berger director (24 resultados)

Hardcover. Condición: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Vintage black-and-white still photograph from the 1973 US film. Mimeograph snipe affixed to the verso. Taylor stars as a woman attempting to save her marriage by opting to surgically alter her face, so she sets off for Switzerland to have the operation. Her husband seems uninterested after all, but she still hopes to salvage their relationship, even in light of all the young men now finding her new looks quite tempting. A story set in Switzerland, shot in Italy. 8 x 9.5 inches. Faint foxing on the verso, else Near Fine.

Collection of nine vintage studio still photographs from the 1967 film. Two photographs shown. Please inquire to see others. An gun-sharp outlaw tries to leave his past behind in a frontier town, but is met with resistance from the locals. Shot on location in Arizona. 10 x 8 inches. Very Good plus, lightly faded and toned to the edges. Pitts 3060.

Original Program for the 1971 French film. A French detective thriller with noirish overtones, and Boisset's trademark violence. He would have his heyday in the 1970s, with "The Assassination" (1972), "The Common Man" (1975), and "The Purple Taxi" (1977). 4 pages, folded once, 9.5 x 12.25 inches. Very Good plus, with light rubbing, and a tiny bruise and a few pin holes at the corners.

Soft cover. Condición: Near Fine. 1st Edition. 36 Pages Illus. This Is An Original Issue, Not A Reprint , N/D Ca. 1920. Book.

Vintage borderless reference photograph of actress Mary Morris from the 1940 film. With provenance stamp on the verso. Based on the 1924 film of the same name directed by Raoul Walsh, about the fantastical adventures of legendary thief Abu and the rightful sultan of Bagdad. Producer Alexander Korda's most successful film in the US, nominated for four Academy Awards and winning three, including Best Cinematography. Shot on location in Arizona and England. 4 x 5.25 inches. Fine. Criterion Collection 431. Ebert III. Rosenbaum 1000. Weldon 1983.

Two vintage studio still photographs from the set of the 1969 film. One photo shown. Please inquire to see the other. A powerful industrialist family illustrates the German upper classes transition from resentment to acceptance of the Nazi party. Nominated for an Academy Award for best screenplay. Shot on location in Germany, Austria, and Italy. 9.5 x 8 inches. Near Fine.

Revised Final Draft for Season 2 Episode 7 for the 1994-1997 television series. This episode originally aired April 24, 1995 on USA Network. This adult animated series based on the 1990 comic by Everett Peck, follows a duck who works as a private investigator. In this installment, someone arrives claiming to be the illegitimate son of Duckman's business partner, conceived when he was fighting in Vietnam. White titled self wrappers, lacking rear wrapper, noted as REVISED FINAL DRAFT on the front wrapper, dated August 31, 1994, with credits for uncredited screenwriters Jeffrey S. Astrof and Mike Sikowitz. Title page integral with front wrapper. 34 leaves, with last page of text numbered 32. Xerographic duplication, rectos only, with undated revision pages throughout. Pages Near Fine, wrapper Near Fine, bound with two gold brads.

Treatment script for the 1967 film, seen here under its French title "Peau d'Espion." With a few small annotations in manuscript ink throughout. Incomplete as issued. Text in English. Based on screenwriter Jacques Robert's 1967 novel "Peau d'Espion," wherein an playboy writer becomes involved in a communist plot. Housed in a titled manila folder. Title page present, with credits for director Edouard Molinaro and screenwriter Jacques Robert. 12 leaves, with last page of text numbered 11. Typescript on onionskin stock, rectos only. Pages Very Good plus, lightly creased, bound with a staple and a paperclip at the top left corner.

Combined Continuity script for the 1969 film. A fictionalized account of the life of the French nobleman and writer, Louis de Sade. After escaping incarceration, de Sade returns to his estate and watches a play as he has vivid flashbacks of his life. Set in Lacoste, France, shot on location in Bavaria and Berlin, Germany. Goldenrod wrapper, with missing front wrapper. 155 leaves, with last page of text numbered 155. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound with one silver brad at the top left corner.

