Barrow thomas f (34 resultados)

Hardcover. Condición: Used.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condición: Fine. 80 pp, 11-in tall, bibliography. Catalogue for a 1984 exhibit at the Elvehjem Museum of Art. 126 photographs in this study of early photography.

Softcover. Condición: Very Good.

Softcover. Condición: Very Good with no dust jacket. Soundly stapled binding. Clean, bright pages. Wrappers off-white with light shelf wear. Errata sheet laid in. Newhall, Introduction. Barrow, Notes on the collection. Catalogue of the museum's photographic print collection accompanied by representative black and white photographic illustrations. 11" tall; 48 pages.…

Soft cover. Condición: Near Fine. 1st Edition. Friends of Photography, San Francisco, 1980. Softcover, 48 pp. Nine art critics were invited to submit one photograph to write about, at a time when wide acceptance of photography as a form of fine art was still relatively recent. Near fine condition.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Tan & color illus. stapled wraps, 80 pp., 126 BW illus. Issued in conjunction with a 1984 exhibition of these photographs. With an introductory essay by Thomas F. Barrow, and an illustrated and annotated catalogue of 126 vintage photographs of people and places. VG (Wraps have shelf/edgewear; interior is clean; binding is solid.).…

Hardcover. Condición: Near Fine. 1st Edition. 191 Pp. Facsimile Of 1901 First Edition, With A New Preface. Green Cloth, Gilt. Near Fine. No Marks.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. First edition, first printing. Hardcover. Gray cloth-covered boards with title debossed on cover and stamped in black on spine, with photographically illustrated dust jacket. Critical essays by Sadakichi Hartmann. Edited by Harry W. Lawton and George Knox, with the collaboration of Wistaria Hartmann Linton. Foreword by Thomas F. Barrow. Photographs by numerous artists, including Alfred Stieglitz, Frank Eugene, Clarence H. White, F. Holland Day, Gertrude Käsebier, Edward Steichen, Alvin Langdon Coburn, Edward S. Curtis, Arnold Genthe and numerous others. Includes profiles of photographic pioneers, bibliography compiled by Michael Elderman, notes to the text and an index of names. 382 pp., with numerous black and white illustrations. 11 x 9-1/4 inches. Very Good (a remainder mark "X" in black ink on the bottom text block) in Very Good dust jacket (price-clipped, some shelf wear and sunning to the spine area). From the publisher: "Among the forerunners of photographic criticism in America none exerted such personal influence on so many photographers as Sadakichi Hartmann, the Japanese-German novelist, dramatist, poet and art critic. Hartmann rampaged through the photographic world, first as Alfred Stieglitz iconoclastic hatchetman of the Photo-Secession movement, later as an unruly rebel sniping away at his mentor under the pseudonym of Caliban.". …

Hardcover. Condición: Like New. First Edition. First Edition, Third Printing (1987). Published by University of New Mexico Press, 1982. Octavo. Pictorial wraps. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Covers have light shelf wear. 256 pages. ISBN: 0826306470. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.…

1st Edition. Near fine cloth copy in a good if slightly edge-torn and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: xv, 191 pages: ill. ; 27 cm. Subjects: CAFFIN, C. H.Photography, Artistic. 20th century photography. 1 Kg.…

Hardcover. 1st. A dark green hardcover book with the title in silver lettering down the spine. There is a white dust jacket with a black-and-white photograph on the front. The title text is printed in grey on the front cover and down the spine. Pages: (4), v-viii, 1-256. Contains black-and-white images in several of the essays. Photographing architecture / John Szarkowski -- Landscape photography ; Foreword to Photography 63 / Nathan Lyons -- Meditations around Paul Strand / Hollis Frampton -- The new west: foreword / John Szarkowski -- The new west: introduction / Robert Adams -- Introduction to The new topographics / William Jenkins -- Review of The new west / Lewis Baltz -- Photography, vision, and representation / Joel Snyder and Neil Walsh Allen -- A box of Jewish giants, Russian midgets, and banal suburban couples / Sanford Schwartz -- The harp and the camera / Owen Barfield -- Tracing Nadar / Rosalind Krauss -- Art + photography / Susan P. Compton -- Philosophy and photography in the nineteenth century: a note on the matter of influence / Dennis P. Grady -- Walker Evans, rhetoric, and photography / Daniel A. Lindley, Jr. -- Review essay: portraiture / Eugenia Parry Janis -- Photographs and history: flexible illustrations / James C.A. Kaufmann -- Joe Deal's optical democracy / James Hugunin -- Notes toward and integrated history of picturemaking / Carl Chiarenza -- Self-portraits in photography / Ingrid Sischy -- Toward a critical pluralism / Andy Grundberg. VG-: Some wear along the edges of the dust jacket. The body of the text has pencil and highlighter marks. The binding is strong and the corners are sharp.…

1st Edition. Near fine cloth copy in a good if slightly edge-torn and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: xv, 191 pages: ill. ; 27 cm. Subjects: CAFFIN, C. H.Photography, Artistic. 20th century photography. 1 Kg.…

First Edition. Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Very slightly suggestions of foxing on front wrapper. Physical description; 36 pages : illustrations ; 22 x 23 cm. Subjects; Photography. Artistic Exhibitions. Expositions. Exhibition catalogs. 1 Kg. …

Condición: Very Good.

