Benes barton lidice (28 resultados)

Hardcover. Condición: Very Good. F First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condición: Very Good. F First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condición: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. clean, unmarked copy.

Condición: Fine. F First Edition. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good Dust Jacket. Faint blind stamp lower title page. 143pp. Drawings. Size: 8vo - over 7¾ - 9¾" Tall.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Second Printing. The jacket has some crease and surface along the top and bottom edges.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. A Book about angels, demons, familiars, elementals and spirits. 2nd printing.

hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Unmarked. Dust jacket has two small pieces of tape on front. 2002. Hardcover. (1h).

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. 142pp. Age toning to edgeworn, price-clipped dust jacket which is now in protective mylar.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. NICE appears unread As pictured a First Edition a very good condition hardcover in a very good condition dust jacket price present.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. Second printing. Some wear and tattering to edges of jacket. A few small chips to corners. Rubbing/smudging front and rear of jacket. Light bumping/rubbing to corners of boards. Interior clean and unmarked.

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Hardcover. Condición: Near Fine. Near Fine. Stated first edition. Near fine in a near fine (light edge wear at the spine ends and corners) dust jacket. Illustrated by Barton Lidice Benes (ilustrador).

pp. 131, "Barton Benes imbues mundane objects with the mystical power of holy relics. He assembles modern-day curiosity cabinets, or reliquaries, out of everyday objects that have been touched by fame. From such celebrity-owned articles as Madonna's panties, Bill Clinton's throat lozenge, O. J. Simpson's glove, Larry Hagman's gallstone, and glass from the car crash. book. …

Soft cover. Condición: Very Good. New York: Winter House, 1970. Large format (12" x 9") artist book in stiff card wrappers, spiral-bound. First edition of author's first book. 32 pages, illustrated. Condition: Very Good, with some toning to covers at edges. Scarce.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Octavo. Brown paper boards with black cloth backstrip; gilt harper insignia on front board, gilt lettering on spine; cream pictorial dust jacket. First edition, stated on copyright page. Very slightly cocked, mild edge wear on boards, some small stains on top edge of text block. Jacket has very mild edge wear and one or two small chips; jacket toned/darkened and shows some small mild stains. Binding tight, text and illustrations clean and unmarked. Barton Lidice Benes (ilustrador).…

Condición: New. Satisfaction Guaranteed or your money back.

Condición: Très bon état. in-8 carré, cartonnage éditeur, jaquette illustrée en couleurs, 129 pp., nombreuses reproductions en couleurs. Introduction by John Berendt. TEXTE EN ANGLAIS. En très bonne condition.

No Binding. Condición: Very Good. New York: Plain Wrapper Press, 1971. 8vo, unbound signatures laid in portfolio. A Press Proof of this scare title, with foreword by Emily Hahn. This copy has been SIGNED twice and INSCRIBED by Benes on the title page in the year of publication. Light curling and tanning to sheet edges, else a VG+ copy. Signed by Author(s).…

Rohnert Park; University Art Gallery, 1986. 21x22 cm. (16) pp. Illustrated. Original printed wrappers, stapled, and with a handmade printed dustjacket made from dollar bills. Very fine. Catalogue for Benes's exhibition of currency artworks. No. 186 of 200 signed copies with the handmade dustjacket, and additionally inscribed by the artist to gallery owner Anders Tornberg. …

Wedgepress & Cheese. Bjärred. 1982. The manuscripts are housed in a folder with strings. Barton have written on the folder: For Leif. A little americana for you. Barton Lidice Benes. 1982. 19 pages plus printed bonus material (3 pieces).

