Laurencin printed for and under the direction of Caresse Crosby at The Black Sun Press, Paris, 1930 (Maitre-Imprimeur Lescaret), is composed in hand-set Dorique type and is strictly limited to 420 numbered copies for the United States; and 370 numbered copies for Europe of which 300 on Rives Paper, 50 on Japanese Vellum, and 20 on Hollande Van Gelder each of these 20 copies containing a supplementary suite of the six illustrations in sanguine, and 1 copy on Vieux Japon containing a suite in sanguine to be sold with the six lithographs colored and signed by Marie Laurencin. The lithographs executed by Desjobert of Paris." (From the Colophon). Minkoff. Williams, Madan and Green. HBS 69264. $3,000. Signed.

8vo, original printed wrappers, publisher's glassine dust jacket, publisher's foil folder. A fine copy of a rare book with the "Crosby Cross" bookplate and the Black Sun Press blindstamp on the endpaper, in the publisher's gold foil folder, which is somewhat worn. A fine copy of a rare book with the "Crosby Cross" bookplate and the Black Sun Press blindstamp on the endpaper, in the publisher's gold foil folder, which is somewhat worn First edition. One of 150 copies printed. Minkoff A25. Presentation copy, inscribed by the publisher, Harry Crosby, to his father: "SVRC [Stephen Van Rensselaer Crosby] from Harry", with an accompanying sketch of his personalized sun symbol and the Black Sun Press's emblem. "In August Harry (Crosby) delivered one hundred and fifty copies of 1450-1950 to Brown, who quickly sent most of them on to publishers and friends, sixty of whom he listed opposite the title page under the heading "Free Copies." In return, Brown hoped for a few kind words that might be useful in reviving a writing career that had been quiescent for close to fifteen years. 1450-1950 is an amusing mixture of ideography and calligraphy, examples of which Brown had been amassing - with obvious pleasure - for many years. "I like looking back / at the / Illuminated manuscripts of / 1450 / And forward / to the / more Illuminations / Movie Scripts of / 1950 I like to see / Fly Specks / on yellowed pages / I like too / Leaving my own on / New ones / My Fly Speck." In his dedication to "all monks, all early oriental artists . . . " Brown playfully attempted to locate his work in the history of innovative printing and himself among those authors celebrated as much for their matter as for their manner of expression. By early fall, he had gathered a garland of testimonials from, among others, Gertrude Stein, H. L. Mencken, and William Carlos Williams." Harry Crosby was found dead in his New York studio on December 10th, 1929, evidently a casualty of a suicide pact: in one hand he held a pistol, and in his other arm, his twenty year old lover, Josephine Noyes Rotch Bigelow, also dead of a bullet to the temple. - Hugh Ford, Published In Paris (N. Y.: Macmillan, 1975), p. 200- 210. On the same day, Crosby had made his last entry in his diary: "One is not in love unless one desires to die with one's beloved. There is only one happiness it is to love and to be loved." When Jonathan Williams reissued 1450-1950 as Jargon 29 in 1959, the publisher observed: "That it should take him (JW) thirty years to locate a copy of Bob Brown's utterly charming and singular book is a measure of the almost cultish regard 1450-1950 has commanded from its contemporaries. If you didn't own a copy you were automatically cast into either of the modern outer darknesses then beginning to pullulate: Squaresville or Beat City. The virtues of 1450-1950 are publicly attested by many luminaries on the back cover blurb - among them, Geltte Burgess, who invented the word blurb." Among those quoted on the back cover are Gertrude Stein, Marcel Duchamp, Carl Van Vechten, William Carlos Williams, Carl Sandburg, Walter Lowenfels, James Johnson Sweeney, Gelett Burgess, Stuart Davis, and Caresse Crosby, who wrote to Brown: "We show your book to everyone who comes to the house and they always find some page that so especially delights them that soon we will have to chain it down like an ancient missal.".

Complete bibliography of Black Sun Press, with essay by Caresse Crosby. Hardback. Edition of 1,250 copies.

First edition. 27, [5] pp. Original publisher's printed wrappers with French flaps, original glassine, and publisher's cardboard gilt and silver slipcase. Slipcase split along bottom edge and missing a section of the top edge; volume about fine with very slight wear to the corners of the glassine. One of 100 numbered copies, of a total edition of 150 copies. Raised in Wyoming, Gerard Vernon Wallop, 9th Earl of Portsmouth, Viscount Lymington, fell in with the Crosbys in Paris; they "bowled him right over" and he enjoyed various decadences with them, taking a flat nearby at 1 Rue Gît-le-Coeur (the title of another his volumes of verse published by Black Sun). Minkoff A-28.