Paperback. White wraps with black, blue and grey lettering and color illustration; 63 pp.; richly illustrated. Good (Ex library with sticker on the front and inside rear cover; wraps are toned with some scuffing/smudging; interior is clean; binding is solid.).

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. ix, 262 p. : ill. ; 29 cm. ; ISBN 9780820307114 0820307114 OCLC 10146926 LCCN 83018078 LC LD1983 .B6 1984 Dewey 378.75818 ; orange cloth in photographic dustjacket ; name on front endpaper ; Contents: The Early years 1784-1860 -- Troubled times 1861-1899 -- Renaissance 1899-1932 -- The modern era 1933-1984 -- Today and tomorrow 1985-1999 -- Biographical note ; First published during the school's bicentennial, A Pictorial History of the University of Georgia has now been revised and expanded to include a new, updated section and 43 new photographs that portray the university's most recent growth and development. More than 300 illustrations and photographs accompany the story of pivotal events and the details of student life from the first classes held on the Georgia frontier in 1801 through the impact of the Civil War and Reconstruction, the admission of women in 1918, and the construction of a new east campus. This new edition features an in-depth chronicle of the University of Georgia's rapid growth during the past decade and describes the effects of the expansion of the student body and faculty, the burgeoning athletic program and its new emphasis on women's sports, and the administrations of Charles Knapp and Michael Adams. From landmark changes to little-known events and curious facts, A Pictorial History of the University of Georgia presents a complete portrait of the school that blends educational innovation and cultural diversity with long-standing traditions. Book.…

Condición: Good. 8vo. 36 pp. Oblong. Soft Cover. Very Good. Stiff illustrated paper wraps. Staple binding. Light shelf wear. B&W plates throughout.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.…

Condición: New. Satisfaction Guaranteed or your money back.

Paperback. Condición: Very Good. Estado de la sobrecubierta: Very Good. Some shelfwear to chemise. Slight toning to interior.

Softcover/Paperback. Condición: Sehr gut. viii, 256 s. : illustrations ; 24 cm Zustand: gut bis sehr gut; UNGELESEN; a7779 9780826306470 Wenn das Buch einen Schutzumschlag hat, ist das ausdrücklich erwähnt. Rechnung mit ausgewiesener Mwst. Sprache: Englisch Gewicht in Gramm: 630.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Condición: Good. 240 x 240 mm. 32pp. Printed black and white, stapled. Issue no. 7 of Form magazine. The most significant British magazine of the 1960s concentrating on pure abstraction and through this art theory, avant-garde magazines et al. This issue includes features on Kinetic Art in Czechoslovakia and Kinetic Film, Cinema and Semiology, New American Photography and Great Little Magazines. Contributors include Alice Andrews, Robert W. Fchter, Roger Mertin, Reginald Heron, Thomas F. barrow, Joel Meyerowitz, Simon Cutts, Peter Wollen, Jan Slavik. Condition: Spotting, handling and wear to covers and some pages. As seen, first four pages have heavy crease top right corner. No tears or writing. reference copy only. Good.…

Condición: Good. Estado de la sobrecubierta: Good. First Edition. University of New Mexico Press, 1982. Stated First Edition; not ex-library; scarce in dustjacket; dust jacket, now in Brodart cover, soiled, very lightly rubbed, 1 inch tear at top edge of rear panel near spine juncture, corners lightly rubbed, faintly bumped, >0.25 inch tear at rear bottom corner, spine ends lightly rubbed/bumped, slightly chipped; cover front board very barely soiled, spine ends very lightly rubbed, top spine end faintly bumped; edges very lightly soiled; binding tight; dustjacket, cover, edges, and interior intact and clean except as noted. First Edition. hardcover. Good/Good.…

Condición: New. Satisfaction Guaranteed or your money back.

Hardcover. Condición: New. 9 X 1.1 X 11 inches; 244 pages.

Condición: Good. 4to. 63 pp. Very Good. Black and White Plates. Soft Covers.

Softcover. Condición: g to vg. First edition. Oblong Quarto. 4pp., 12 plates (5 x 7" on 9 x 11" pates. Original orange wraps portfolio with brown lettering on front flap. "The reproductions in this portfolio are from original Lewis W. Hine negatives in the George Eastman House Archive." (Publisher). With an introduction by Thomas F. Barrow. Hine became a photographer for the National Child Labor Committee in 1908. His photographs are credited with having changed the Child Labor Laws in the United States. minor creasing at corners of text pages and one of the inside flaps of portfolio. Portfolio with light sunning and some light stains on back. Portfolio in overall good, interior in very good condition. …