First edition of this collection of artistic photographs. Quarto, original publisher's cloth with a pictorial inlay on the front panel, illustrated. Association copy, lengthily inscribed by the author to Ruth Bader Ginsburg on the title page, "For Justice Ginsburg and Martin, it is an honor for me to inscribe my book to the both of you. Fondly, Barton Lidice Benes March 15, 2006." From the library of American lawyer and jurist Ruth Bader Ginsburg. Ruth Bader Ginsburg served as an associate justice of the Supreme Court of the United States from 1993 until her death in 2020 and was responsible for some of the most eventful legal decisions of the past half-century. Nominated by President Bill Clinton in 1993 to replace retiring justice Byron White, Ginsburg became the first Jewish woman and the second woman to serve on the Court, after Sandra Day OâConnor. Ginsburg spent much of her legal career as an advocate for gender equality and womenâs rights, winning many arguments before the Supreme Court. During her tenure as associate justice of the Supreme Court, Ginsburg received attention for her fiery and passionate dissents that reflected liberal views of the law. She was popularly dubbed âthe Notorious R.B.G.â, a moniker she later embraced. She authored several important majority opinions related to gender discrimination, voting rights, and affirmative action in cases such as United States v. Virginia (1996) which struck down the Virginia Military Instituteâs male-only admissions policy as violating the Equal Protection Clause of the Fourteenth Amendment, Olmstead v. L.C. (1999) in which the Court ruled that mental illness is a form of disability covered under the Americans with Disabilities Act of 1990, and Friends of the Earth, Inc. v. Laidlaw Environmental Services, Inc. (2000) in which the Court held that residents have standing to seek fines for an industrial polluter that affected their interests and that is able to continue doing so. Fine in a fine dust jacket. Housed in a custom half morocco clamshell box. The book is a collection of unique and often provocative artwork, featuring collages and assemblages that incorporate found objects, taboo materials, and themes of mortality, sexuality, and culture. Benes, known for his unconventional and satirical approach to art, explores societal norms and personal obsessions in this visually striking work.…

Albuquerque; Tamarind Institute, 1991. 31x31 cm. 8 lithographs on Somerset satin paper, each one within a portfolio of black Arches paper, a lithographed title page, and a colophon. On the inside of the portfolios, text from letters sent to Benes by his aunt Evelyn is printed. All pages are dusted with metallic powder. Hand printed by Sarah Amos. Housed in a black cloth box, bound by Portfoliobox Inc. in Providence, Rhode island, which also includes a fastened paintbrush made from shredded dollar bills. This suite of lithographs was issued in 29 copies: 20 of which were numbered from 1-20, 5 artist's proofs, 3 Tamarind impressions, and the bon à tirer. This copy is No. 3 of the artist's proofs, signed by Benes, and additionally inscribed by him to the gallery owners Inger and Anders Tornberg on the title page: "for Inger and Anders -- Christmas 1993. Thanks for being there for me during dark times / I love you -- Barton". From the library of Anders Tornberg Gallery in Lund, Sweden.…

Condición: Fine, in canvas bag. 1st Edition. First edition, signed by the artist on the title page in 1985. 8 folded sheets, loose, each rubber stamped, with glitter, and one sheet stenciled and hand-cut (Aloha Evelyn). 4to (11 1/2 x 7 3/4 inch sheets, as folded; 10 x 16 in fan), laid-into 12 x 9 1/4 inch. pouch. The first iteration in a series of art works in which Benes used fragments from letters from his aunt to narrate artists books and collages, lending to the works a dry, humorous, commentary on the humble aspirations of Americana. This work largely treats his aunt's rambling about Hawaii. The pages are stamped with fragments about travel, planes and seashells covered in glitter, and the folded fan is printed with the text: "I wish I could get to all these movies, but no way. I just cut an ad out of the paper, for the Luau Restaurant here with exotic Hawaiian food, and an exotic drink, the closest thing to being in Hawaii, they say, all the food you can eat for only $3.95." Barton Lidice Benes (1942-2012) was an important figure in the post-Stonewall gay scene in New York, and is best remembered for his humble works featuring shredded money and his HIV+ blood, which were a flashpoint during the culture wars of the 1990s. His small "museums" works resemble the conceptual provocations of Marcel Broodthaers or the boxes of Joseph Cornell. The contents of his apartment, including his own assemblages, the art of his peers, as well as ancient artifacts was sold to the North Dakota Museum of Art, where it was reassembled. Center for the Book Arts (Collection). Provenance: Private Collection, bought directly from the artist in 1985 8 folded sheets, loose, each rubber stamped, with glitter, and one sheet stenciled and hand-cut (Aloha Evelyn). 4to (11 1/2 x 7 3/4 inch sheets, as folded; 10 x 16 in fan), laid-into 12 x 9 1/4 inch. pouch First edition, signed by the artist on the title page in 1985. Signed.…