Vintage studio still photograph from the 1968 film. Provenance stamp and a label obscuring a previous provenance stamp on the verso. A struggling New York PR man attempts to blackmail a Texas hillbilly singer by hiring an actress to seduce him, and catching the action on hidden camera at his Long Island home. Shot on location in Long Island and New York City. 8 x 10 inches. Very Good plus, with light soiling and pinholes at the corners.

Vintage lobby card for the German release of the 1976 Italian film. Kinothek stamp on the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene, befriending Andy Warhol and his superstars, Lou Reed, Allen Ginsberg, Patti Smith, Salvador Dali, and many others. A graduate of the Parsons School of Design, his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat, and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on the real Salon Kitty, a cabaret and brothel used by Nazi secret intelligence to collect information on high-ranking SS commandants and foreign dignitaries during World War II. Heavily edited for its US release, with many political elements purged in order to market the film as a sexploitation production. Considered one of the progenitors of the Nazi exploitation genre. Set in Berlin. 11.5 x 9.25 inches. Very Good plus, lightly edgeworn at two corners. Blue Underground.

Third Production Revision script for the 1998 film. Script belonging to actor Tony Ray Rossi, with his highlighted lines in manuscript ink. A tax collector accidentally uncovers murders and thefts committed by the Mafia. Shot on location in New York City. Yellow titled self-wrappers, noted as Third Production Revision on the front wrapper, dated 11/5/97, with credits for director and screenwriter Avi Nesher and screenwriter Roger Berger. Title page integral with front self-wrapper. 192 leaves, with last page of text numbered 122. Xerographic duplication, rectos only, with pink, blue and yellow revision pages throughout, dated variously between 10/27/97 and 11/5/97. Pages Near Fine, wrapper Very Good, bound with two gold brads.

1st edition. Original stapled pages. "News" is 8.5"x11" and generally 4 single sided leaves. Press releases are legal size (8.5"x14") 2-4 single sided leaves each. Approximately 160 leaves total. News is subtitled, "Highlights of the Yiddish and Hebrew Press. A weekly Digest prepared by the Publicity and Research Departments, American Council for Judaism." Maurice Spector is listed as Publicity Directory, though the OCLC listing indicates Bill Gottlieb as editor, perhaps for earlier or later issues? Each issue of the NEWS is headed with the warning, "This is not for release - for your information only." Some headlines from the NEWS (often quoting the Zionist press when it shines poorly on Zionism) include: -Nationalist-Zionist Education Endangers Judaism - To the Rescue of Yiddish - The Sin of the Histadrut - Treatment of the Arab Minority in Israel - And Now it is Israel's Turn to Use the Hostage Weapon. - The Religious Bloc is Powerful for Reasons that aren't Religious - We Want Peace, Unity, Discipline-But on our Own Terms. - Israel's Election Campaign Opens.Here in America Some headlines from the press releases include: American council for Judaism Calls NCRAC Action Partisan: -Declares Zionism and Jewish Nationalism Responsible for Creating 'Dual Loyalties' Issue - Carroll Binder Warns Minority Pressure Blocs Endanger U.S. National Interests - President Truman Say American Council for Judaism Deeply Rooted in U.S. Traditions of Individual Rights - Zionist Pressure Seek Change of Judaism Values from Universal Religion to Status of Tribal Cult, Rabbi Charges - Dorothy Thompson Warns Zionism's Viewing All Jews as Members of a Jewish Nation" Seeking Privileged Minority Status in U.S. Gives Aid to Antisemitism - Cause of DP's Pleaded at American Council for Judaism's Annual Meeting: Leading Social Workers Charges Pro-Israel Pressures Deprived Many Thousands of Sanctuary - U. S. Culture Infiltration Seen as world Zionism Aim - Israel has No Rights, Authority Over Lives of U.S. Jews, Rosenwald Says: Assumptions in Ben-Gurion's Knesset Speech Rejected by Head of American Council for Judaism "The American Council for Judaism (ACJ) is an organization of American Jews committed to the proposition that Jews are not a national but a religious group, adhering to the original stated principles of Reform Judaism, as articulated in the 1885 Pittsburgh Platform. In particular, it is notable for its historical opposition to Zionism. Although it has since moderated its stance on the issue, it still advocates that American Jews distance themselves from Israel politically, and does not view Israel as a universal Jewish homeland. The rabbis of Reform Judaism had opposed Zionism prior to World War I, supporting freedom, democracy and equal rights for Jews in the countries where they lived. The influential American Jewish Committee was also anti-Zionist until 1918, when it shifted to a non-Zionist platform until the 1967 Six-Day War. The Central Conference of American Rabbis of the Reform movement declared itself officially neutral on Zionism in 1937. In 1942, a split within the Reform movement occurred due to the passage of a resolution by some rabbis endorsing the raising of a 'Jewish Army' in Palestine to fight alongside the Allies of World War II. The American and British general staffs opposed placing Jews in segregated armed forces.The founders of the American Council for Judaism regarded the potential segregation of Jews to be a highly regressive and harmful measure. The ACJ was founded in June 1942 by a group of leading Reform rabbis including six former presidents of the Central Conference of American Rabbis and the president of the Hebrew Union College, as well as laymen, who opposed the creation of a religiously segregated Jewish Army to fight alongside the Allies and the new political direction of some in their movement, including, but not limited to, on the issue of Zionism as redefined by the Biltmore Program in May 1942.The leading.

