Beach milo (261 resultados)

Condición: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: very good. Very Good Copy. Customer Service Guaranteed.

paperback. Condición: Fair.

Condición: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Estado de la sobrecubierta: 9873150. 1786872572. 8/16/2026 9:29:32 AM.

Soft cover. Condición: Very Good. No Jacket. 1st Edition. Stuart Cary Welch is a recurring name in books about painting in India. I am sure I have at least one other of his works on offer here. This is a book of pictures but there is plenty of description and explanation about the painting of Northern India of centuries past. If you buy this book, better set aside some time for serious study! The book is nicely illustrated with select examples in color of the subject painting, plus another 80 reproductions in b&w of these paintings in The Asia House Gallery, the Baltimore Museum of Art and the Munson-Williams-Proctor Institute, right here in nearby Utica, New York in 1965 & 1966. Despite having been displayed widely, the Catalogue is not very common. Condition: This book is in very good condition. There is some sunning along the gutter of the front cover and the spine seems a bit darkened. Inside, the book is not marked and the pages and plates are clean and bright thoughout, without toning or foxing. The binding of this soft cover museum catalogue is tight and sound. Several photographers (ilustrador).…

Trade paperback. Condición: Fine. Trade paperback (US). Glued binding. 336 p. Audience: General/trade. No previous owner's name. Clean, tight pages. No bent corners. No remainder mark. Looks brand new BB 88.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Oversized Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Book and jacket in very solid, tight, unmarked condition.

Hardcover. Condición: Good. No Jacket. 1st Edition. Bound in a light green library binding. LCCCN: 65-25427. Includes a mixture of color plates and black and white. There are some pencil notes on page numbers in the margins on several pages and a page number circled n the text on pages 44 and 50. Otherwise the book is unmarked. From the copyright page: Gods, Thrones, and Peacocks is the catalogue of an exhibition selected by Stuart Cary Welch, and shown in the Asia House Gallery in the Autumn of 1965 as an activity of the Asia Society, to further greater understanding and mutual appreciation between the United States and the peoples of Asia. 129 pp. Shelf: D-3. …

Condición: As New. Unread book in perfect condition.

Hardback. Condición: Good. The Mughals - descendants of Timur and Genghiz Khan with strong cultural ties to the Persian world - seized political power in north India in 1526 and became the most important artistically active Muslim dynasty on the subcontinent. In this richly illustrated book, Dr Milo Beach shows how, between 1555 and 1630 in particular, Mughal patronage of the arts was incessant and radically innovative for the Indian context. The author reveals how Mughal painting was defined by the styles popular at the imperial court, whereas Pajput painting consisted of many local court styles, corresponding to the various Hindu kingdoms, each with different tastes and artistic inspirations. By reproducing nearly 200 examples in this study, Milo Beach traces the interplay of the traditions of Mughal and Rajput painting from the sixteenth to nineteenth centuries. He demonstrates the tolerance each showed towards outside influence and change and thus helps to define a uniquely Indian attitude towards the arts.…

Trade Paperback. Condición: Used - Good. Edgewear, corners creased. Solid binding, unmarked interior.

Paperback. Condición: Very Good. No markings.

Paperback. First edition. Very Good+ paperback with light to moderate shelf wear to the covers and an owner's name to the verso of the ffep and to the last page. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. "Following its opening to trade with America and Europe in 1859 (after more than two centuries of Japanese isolation), foreigners from the five treaty nations filled Yokohama, transforming the rural fishing village into a bustling international port. These extraordinary, colorful woodblock prints capture the excitement the harbor, the foreign peoples, and the technological wonders (from sewing machines to locomotives) that were introduced into Japan." The catalogue for a traveling exhibition first held at the Arthur M. Sackler Gallery, May 27 - September 9, 1990, and later at the Asian Art Museum of San Francisco and the Los Angeles County Museum of Art. Text by Ann Yonemura; essay by William Leonhart; foreword by Milo C. Beach. 200 pages; 85 prints reproduced in color with detail images + 33 color and b&w text illustrations + color map endpapers; 9 x 13 inches. Bibliography; Chronology of Selected World Events; list of artists in the exhibition. LAID-IN is a pamphlet titled "Schools and Styles of Japanese Paintings" from a different exhibition.…

Hardback. Condición: Good. The Mughals - descendants of Timur and Genghiz Khan with strong cultural ties to the Persian world - seized political power in north India in 1526 and became the most important artistically active Muslim dynasty on the subcontinent. In this richly illustrated book, Dr Milo Beach shows how, between 1555 and 1630 in particular, Mughal patronage of the arts was incessant and radically innovative for the Indian context. The author reveals how Mughal painting was defined by the styles popular at the imperial court, whereas Pajput painting consisted of many local court styles, corresponding to the various Hindu kingdoms, each with different tastes and artistic inspirations. By reproducing nearly 200 examples in this study, Milo Beach traces the interplay of the traditions of Mughal and Rajput painting from the sixteenth to nineteenth centuries. He demonstrates the tolerance each showed towards outside influence and change and thus helps to define a uniquely Indian attitude towards the arts.…

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. pp. 56.

Condición: New. pp. 64.