becquet freres (15 resultados)

Condición: Good. Lithograph. 38 x 27.5 cm. (sheet). Very Good, light toning along sheet edges.

Condición: Good. Lithograph. 38 x 27 cm. (sheet). Very Good, light foxing in margins.

Condición: Good. Lithograph. 37.5 x 27 cm. (sheet). Very Good.

Condición: Good. Folio. 13 duotone lithographs with tissue guards (2 double page). 39x27 cm (15¼x10¾"), original brown cloth decoratively stamped & lettered in gilt, slightly worn.OCLC Number 1295811272:L'album contient : Page de titre de l'Album Les Pyrénées monumentales et pittoresques : Pavillon de la Buvette ; Vue générale de Bagnères-de-Luchon (Haute-Garonne) ; La Maladetta (Espagne) ; Allées d'Etigny a? Luchon (Haute-Garonne) ; Les Chalets a? Luchon ; Etablissement thermal a? Luchon ; Vue de Luchon (Prise au dessus du Pavillon de la Buvette) ; Cascade du Lac d'Oo ; Cirque de la Vallée du Lys ; Cascade d'Enfer (Vallée de Lys) ; Cascade du Coeur (vue prise près de la première hôtellerie) ; Hospice de Luchon (Chemin de Vénasque) ; Cirque du Port de la Glère.Pierre Gorse was a painter of landscape and genre scenes who participated in the Paris Salon in 1850 and thereafter. He also produced many highly attractive lithographic prints depicting the glories of the Pyrenees region in southwestern France, as illustrated in this volume. The scenes depicted include the city of Pau, several towns and villages, spas, mountain ranges and peaks, numerous waterfalls and cascades, and lakes.

Condición: Good. Oblong 4to. 30.5 x 21cm. Original publisher's cloth with later goatskin spine.Light foxing.Rare, no copies in OCLC or online.GORSE. Cauterets et ses environs (Hautes-Pyrénées). Luchon, Se vend chez Lafonlibraire, vers 1850; in-4 oblong, 13 planches, cartonnage noir d'éditeur, dos lisse. Lesplanches sont protégées par des serpentes. L'ouvrage est imprimé par les ateliers Becquet à Paris.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1874 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 62 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 62.

No Binding. Condición: Very Good. Becquet Freres / Deroy Ilustrador. A fine scarce original antique hand coloured lithograph illustrating (and titled) Avignon, Vue Prise De L' iIe De La Bartalasse. Dess. d'ap. nat. par Deroy. Lithographed by Becquet Freres. Published by E. Morier in Paris. Ca 1840. Print image size 23 x 13cm approx. An original lithographed view of Avignon with original hand colouring. Very rare. Corner tipped onto backing paper. Very good condition.

Altkolorierte Lithographie 25 x 33 cm, Blattgröße 35 x 43 cm. Das Blatt zeigt zwei Frauen auf einem Pferd, daneben ein älterer Soldat. Unten rechts im Stein Nap. on. Thomas. Das Bild eingefasst mit zwei zarten Schmucklinien. Darunter in zwei Spalten in französisch und spanisch der Titel und 5 Reihen Erklärungen. - Es handelt sich hier um eine Illustration zu dem Roman von Eugene Sue, der ewige Jude oder der wandernde Jude. Die Frauen sind die Schwestern Rose und Blanche, ihr Begleiter ist Dagobert, ein alter Grenadier. Die Geschichte geht zurück auf eine christliche Volkssage seit dem 13. Jahrhundert. Ein Mann verspottet Jesus und wird daraufhin verflucht. Eugene Sue hat zu dem Thema einen umfangreichen Fortsetzungsroman mit einzelnen Handlungssträngen geschrieben. - Das Papier leicht stockfleckig. Die Darstellung malerisch mit einem feinen, sorgfältigen Kolorit. Trotz der benannten Mängel ein schönes Blatt.

Condición: ACEPTABLE. [Un] Grabado litográfico representando a San Vicente Ferrer en su forma títpica de ángel. Título completo: "San Vicente: Copia de Zurbarán por Dn. Manuel Escribano en Sevilla". ["A Paris, Chez S. Stampa fils, edit. rue des Gds. Augustins, 1."] ; ["Madrid en casa de J.B. Stampa, Calles de Atocha 20, y Carmen 41."] ; ["Cadix en la Estampería de A. Bulla, Plaza de San Agustin."] ; ["Lith. Becquet Freres a Paris."] . Formato (cm): 70x30.