Original wraps. Condición: Very Good +. Hebdomadaire Ilustrador. First Edition. An impressive crop of 32 issues of this early, very uncommon Parisian trade magazine, issued by "Pathe Freres", one of France's (and the world's) leading film production companies at the time. Spanning 1918 and 1919 (the magazine's 5th and 6th years in existence), this weekly (and sometimes bi-weekly) offers a detailed, very sophsiticated look at mostly the world of French film and cinematography but also covers the world of French theatre, concert-going and music halls. Crisp black-and-white photos run thru each issue, as does wonderful multi-colored typography and design. Magazine-formatted, uniform, tall quartos in their stapled, pictorial wrappers. A razor-thin, innocuous crease running vertically along all of the front covers; otherwise, each issue is clean and crisp and easily VG+ to Near Fine. Internally immaculate as well, with no writing or markings to any of the issues. One of the great undertakings in early French (and international) cinema.

Vintage oversize borderless double weight photograph of Charles Aznavour and Michele Mercier from the 1960 film. With manuscript annotations on the verso. Aznavour spends half his time playing saloon piano and half his time on the run in this early Truffaut masterpiece, one of the great French noirs, based on the 1956 hard-boiled novel "Down There" by American pulp author David Goodis. Criterion notes: "François Truffaut is drunk on the possibilities of cinema in this, his most playful film. Part thriller, part comedy, part tragedy, Shoot the Piano Player relates the adventures of mild-mannered piano player Charlie (Charles Aznavour, in a triumph of hangdog deadpan) as he stumbles into the criminal underworld and a whirlwind love affair. Loaded with gags, guns, clowns, and thugs, this razor-sharp homage to the American gangster film is pure nouvelle vague." 11.5 x 9 inches. Near Fine. Criterion Collection. Grant France.

Collection of 12 vintage oversize double weight reference photographs for the 1973 German film, based on the controversial 1897 play "Reigen" ("La Ronde") by Arthur Schnitzler, Adapted three time previously; by Max Ophuls in 1950 and Roger Vadim in 1964, both as "La Ronde," and by Richard Lerner and Paul Glickler in 1971 as "Hot Circuit," as well as several time subsequently. Schnitzler's play, which satirizes the sexual and class morals of its era was not produced on stage until 1920, although published versions in various languages were available as early as 1900. With its frank sexual nature and depictions of relationships that crossed class and cultural lines, the play was immediately condemned as pornography and withdrawn from the German stage, although it remained popular elsewhere. The play consists of a series of vignettes, each featuring a pair of lovers, with each character appearing in two consecutive scenes, with one character in the first scene appearing in the last. The photographs in this collection are from four scenes, each featuring either Sydne Rome or Maria Schneider, as follows: One photograph of Hans Bremmer and Rome as "The Soldier and the Parlor Maid." Four photographs of Rome and Helmut Berger as "The Parlor Maid and the Young Gentleman." Five photographs of Peter Weck and Schneider as "The Husband and the Little Miss." Two photographs of Schneider and Michael Heltau as "The Little Miss and the Poet." 9.5 x 12.25 inches. Near Fine.