Number 139 of 333 copies on Arches paper. With illustrations by Polia Chentoff. 192, [4] pp. 1 vols. 8vo. Minkoff, Black Sun Press Bibliography, A-22 Rebound in half green morocco and floral paper boards; spine titled in gilt and decorated with floral tool, rubbing at corners. Small ticket of American distributor Harry Marks to rear pastedown With illustrations by Polia Chentoff. 192, [4] pp. 1 vols. 8vo Number 139 of 333 copies on Arches paper.

First edition. [16] pp. Unbound folded sheets laid into a printed wrapper. Minor handling wear to cover, near fine. "Limited to one hundred copies handset in light italic Bernhard Gothic type of twelve point. designed and edited by Caresse Crosby as a Christmas gift." Crosby arranged for Anaïs Nin's letterpress operation Gemor Press to print this collection of poems by Kay Boyle's daughter. Although Black Sun is not mentioned anywhere in the publication, Minkoff nonetheless includes it in his bibliography (A-47). Crosby also commissioned Gemor to publish an augmented and translated edition of Paul Eluard and Max Ernst's Misfortunes of the Immortals the following year.

8vo, pp. 96. Original still paper wrappers, lettered in red and black to front panel and spine. Black Sun device to rear panel. Leading and lower edges uncut. Original glassine. Lacking slipcase. Some chipping to glassine at leading edge, otherwise a near fine, unread copy. First edition. No. 23 of 135 copies, including 25 hors de commerce. Copies 1-10 were printed on Japon and signed by the author. When Jolas' magazine Transition was in financial trouble one month Harry Crosby underwrote an entire issue, and later took a continuing and active role on the editorial board. In return, Jolas provided Crosby with this text, to be published by Black Sun. Minkoff A29.

First Edition. 8vo, pp. 239. Fine in dj. Inscribed by the author to William Claire: "To Bill Claire . | Poet and publisher . | the loyal friend who recognized the | lasting nature of Caresse's contribution | as a muse and who was the wind at my | back "from foreword to Finis . | with love and appreciation , | . | "The poet . is the longest life giver | in the universe" . (CC)" Included are 10 typed letters and an autograph post card from Conover to Claire as well an invitation to an autograph party, an announcement for a lecture and also a copy of Claire's interview of Conover in Horizon Magazine. In the interview, Conover says about Caresse, " in my view she was a catalyst in the lives of writers and artists .".

First edition. 56, [4] pp. Original publisher's wrappers and cardboard slipcase. Head of box splitting slightly but solid; lacking the original glassine. Volume about fine with a shadow at the spine from the slipcase opening. One of 300 numbered copies on Navarre, from a total edition of 375 copies. Pound's continuation of Wyndham Lewis's "letters" published in the Little Review in 1917 and 1918. Gallup A32. Minkoff A-38.

First edition. [96] pp. Printed wrappers with French flaps. Some toning to extremities, spine a little browned. One of 200 numbered copies printed by Roger Lescaret for Harry and Caresse Crosby. Raised in Wyoming, Gerard Vernon Wallop, 9th Earl of Portsmouth, Viscount Lymington, fell in with the Crosbys in Paris; they "bowled him right over" and he enjoyed various decadences with them, taking a flat nearby at 1 Rue Gît-le-Coeur. This copy is inscribed "for Constance, with Gerard's love, January 4th 1929" with an Autograph Letter Signed laid in from Gerard to Constance. Constance was Constance Crowninshield Coolidge, the Comtesse de Jumilhac, Harry Crosby's "Lady of the Golden Horse," and the closest of his mistresses (Caresse noted years later, "All through the Paris years she was my most formidable antagonist, but I could not help immensely admiring her.") The letter, a single sheet folded, is undated but written from 1 Rue Git le Coeur. A breezy and charming note, Lymington presents his book "which has perhaps one merit- sincerity," along with compliments about their recent luncheon and an offer for her to visit the English countryside. Minkoff A-8.

New York: G.R. Minkoff, 1970. 4to. Original cloth. (xiv, 62pp.). With frontisp. Limited edition.

Leather Bound. Condición: New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1928. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages: - 80, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 80 80.