berkeley busby (32 resultados)

Hardcover w/DJ. Condición: Very Good/Good +. Black & White Photographs Ilustrador. Second Printing. Greenwich, CT: New York Graphic Society. Very Good/Good +. 1973. Second Printing. Hardcover w/DJ. 4to., 184 pp., dust jacket light shelf wear, corners and spine tips lightly rubbed and chipped, light creasing to rear bottom edge, otherwise quite good; cover very light shelf wear to edges and corners, corners lightly bumped, otherwise very good; Former owner's inscription on front free-endpaper, otherwise pages clean and unmarked. .

Illustrated Wrappers. Condición: Fine. Color Cover By Hamilton King Ilustrador. First Edition. A very bright, clean, virtually unworn copy; no marks or damage.

HARD BACK BLACK. Condición: GOOD. JACKET: TORN DJ. Forward by Ruby Keeler, with over 250 photographs. A Cinematic kaleidoscope . Orange cloth bound book. Dust jacket has some wear around the edges and a one inch tear in the spine area. The photographs are in black and white. The pags are clean and intact.Complete filmography of Buzby Berkeley films from the thirties and forties. DATE PUBLISHED: 1973 EDITION: 187 PAGES.

No Binding. Condición: VGF. SS-1. A VG or better original 8 x 10 still. Size: 8" x 10". Photographic Image.

Hard Cover. Condición: Very Good. Estado de la sobrecubierta: Very Good, Slightly Frayed DJ. Second Printing. 192pp. Illus. Foreword by Ruby Keeler. (loc 180/1) Size: Oversized.

Hardcover. Condición: Near Fine. Second Printing. handsome copy of the book. with a lesser grade dj. a fabulous look back at the eary movie musical genius busby berkeley and his work.

Hardcover. Condición: VG. Estado de la sobrecubierta: VG. First Edition. OVERSEAS ORDERS WILL REQUIRE ADDITIONAL POSTAGE.

paperback. Condición: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

No Binding. Condición: VG. A VG or better original 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condición: VG. A VG or better original release 8 x 10 still with studio snipe on back. Size: 8" x 10". Book.

in-4, relié-jaquette éditeur, 184 pages. Frottements sur la jaquette sinon bon exemplaire.

Folio. 192 pages with numerous photographs. Original Hardcover with original dustjacket. Very good condition with only minor signs of external wear. Busby Berkeley (born Berkeley William Enos; November 29, 1895 March 14, 1976) was an American film director and musical choreographer. Berkeley devised elaborate musical production numbers that often involved complex geometric patterns. Berkeley's works used large numbers of showgirls and props as fantasy elements in kaleidoscopic on-screen performances. (Wikipedia) Sprache: english.

Stills. Reprint Stills. 2 publicity stills that appear to be early reprint stills. One pictures the starlet Mary Dees in a revealing pose, she is bare brested with her arm covering them up for Footlight Parade and one from Gold Diggers of 1935 which features 3 showgirls set against a painted broadway background. Busby Berkeley directed and did the musical numbers for Gold Diggers and did the musical numbers for Footlight Parade. Stills are trmmed but both are in fine condition. Sold as a collection only. Book.

Vinile 33/gr, custodia originale con inserto di pp. 15 illustrate all'interno. Marginali tracce d'uso alla custodia.

hardcover. Condición: Acceptable. Acceptable. Dust Jacket NOT present. CD WILL BE MISSING. SHIPS FROM MULTIPLE LOCATIONS. book.

Softcover. First Edition; First Printing. Very Good in wrappers. Two small tears at fold. Sheet music. ; 4to - over 9¾" - 12" tall.

Hardcover. First Edition; First Printing. Near Fine in a Very Good+ dust jacket. ; 4to 11" - 13" tall.

Hardcover. First Edition; First Printing. Near Fine in a Near Fine dust jacket. ; 4to 11" - 13" tall.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. A wonderful accounting of Berkely's career in films. He was truly a grand original in musical movie making . He signed the book - he died in 1976. Ruby Keeler did a foreword. he jacket is intact with a bit of wear.d. signed by Busby Berkeley.

Revised Final script for the 1951 film. Script belonging to an unknown crew member with their manuscriptic pencil annotation on the verso of some pages. An American soldier in occupied Japan after the conclusion of World War II joins his former love in putting on performances for the troops in an attempt to win her back. Red titled wrappers, noted as Revised Final on the front wrapper, rubber-stamped copy No. 5 and production No. 314, dated April 18, 1950. Title page present, dated April 18, 1950, noted as Revised Final, with credits for screenwriters Albert E. Lewin and Burt Styler. 134 leaves, with last page of text numbered 123. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good, bound internally with three gold brads.

Revised Final script for the 1938 film. Specially bound copy belonging to screenwriter Jerry Wald, with his name in gilt on the front board. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). A nightclub manager's secretary falls in love with a little-known bandleader her boss has booked to temporarily stand in for Rudy Vallee, but her boss objects to the romance. Bound in full red leather, with gilt titles on the spine and front board. Distribution page present, dated 3/24/38, stamped copy No. 116 and noted as REV. FINAL, with receipt intact. Title page present, with credits for screenwriters Jerry Wald and Richard Macaulay. 146 leaves, with last page of text numbered 139. Mimeograph duplication, rectos only. Pages Fine, binding Near Fine.

Final script for the 1935 film, seen here under the working title "Romance in a Glass House." Specially bound copy belonging to screenwriter Jerry Wald, with his name in gilt on the front board. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). A famed stage diva wants her untalented lover as her leading man. To prevent this from occurring, the producers select a handsome novice from the streets and declare him the new, contracted lead in their production. Bound in full red leather, with gilt titles on the spine and front board. Distribution page present, stamped copy No. 4, noted as FINAL, with receipt removed. Title page present, dated 6/25/35, with credits for screenwriters Jerry Wald, Julius J. Epstein, and Robert Hardy Andrews. 109 leaves, with last page of text numbered 105. Mimeograph duplication, rectos only. Pages Fine, binding about Fine.