Three vintage studio still photographs from the 1968 sexploitation film. All three photographs with provenance stamps on the versos. A fanciful account of the Marquis de Sade and the women who are irresistibly drawn to him. 8 x 10 inches. Very Good plus.

Vintage borderless reference photograph from the 1977 film, showing director Sam Peckinpah in a tub with actors Vadim Glowna and Ivica Pajer. With a printed mimeo snipe affixed to the verso. Based on Willi Heinrich's 1955 novel "The Willing Flesh," focusing on the class conflict which arises between a selfish, aristocratic Prussian officer and the war-hardened German troops on the Russian front in 1943. Academy Award-winning screenwriter Julius J. Epstein was best known for co-writing Michael Curtiz's classic 1942 film "Casablanca." Set in Russia, shot on location in Croatia, Yugoslavia, Slovenia, and Italy. 10 x 8 inches. Near Fine, lightly toned on the verso.

Vintage borderless reference photograph from the 1967 film, showing actor Senta Berger looking down at a handheld film camera. Based on the 1963 novel by Donald Hamilton. The third of four films to star Dean Martin as secret agent Matt Helm, following "The Silencers" and "Murderers' Row," and followed by "The Wrecking Crew." 8 x 10 inches. Near Fine.

Vintage borderless reference photograph taken on the set of the 1975 film, showing director Joseph Losey and a camera crew with actors Glenda Jackson and Helmut Berger between takes. Layout annotations in manuscript ink and pencil on the verso, along with a Pariscop stamp. A novelist's wife returns from a holiday in Germany with another man, setting off a chain of events that force the couple to question the foundations of their relationship. Shot in Baden-Baden, Germany, in Menton, France, and in London. 10 x 8 inches. Very Good plus, with brief wear at the corners.

Two vintage borderless black-and-white reference still photographs from the 1967 Italian-French-German film. From the archives of French film historian Maurice Bessy (1910-1993). Bessy's rubber stamp and name label on the verso of one still, with brief annotations in manuscript ink on the versos of both stills. Featured in one still is director Duvivier and actor Sergio Fantoni, both engaging in a spirited conversation. In the other, Duvivier stands above a bandaged Alain Delon in his hospital bed, surrounded by members of the crew. Based on the 1962 novel "Manie de la persecution" by Louis C. Thomas. After a near fatal car crash resulting in a coma, Pierre (Delon) awakens to a new life. Attempting to search for his true identity after suffering amnesia, coming ever closer to finding the truth, and ever closer to unspeakable danger. Julian Duvivier's final film. One still 7 x 9.5 inches, one 8 x 11.75 inches. About Near Fine overall.

Five vintage borderless reference photographs from the 1969 film. A heavily fictionalized account of the life of the French nobleman and writer, starting with his escape from incarceration, wherein he is haunted by flashbacks of his debauched younger years. Set in Lacoste, France, and shot on location in Bavaria and Berlin, Germany. Approximately 9.5 x 7.75 inches. About Fine.

Seven vintage borderless reference photographs from the 1976 Italian film. Based on the real Salon Kitty, a cabaret and brothel used by Nazi secret intelligence to collect information on high-ranking SS commandants and foreign dignitaries during World War II. Heavily edited for its US release, with many political elements purged in order to market the film as a sexploitation production. Considered one of the progenitors of the Nazi exploitation genre. Set in Berlin. 9.5 x 7 inches. Near Fine. Blue Underground.