EUR 4,43
Cantidad disponible: 1 disponibles
Añadir al carritoSoft cover. Condición: Very Good. Softback in overall good shape with light general wear. Clean throughout.
Librería: Wonder Book, Frederick, MD, Estados Unidos de America
Ejemplar firmado
EUR 10,20
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Añadir al carritoCondición: Very Good. Signed Copy . Inscribed by author on title page.
Librería: Broad Street Books, Branchville, NJ, Estados Unidos de America
EUR 11,48
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: New. Brand New Book, Crisp and Clean.
Publicado por Elderberry Press
Librería: Wonder Book, Frederick, MD, Estados Unidos de America
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EUR 12,32
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Añadir al carritoCondición: Good. Signed Copy . Inscribed by author on title page. (fiction, united states, politics).
Librería: Zubal-Books, Since 1961, Cleveland, OH, Estados Unidos de America
EUR 30,25
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: Very Good. 399 pp., hardcover, minor internal library markings else text clean & binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
Publicado por Wild Hawthorn Press 1961-7, Scotland, 1961
Librería: William Allen Word & Image, London, Reino Unido
EUR 2.202,04
Cantidad disponible: 1 disponibles
Añadir al carritoPOOR.OLD.TIRED.HORSE. Numbers 9-25,1961 -1967 - all original. 17 issues in total. Edited by Ian Hamilton Finlay, POOR.OLD.TIRED.HORSE. is seen as the most important concrete poetry journal of the 1960s in Britain. The journal title comes from Robert Creeley's poem "Please" (1959). The early numbers are black & white, but later numbers involve colour (often silkscreen) illustrations as the concrete poetry movement blossomed. It has become highly influential for both poets and artists (see for example the ICA group exhibition POOR.OLD.TIRED.HORSE. of 2009). Issue no. 10 is 'a concrete number', including Augusto de Campos, Eugen Gomringer, Dom Sylvester Houédard and Edwin Morgan. Issue no. 12 is a 'Visual Semiotic Concrete' edition. Issue no. 18 is a collaboration, with writings and script by Ad Reinhardt and drawings and layout by Bridget Riley. Issue no. 25 the final issue is dedicated to one-word poems. Contributors include : Ian Hamilton Finlay, Pete Brown, Anselm Hollo, Lorine Neidecker, Gael Turnbull, Marvin Malone, Cid Corman, Jerome Rothenberg, Guillaume Appolinaire, Larry Eigner, Lawrence Ferlinghetti, Edwin Morgan, Cesar Lopez Nunez, Jonathan Williams, Tom McGrath, Spike Hawkins, Georg Trakl, Robert Garioch, Ernst Jandl, Paul de Vree, Robert Creeley, Vladimir Mayokovsky, Yury Pantratov, Libby Houston, Eugen Gomringer, Michael Shayer, Mary Ellen Solt, Peter Stitt, Dom Sylvester Houédard, Peter Lyle, Margot Sandemann, Heinz Gappmayr, Pedro Xisto, Hamish MacLaren, George Macklay Brown, Eli Seigel, Pierre Albert-Birot, Francis Ponge, Edward Wright, Emil Antonucci, Charles Biederman, Jim Nicholson, Ronald Johnson, Bernard Kops, Larry Eigner, Robert Creeley, Augusto de Campos, Edgard Braga, Bridget Riley, Ad Reinhardt, Robert Lax, Jeffrey Steele, Kenelm Cox, Stephen Bann, Hansjorg Mayer, Edward Lucie-Smith, Alan Riddell, Astrid Gillis, Aram Saroyan et al. Ref: IN NUMBERS (PPP Editions, Switzerland, 2009) pages 9, 18, 314-321. Also exhibited in the show of that name, ICA, 2012. Murray pages 2-3. Condition: most issues near fine, some very good with slight bruising to edges (see image of issues 9, 16, 17, 19, 20, 22, 25 showing edgewear/handling marks).