Final script for the 1938 film musical. Annotations in manuscript pencil on the front wrapper. The fifth and final film in Warner Brothers' series of successful and gorgeously choreographed "Gold Digger" films. Dance sequences directed by Busby Berkeley. Set in Paris, shot on location in Paris and New York. Blue titled wrappers, with Warner Brothers Stenographic Department stamp on the bottom edge of the front wrapper, noted as FINAL. Distribution page present, with receipt intact. Title page integral with the distribution page, dated 1/4/38, noted as FINAL and PART I. 141 leaves, with last page of text numbered 139. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound with two gold brads.

Second Revised Final Draft script for the 1937 film musical. Specially bound copy belonging to screenwriter Jerry Wald, with his name in gilt on the bottom of the front board, with manuscript ink and pencil annotations on eight pages. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). College students rebel when their professor doesn't allow swing music in their varsity show. They enlist the help of an alumni, a big Broadway star, not knowing his last three productions were flops. The film's Busby Berkeley finale was nominated for an Academy Award for Best Dance Direction. Bound in maroon leather, with gilt title on the front board and spine. Distribution page present, with receipt intact. Distribution page integral with the title page, dated 4/23/37, noted as 2ND REV. FINAL. 157 leaves, with last page of text numbered 154. Mimeograph duplication, rectos only. Pages Near Fine, binding with light rubbing to the extremities, else Near Fine.

Final script for the 1938 film musical. Specially bound copy belonging to story writer Jerry Wald, with his name in gilt on the front board. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). The fifth and last film in Warner Brothers' series of successful and gorgeously choreographed "Gold Digger" films. Dance sequences directed by Busby Berkeley. Set in Paris, shot on location in Paris and New York. Bound in red cloth, with red quarter leather binding, with five raised bands and gilt titles on the spine and front board. Title page integral with distribution page, dated 1/4/38, noted as FINAL, with a Warner Story Department stamp. 155 leaves, with last page of text numbered 139. Mimeograph duplication, rectos only, with blue revision pages throughout, variously dated 1/27/38 through 3/24/38. Pages Near Fine, binding Near Fine.

Vintage photograph from the 1939 film musical, based on the 1937 Rogers and Hart Broadway musical play of the same name. With a printed snipe on the verso, along with the stamp of Culver Pictures photo bureau, a date stamp of "Dec 1939," and manuscript annotations regarding layout. Rooney and Garland sing "God's Country" from the finale of the musical, in a scene spoofing Franklin and Eleanor Roosevelt and the FDR's fireside chats. This scene was cut from the film after Roosevelt's death, and believed lost until it was rediscovered and restored in 1990s. Rooney received a Best Actor nomination for his role in the film. 10 x 8 inches. Very Good. Pinholes to the corners, with pinholes at the corners and light wear to the margins. Hirschhorn, p. 167.

First Edition. This copy belonged to the ÒBusby Berkeley girl,Ó actress Gwen Seager, and has several inscriptions to her. The book is inscribed by the author, Jim Terry: ÒTo Gwen, With love and appreciation, Jim Terry, Sept 14, 1973, Ps. YouÕre still a Ôgreat looking broad.ÕÓ Also, inscribed by one of Busby BerkeleyÕs male dancers, actor James Baker: ÒTo Gwen. One of BusbyÕs lovelies. Jimmie Baker.Ó Additionally, the book is signed by actress Vicki Vinton, another of BerkeleyÕs girls, and she has signed it rather charmingly. The title page is a wonderful large two page photograph of Berkeley huddled with a bevy of beautiful women. Vicki Vinton is in the front foreground, semi-reclining, and Vinton has signed her name on one of her long lithe legs. The definitive coffee-table book on Berkeley written with his cooperation, with spectacular illustrations of his film musicals. Contains a foreword by Ruby Keeler. Near fine copy with some slight spotting to the rear board in a very good dust jacket with some edge wear and rubbing at the folds. Difficult to find in this condition.

Vintage publicity photograph from the 1940 film, showing actors Mickey Rooney and Judy Garland bursting through a large drum. Printed mimeo snipe affixed to the verso. A high school drummer convinces the principal to put on a dance to raise money for a dance orchestra, aided by his girlfriend. The second film in MGM's "Backyard Musical" series, following "Babes in Arms" (1939), and preceding "Babes on Broadway" (1941) and "Girl Crazy" (1943). Set in Chicago. 8 x 10 inches. Very Good plus, lightly creased and age toned.

Vintage double weight publicity photograph from the 1940 film, showing actors Mickey Rooney and Judy Garland dancing the conga on a large drum. With a mimeo snipe and an advisory council stamp dated JUL 8 1940 to the verso. A high school drummer convinces the principal to put on a dance to raise money for a dance orchestra, aided by his girlfriend. The second film in MGM's "Backyard Musical" series, following "Babes in Arms" (1939), and preceding "Babes on Broadway" (1941) and "Girl Crazy" (1943). Set in Chicago. 8 x 10 inches. Fine.

Vintage borderless double weight publicity photograph from the 1941 film, showing actors Mickey Rooney and Judy Garland dancing the hoe-down. With a printed mimeo snipe affixed to the verso. A would-be Broadway singer plans a benefit show to send orphaned children to summer camp, but secretly means to use the production to get ahead in his own career. The third film in MGM's "Backyard Musical" series, following "Babes in Arms" (1939) and Strike Up the Band" (1940), and preceding "Girl Crazy" (1943). Set in New York. 7.75 x 11 inches. Near Fine.