First Edition. The Original Folio Edition of 'Fair Ideas' ADAM, Victor, illustrator. La Foire aux Idées. Paris: J. Monrocq, [1851-54]. First edition complete. Large quarto (11 7/8 x 9 1/4 inches; 302 x 235 mm.). [Title on front cover]. One hundred numbered leaves, a varying number of illustrations on each page. Plates lithographed by Becquet freres. Publisher's quarter dark green morocco over embossed black cloth boards, front cover decorated in gilt surrounding the title in gilt, smooth spine ruled in blind and lettered in gilt. Spine faded - still a fine example. The original large quarto edition of 1851-54 containing one hundred numbered lithograph plates with between one and fifteen subjects on a page. All plates have the running title "La Foire Aux Idées Par V. Adam", the imprints of "Paris. J. Monrocq - éditeur" & "Lith. de Becquet frères, à Paris", and all signed "V. Adam". A wonderful selection of sketches, jokes, caricatures, costumes, games, animals and fantasies? OCLC locates just four copies (of the later edition with 120 plates) in libraries and institutions worldwide: Trinity College Library (CT, US); Smithsonian Institution (DC, US); Princeton University (NJ, US) and The Bibliotheque Nationale de France. According to ABPC no complete copies have sold at auction over the past 100 years. There was a later edition which contained 120 lithograph plates Extraordinary magazine of subjects drawn by Victor Adam of black lithographed plates, like so many vignettes borrowed from his past or future thematic albums (Animals of all species, Horses and riders, Little tales put into action, etc. ) or even illustrations from the albums of Allouard and Koeppelin or Micheland France in the 14th and 15th centuries or Memorable Facts in the History of France, etc. Published in 1855 under the title The Fair of Ideas (1851-1854) Grrrrrande exhibition of sketches, loads, drolleries, caricatures, costumes, games, animals, fantasies, the plates were printed in quarto format, lithographed by Becquet frères and coated of the signature V. Adam with the current title La Foire aux Idées, by V. Adam, and the address Paris - Monrocq brothers publishers Lith. Becquet brothers in Paris. Smaller format albums were published under the same title where each original board was divided into two parts. Jean-Victor Adam? is the son and pupil of the engraver Jean Adam; he made himself known as a painter of battles. His lithographic production was abundant, to the point that ?one can regret that the artist did not curb his overflowing facility; maybe he would have won, for he was not without talent (?) However, it would be very surprising if, among the thousands of pieces of a draftsman who takes his subjects from the news, the curious did not find some useful and interesting information. (Beraldi). Jean-Victor Adam (1801-1867) was a French painter and lithographer. Born in Paris he was the son of Jean Adam, an esteemed engraver. During the years 1814 to 1818 he studied at the Ecole des Beaux-Arts, and also in the ateliers of Meynier and Régnault. In 1819 he exhibited 'Herminia succouring Tancred.' He was almost immediately afterwards employed to paint various subjects for the Museum at Versailles, amongst which are, 'The Entry of the French into Mainz,' 'The Battle of Varroux,' 'The Taking of Menin, 'The Battle of Castiglione,' 'The Passage of the Cluse,' 'The Battle of Montebello,' 'The Capitulation of Meiningen;' the last three in association with Alaux. He also exhibited down to the year 1838: 'Henry IV., after the Battle of Coutras,' 'Trait of Kindness in the Duke de Berri,' 'The Postillion,' 'The Vivandiere,' 'The Road to Poissy,' 'The Return from the Chase,' 'Horse-fair at Caen,' and numerous other subjects. He then retired from publicity, till 1846, when he appeared as the exhibitor of some works in lithography, to which branch of art he afterwards restricted himself. In this line he produced a lithographic album, 'Views in the Environs of Paris,' 'Studies of Animals for an edition of Buffon,' &c. He obtained a gold medal in 1824, a second class medal in 1836, besides several others from Lille, Douai, and other cities. He died at Viroflay in 1866. The Engravers of the 19th Century, guide for the amateur of modern prints, 1885, I, p. 19, n°9 under the heading ?Macedonias and Placards?: ?album of a hundred sheets with small subjects, it is one of the most famous collections among all those that Victor Adam drew? Grand Carteret, 620; Beraldi,

Litografia dipinta a mano di mm 320x420, su disegno di Llanta. Ottimo esemplare di quest'animata scena di caccia al capodoglio, con minime tracce di sporco marginale.

19. Paris, publié par Michel, Passage Choiseul, s.d. (1856), oblong in-4°, 25.5 x 34 cm, title page + 40 chromolithographic plates ( views of Paris). Bound in red half publisher's cloth, frontcover richly embossed and gilt with romantic ornaments. Binding with some use, fly leaves a bit foxed but still a fine clean copy. The views lithographed by Rivière were listed for copyright according the periodical '' La Bibliographie de la France'', 29th of November 1856, item 2396. They represent a very interesting transitional type of print. Rivière based his very accurate drawings on the newly invented medium ; photography. Soon his art would be completely obsolete ; as photography itself , becoming steadily cheaper, would replace these kind of albums. The views of Paris' streets and monuments are very lively and charming.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1857 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 322 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 322 Language: English.

Leather Bound. Condición: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1874. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages:- 62, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 62 62.

. Illustrateur : BRY (Auguste), BECQUET FRERES, ROMAGNESI (Vergnaud), RIGOT (Jules) & CIE . Ilustrador. Orléans, Alphonse Gatineau, in-8, plein maroquin brun, couverture illustrée, tranches dorées, 74 pages. Album-souvenir d'Orléans composé de soixante vues représentant les monuments anciens et modernes, les principales rues, places, promenades, et les maisons remarquables de la ville. Déssinées et lithographiées d'après nature par plusieurs artistes dont Auguste BRY et les fréres BECQUET. Piqûres et brunissures internes. Dos insolé. Usures, piqûres et salissures à la couverture. Livres.